The Ritz was demolished sometime in th elate 1950s or early 1960s. It was located in between an old brick building that was at the southeast corner of Fair Oaks and Hope, and Gus’s Barbecue which is still at its long time location, 808 Fair Oaks. The site of the Ritz became a parking lot. If there is currently a building at 804 Fair Oaks, it is new. You can glimpse the vacant lot in the picture on the main page of the web site for Gus’s:
The Academy Cinemas (its current name) is now being operated by Regency Theaters. Listings and showtimes can be found at its web site: http://regencymovies.com/main.php?theaterId=8
Undoubtedly, they all ultimately derived their name from the original Strand Theater in London, (which was named for the street on which it was located), just as all the theaters named Roxy or Roxie ultimately derived their names from the original Roxy Theater in New York.
It’s odd, but after many years of being familiar with the name, I have only just now noticed that the apostrophe comes after the “s” and not after the “r” in Warners'. So it’s the possessive of the plural, (referring to all of the Warner brothers, I suppose) rather than the possessive of the name Warner itself. Strange.
The number 16 in this theater’s name might mislead some younger people to surmise that it was an early multiplex operation. In fact, it was a small, single screen house showing underground, independent and experimental movies which had been shot on (and were projected with) lower cost 16mm equipment.
I believe there was also a Cinematheque 16 that operated briefly in Pasadena about the same time. I know that it was originally planned to open in the main hall of the old Masonic Lodge building (now long since demolished) on North Fair Oaks Avenue, but I don’t know if it actually ended up there. I wasn’t paying much attention to underground cinema in the late ‘60s.
This page at the City of Tacoma’s web site has information about this theater, and has two small photographs of it, including one of the building in flames on May 1st, 1963.
The name of the architect is given as J.M. Wood of Chicago, assisted by A.F. Heide, with exterior design by John Galen Howard and interiors by Sydney Lowell. The 1927 renovation was by architects Heath, Grove & Bell.
Southwest Builder and Contractor of December 3rd, 1937, contains a notice that Loyal H. King and H.J. Siler had purchased the Scott Theatre at Huntington Beach and would do extensive remodeling and upgrading.
An earlier issue of Southwest Builder and Contractor, from July 25th, 1924, contains a notice that Huntington Beach city authorities had been presented with plans to remodel the former City Hall on 5th Street into a theater. The exact address of the building is not given, but it seems possible that the notice refers to the theater which eventually became the Surf.
Now that steveorini has revealed that the address of The Rolling Hills Theater was 2535 Pacific Coast Highway, perhaps someone can restore the entry for the United Artist’s Torrance Theater mentioned in comments above. The U.A. Torrance was located at 2735 Pacific Coast Highway, according to the theater listings in The Los Angeles Times of February 10th, 1971.
As far as I know, there was never a theater in that location. The tall, classical building to which it is attached was called the Merritt Building, and for much of its history it has been a bank, (I believe the original occupant was the Pan American Bank of California), though it has been used as retail space, too. I’ve seen this particular postcard before, but I have no idea why there is a marquee on the building at the time this picture was taken. In none of the other old pictures of the building that I’ve seen does the marquee exist.
In light of the comment above by Gary Parks, saying that the original architect of this theater was A.W. Cornelius, I re-checked my source of information, and I think he is probably right. I found a reference to an article in the magazine Architect and Engineer of March, 1936, which says that the former T&D Theater in Richmond was being remodeled for Fox Theaters, to designs by Architect F. Frederic Amands.
It doesn’t give the name of the original architect, and I have been unable to find any other references to Cornelius in connection with this theater, but as this remodeling took place a year before the announcement of the proposed theater designed by Walker and Eisen, I think it likely that their project was for a different theater, intended for the same block of MacDonald Street, that remained unbuilt. Given the fact that Cornelius designed so many theaters for T&D, it does seem most likely that he was the original architect of the United Artists.
Also, I noticed that in his comment on the Fox Theater (formerly the Costa) in Richmond, jwr gives the address for the United Artists as 823 MacDonald.
There is a page for this theater at the web site of the San Antonio Conservation Society, which says that the theater interior was designed by Robert Kelley and R.O. Koenig. There is no mention of Meyer and Holler at that site. I suppose that the building as a whole might have been built by Meyer and Holler’s firm, the Milwaukee Building Company, but I think we can trust the preservationists of San Antonio to know who deserves credit for designing the theater’s interior.
James Edwards not only retained control of all his theaters in the San Gabriel Valley into the 1960s, and most of them well beyond that, but continued to expand his holdings there even after the main focus of the company’s expansion shifted to Orange County. The Edwards company owned or operated every english-language theater in Alhambra, San Gabriel, Temple City and Monterey Park from about 1962 until the company was taken over by the Regal group. (Edwards' San Gabriel Drive-In was operated by Pacific Theaters.) Probably 90% of the movies I saw before I was about sixteen, I saw at an Edwards Theater.
Actually, (if it works with the browser you are using- I don’t think it’s compatible with all of them), all you need to do is click on the name of the city in the row of links at the top of this page, just under the line; “Discover. Preserve. Protect.”
I think I may have a couple of monthly calendars from the Rialto in South Pasadena, dating from the early 1980s. I recall packing them when I moved from Los Angeles in 1986. A few of my boxes are still unopened after all these years.
I’m trying to remember if I went to the Beverly in the 1960s. I attended at least two theaters on Beverly Boulevard at that time, but can’t remember the names, though “Riviera” rings a bell.
Stevebob is correct. Also, the links to the Pantages and the Wiltern in that first paragraph don’t work.
I think that William must have meant to reference all four theaters (Warner San Pedro, Warner Huntington Park, Pantages Hollywood and the Wiltern) as outstanding examples of art deco, but the phrasing and punctuation got confused when the links were added.
The theater listings of the Los Angeles Times issue of February 10th, 1971, have the Roadium listed among the independent drive-ins. I can’t find it listed at all in the August 24th, 1986 issue of The Times.
I lived within a couple of miles of the San Gabriel Civic most of my life, and visited it many times, and had no idea that it had ever been used as a regular movie theater. By the time I was born, it had become the Civic Auditorium, and only showed movies once in a while, usually travelogues or special features such as Bruce Brown’s surfing movies. It really is a splendid building. I’m glad to see that they repaired the severe damage it suffered in the Whittler Narrows earthquake, rather than just demolishing it, as was the fate of many other historic buildings in the area.
What became of the duplicate posting of this theater under the name Fox Colorado? It had a photograph of the original facade, as designed by architect L.A. Smith. Can the photo be transfered to this post, now that the other has been deleted?
There is a better than even chance that the correct name of the architect of this theater is John Walker Flood, rather than J. Flood Walker. I have seen both names on cards in the L.A. Public Library database, but I believe J. Flood Walker to have been an error. If someone has access to an old Santa Ana City Directory, or a copy of Who’s Who in California from the 1910s-1920s, the mystery might be cleared up.
I’ve been unable to find any indication that Carl Boller was the architect of this theatre. I believe that the theatre Boller worked on was the one announced in Southwest Builder and Contractor issue of July 10th, 1925. The location of that theatre was given as 5th and Broadway, Santa Ana, but I suspect that it was the Broadway Theatre at 416 N. Broadway. The article says that the plans for that theatre were being prepared by Boller and architect A. Godfrey Bailey, associated, and the owner of the theatre is named as E.D. Yost.
This Yost theater on Spurgeon Street was announced in Southwest Contractor and Manufacturer, issue of February 15th, 1913, and the architect was named as Harry Frederick Eley. Other references I have found indicate that the theatre was financed and erected by T.H. Fowler, a Santa Ana Contractor and financier of the era.
This Yost Theatre is mentioned again in a Southwest Builder and Contractor article of January 21st, 1921. This article announces that E.D. Yost has had plans prepared for an addition and remodeling of his theatre on Spurgeon Street, to cost $30,000. The architect of this remodeling is named as W.W. Kays.
Another remodeling of the Yost took place in 1947 (Southwest Builder and Contractor, February 21, 1947) and involved deepening the basement, relocating the restrooms, enlarging the foyer, and installing new heating and ventilation systems. The architects of this remodeling were Wildman and Faulkner, 225 Spurgeon Building, Santa Ana.
I’ve been unable to find the name of the architect who designed the 1909 Temple Theatre, but the August 2nd, 1935, issue of Southwest Builder and Contractor contains an article saying that the architects who prepared the plans for remodeling the theatre for C.E. Walker were Austin & Wildman, of Santa Ana.
The Ritz was demolished sometime in th elate 1950s or early 1960s. It was located in between an old brick building that was at the southeast corner of Fair Oaks and Hope, and Gus’s Barbecue which is still at its long time location, 808 Fair Oaks. The site of the Ritz became a parking lot. If there is currently a building at 804 Fair Oaks, it is new. You can glimpse the vacant lot in the picture on the main page of the web site for Gus’s:
http://www.gussbbq.com/
Another brief history, and a picture, from the Madison Trust for Historic Preservaton:
View link
The Academy Cinemas (its current name) is now being operated by Regency Theaters. Listings and showtimes can be found at its web site:
http://regencymovies.com/main.php?theaterId=8
Undoubtedly, they all ultimately derived their name from the original Strand Theater in London, (which was named for the street on which it was located), just as all the theaters named Roxy or Roxie ultimately derived their names from the original Roxy Theater in New York.
It’s odd, but after many years of being familiar with the name, I have only just now noticed that the apostrophe comes after the “s” and not after the “r” in Warners'. So it’s the possessive of the plural, (referring to all of the Warner brothers, I suppose) rather than the possessive of the name Warner itself. Strange.
The number 16 in this theater’s name might mislead some younger people to surmise that it was an early multiplex operation. In fact, it was a small, single screen house showing underground, independent and experimental movies which had been shot on (and were projected with) lower cost 16mm equipment.
I believe there was also a Cinematheque 16 that operated briefly in Pasadena about the same time. I know that it was originally planned to open in the main hall of the old Masonic Lodge building (now long since demolished) on North Fair Oaks Avenue, but I don’t know if it actually ended up there. I wasn’t paying much attention to underground cinema in the late ‘60s.
That web site with its swarms of Java applets keeps causing my browser to crash. :( Are there pictures of the theater anywhere else?
This page at the City of Tacoma’s web site has information about this theater, and has two small photographs of it, including one of the building in flames on May 1st, 1963.
The name of the architect is given as J.M. Wood of Chicago, assisted by A.F. Heide, with exterior design by John Galen Howard and interiors by Sydney Lowell. The 1927 renovation was by architects Heath, Grove & Bell.
Southwest Builder and Contractor of December 3rd, 1937, contains a notice that Loyal H. King and H.J. Siler had purchased the Scott Theatre at Huntington Beach and would do extensive remodeling and upgrading.
An earlier issue of Southwest Builder and Contractor, from July 25th, 1924, contains a notice that Huntington Beach city authorities had been presented with plans to remodel the former City Hall on 5th Street into a theater. The exact address of the building is not given, but it seems possible that the notice refers to the theater which eventually became the Surf.
Now that steveorini has revealed that the address of The Rolling Hills Theater was 2535 Pacific Coast Highway, perhaps someone can restore the entry for the United Artist’s Torrance Theater mentioned in comments above. The U.A. Torrance was located at 2735 Pacific Coast Highway, according to the theater listings in The Los Angeles Times of February 10th, 1971.
Gerald;
As far as I know, there was never a theater in that location. The tall, classical building to which it is attached was called the Merritt Building, and for much of its history it has been a bank, (I believe the original occupant was the Pan American Bank of California), though it has been used as retail space, too. I’ve seen this particular postcard before, but I have no idea why there is a marquee on the building at the time this picture was taken. In none of the other old pictures of the building that I’ve seen does the marquee exist.
In light of the comment above by Gary Parks, saying that the original architect of this theater was A.W. Cornelius, I re-checked my source of information, and I think he is probably right. I found a reference to an article in the magazine Architect and Engineer of March, 1936, which says that the former T&D Theater in Richmond was being remodeled for Fox Theaters, to designs by Architect F. Frederic Amands.
It doesn’t give the name of the original architect, and I have been unable to find any other references to Cornelius in connection with this theater, but as this remodeling took place a year before the announcement of the proposed theater designed by Walker and Eisen, I think it likely that their project was for a different theater, intended for the same block of MacDonald Street, that remained unbuilt. Given the fact that Cornelius designed so many theaters for T&D, it does seem most likely that he was the original architect of the United Artists.
Also, I noticed that in his comment on the Fox Theater (formerly the Costa) in Richmond, jwr gives the address for the United Artists as 823 MacDonald.
My bad for the uncaught typo. That should be Robert Kelly, not Kelley.
There is a page for this theater at the web site of the San Antonio Conservation Society, which says that the theater interior was designed by Robert Kelley and R.O. Koenig. There is no mention of Meyer and Holler at that site. I suppose that the building as a whole might have been built by Meyer and Holler’s firm, the Milwaukee Building Company, but I think we can trust the preservationists of San Antonio to know who deserves credit for designing the theater’s interior.
Century City is not actually a city, but merely the name of the development. It is inside the corporate limits of the City of Los Angeles.
James Edwards not only retained control of all his theaters in the San Gabriel Valley into the 1960s, and most of them well beyond that, but continued to expand his holdings there even after the main focus of the company’s expansion shifted to Orange County. The Edwards company owned or operated every english-language theater in Alhambra, San Gabriel, Temple City and Monterey Park from about 1962 until the company was taken over by the Regal group. (Edwards' San Gabriel Drive-In was operated by Pacific Theaters.) Probably 90% of the movies I saw before I was about sixteen, I saw at an Edwards Theater.
Actually, (if it works with the browser you are using- I don’t think it’s compatible with all of them), all you need to do is click on the name of the city in the row of links at the top of this page, just under the line; “Discover. Preserve. Protect.”
I think I may have a couple of monthly calendars from the Rialto in South Pasadena, dating from the early 1980s. I recall packing them when I moved from Los Angeles in 1986. A few of my boxes are still unopened after all these years.
I’m trying to remember if I went to the Beverly in the 1960s. I attended at least two theaters on Beverly Boulevard at that time, but can’t remember the names, though “Riviera” rings a bell.
Stevebob is correct. Also, the links to the Pantages and the Wiltern in that first paragraph don’t work.
I think that William must have meant to reference all four theaters (Warner San Pedro, Warner Huntington Park, Pantages Hollywood and the Wiltern) as outstanding examples of art deco, but the phrasing and punctuation got confused when the links were added.
The theater listings of the Los Angeles Times issue of February 10th, 1971, have the Roadium listed among the independent drive-ins. I can’t find it listed at all in the August 24th, 1986 issue of The Times.
I lived within a couple of miles of the San Gabriel Civic most of my life, and visited it many times, and had no idea that it had ever been used as a regular movie theater. By the time I was born, it had become the Civic Auditorium, and only showed movies once in a while, usually travelogues or special features such as Bruce Brown’s surfing movies. It really is a splendid building. I’m glad to see that they repaired the severe damage it suffered in the Whittler Narrows earthquake, rather than just demolishing it, as was the fate of many other historic buildings in the area.
What became of the duplicate posting of this theater under the name Fox Colorado? It had a photograph of the original facade, as designed by architect L.A. Smith. Can the photo be transfered to this post, now that the other has been deleted?
There is a better than even chance that the correct name of the architect of this theater is John Walker Flood, rather than J. Flood Walker. I have seen both names on cards in the L.A. Public Library database, but I believe J. Flood Walker to have been an error. If someone has access to an old Santa Ana City Directory, or a copy of Who’s Who in California from the 1910s-1920s, the mystery might be cleared up.
I’ve been unable to find any indication that Carl Boller was the architect of this theatre. I believe that the theatre Boller worked on was the one announced in Southwest Builder and Contractor issue of July 10th, 1925. The location of that theatre was given as 5th and Broadway, Santa Ana, but I suspect that it was the Broadway Theatre at 416 N. Broadway. The article says that the plans for that theatre were being prepared by Boller and architect A. Godfrey Bailey, associated, and the owner of the theatre is named as E.D. Yost.
This Yost theater on Spurgeon Street was announced in Southwest Contractor and Manufacturer, issue of February 15th, 1913, and the architect was named as Harry Frederick Eley. Other references I have found indicate that the theatre was financed and erected by T.H. Fowler, a Santa Ana Contractor and financier of the era.
This Yost Theatre is mentioned again in a Southwest Builder and Contractor article of January 21st, 1921. This article announces that E.D. Yost has had plans prepared for an addition and remodeling of his theatre on Spurgeon Street, to cost $30,000. The architect of this remodeling is named as W.W. Kays.
Another remodeling of the Yost took place in 1947 (Southwest Builder and Contractor, February 21, 1947) and involved deepening the basement, relocating the restrooms, enlarging the foyer, and installing new heating and ventilation systems. The architects of this remodeling were Wildman and Faulkner, 225 Spurgeon Building, Santa Ana.
I’ve been unable to find the name of the architect who designed the 1909 Temple Theatre, but the August 2nd, 1935, issue of Southwest Builder and Contractor contains an article saying that the architects who prepared the plans for remodeling the theatre for C.E. Walker were Austin & Wildman, of Santa Ana.