According to the obituary of John McKee Heffner, long time Mason City theater man, published in the April 7, 1956, issue of Boxoffice Magazine, the Strand Theatre had earlier been called the Princess Theatre.
The obituary of John McKee Heffner was published in the April 7, 1956, issue of Boxoffice Magazine. In 1906 Mr. Heffner had opened the first movie theater in Mason City, the Bijou, on South Federal Avenue. After the Bijou closed, he became the manager of the Palace, which had originally been called the Regent Theatre.
The State was in operation by 1936. An obituary published in the April 7, 1956, issue of Boxoffice said that the late Hans J. Petersen had managed the State Theatre at Harlowton for the Knutson circuit from 1936 to 1945.
The July 12, 1941, issue of Boxoffice Magazine carried the following item: “The new Grove at 1576 Bankhead Ave. has opened. Construction of the 618-seat house cost approximately $60,000. Wendell Welsh is manager.”
Also, Milledgeville had an earlier drive-in as well. Harry Hart noted in his Boxoffice Magazine column on June 10, 1950, that Martin Theatres had opened its 350-car Cadet Drive-In at Milledgeville on April 24.
The February 22, 1941, issue of Boxoffice Magazine has an article about Martin Theatres which mentions the Co-Ed at Milledgeville bing among the houses the circuit then had under construction.
The Starlite Drive-In, then under construction, was expected to be open by Thanksgiving Day, 1963, according to the November 25 issue of Boxoffice Magazine that year.
The list is on-line, but the UM web site is oddly set up so I can’t find the page the full list is on, only the introductory page. I’ve only seen the actual list in the Google cache of the page, which is a bunch of dismantled text, difficult to decipher. I’m not sure which theaters are already listed at Cinema Treasures, perhaps under later names, and which are missing. Four theaters on the list don’t even have names given. I’m still trying to puzzle it all out. Maybe somebody else will have more luck with it.
The American Theatre in Winnemucca is mentioned in the May 3, 1947, issue of Boxoffice, and in earlier issues. The Sage Theatre in Wnnemucca is mentioned in the November 26, 1949, issue and in later issues. If they had the same address, then the house was called the American first and renamed the Sage sometime between 1947 and 1949.
I’ve dug up information on three theaters in Brawley other than the Brawley itself. There was a Eureka Theatre, in operation by 1937, owned by Ben Aranda. There was an Azteca (or Aztec- it appears under both names in different issues of Boxoffice) opened by Aranda in 1937. Then there was another theater opened in 1937 called the Circle, which, like the Brawley, was operated by Fox West Coast. I don’t have addresses for any of them though.
The Brawley itself got a renovation in 1976, and reopened on May 26 with “Cabaret” as the first attraction, according to June 11 issue of Boxoffice that year. By then it was operated by Great Western Theatres, seating had been reduced to 650, and it was apparently the only house still open in Brawley.
The September 4, 1937, issue of Boxoffice Magazine had this item: “The Azteca Film Corp. has a theatre under construction in Calexico which will be ready for business in about six weeks. Frank Ullman, El Centro exhibitor, will operate the house.”
The Valley Theatre was a Fox West Coast operation in 1940, when it suffered an estimated $5,000 damages from an earthquake that also damaged several other Imperial Valley houses, according to an item in the May 25, 1940, issue of Boxoffice Magazine. By 1945, Boxoffice was saying that the Valley Theatre was operated by independent exhibitor Frank Ullman.
From Boxoffice Magazine, March 1, 1952: “The Oregon premier of ‘Quo Vadis’ this week also marked the reopening as a first-run house of John Hamrick’s Liberty. The theatre is now known as the New Liberty.”
Deborah Kerr was among the guests appearing at the opening, which was broadcast on local radio.
The May 23, 1942, issue of Boxoffice magazine said: “Jimmy Edwards opened his new Santa Anita, near Arcadia, May 14. The 743-seater charges 40 cents admission and boasts a crying room and a parking lot accommodating 450 cars. The Edwards circuit, with this addition, numbers 20 houses.”
According to the finding aid for the Buechner & Orth papers at the University of Minnesota, the firm designed over a dozen theaters. So far, Cinema Treasures attributes only three of these, with separate listings for Charles Buechner and Henry Orth.
The Grand makes a few appearances in various issues of Boxoffice Magazine from 1938 to 1944. First, in the June 25, 1938, issue there is this brief item: “Hyman ‘Doc’ Barsky has assumed ownership and will reopen two dark houses —the Placentia, a 300-seater at Placentia, and the Grand, in Anaheim, a 600-seater —with both scheduled for renovation.” The item also mentions that Fox West Coast had been the lessee of the Grand.
Then from Boxoffice of January 21, 1939, comes this breaking news: “Closed for the last 12 years, the Grand Theatre will be reopened February 1 by Doc Barsky and Bob Sproul on a lease relinquished by Fox West Coast. Sproul, who operates the Brentwood Theatre in Santa Monica, will be the active manager at the Grand.”
It sounds as though Fox West Coast had been leasing the house for years only to keep it closed. But maybe the copy writer at Boxoffice mistakenly wrote “12 years” in place of “12 months.” Does anybody know if the Grand vanished from theater listings from 1927 through 1939?
Then, the July 29, 1939, issue of Boxoffice announces a shakeup at the Grand: “H.H. Barsky has purchased the Grand Theatre from Bob Sproul and has closed it temporarily for alterations and redecorating. He will open the house at a 15-cent admission scale.”
As the earlier reports suggest that Barsky and Sproul were in a partnership, this item must have meant that Barsky had bought Sproul’s share of the business. Perhaps they’d had a tiff.
But it looks as though Mr. Barsky soon had buyer’s remorse. The April 6, 1940, issue of Boxoffice reveals the next turn of events in the Grand saga: “J.E. Trott has purchased the Grand, a 950-seater, from H.H. Barsky.”
As the reported seating capacity had increased from 600 in 1938, Barsky and/or Sproul must have done extensive remodeling- or crammed in a lot of really small seats.
The Grand soon found itself with yet another new owner, and then another. The June 17, 1944, issue of Boxoffice reported that Morris Rabwin had purchased the Grand from A. Blanco. Meanwhile, according to the same report, A. Blanco had lately been palling round in Tijuana with none other than “Doc” Barsky. Boxoffice fails to provide further details about their relationship. I guess Bob Sproul was entirely out of the picture by then.
With its sale to Mr. Rabwin, the Grand vanishes from the pages of Boxoffice, as far as I’ve been able to discover. I can find no mentions of it as the Garden, either. Sic transit gloria.
The name change from Downey Theatre to Avenue Theatre took place in 1949. The April 16 issue of Boxoffice Magazine said that the Cummings circuit would spend $200,000 on remodeling its Victory and Meralta Theatres, and that the Victory would be renamed the Avenue.
With regard to ken mc’s posts of January this year, I do recall the United Artists being called the Alameda for a while around 1961-1962. I think it was after it closed again that the Alameda name was moved to the United Artists in East Los Angeles. I guess UA wanted to get their money’s worth from that expensive signage.
My USC links have all changed again, too, so here’s the current link to the wide view of the original Optic Theatre on Broadway (located at lower right of the photo.) There is also this cropped version with the Optic in close-up.
Note that just up the street the Broadway Central Building, later to become the location of the Broadway Theatre, is under construction.
Fox West Coast reopened this house as the New Anaheim Theatre on Thursday, July 8, 1937, according to Boxoffice Magazine of July 10 that year. The item said that the house had “…been closed for several months, undergoing extensive remodeling.”
The PSTOS page about the Liberty Theatre appears to contain errors and certainly omits some early information about the house. The organization itself has another web page with two vintage postcard views of the Liberty when it was the the Orpheum Theatre, clearly identifiable as the same building in the 1946 photo of the Liberty linked by Lost Memory immediately above this comment.
I don’t know where PSTOS got the information that the theater had been built in 1916 for T&D, but that circuit, based in San Francisco, was indeed operating vaudeville houses in California during that period. Perhaps they had some sort of arrangement with the Orpheum circuit to present Orpheum vaudeville and use the Orpheum name.
In any case, the Liberty was taken over by Jensen and Von Herberg by 1917, and was operated in later years by the Evergreen-Hamrick combine, and then by John Hamrick Theatres. Hamrick had the house extensively remodeled in 1952.
The Broadway Theatre, at Broadway and Stark, that was the subject of the 1917 L.A. Times article ken mc quoted from on Nov 16, 2008, must have been the original Portland Orpheum, pictured in photos on this PSTOS page. It is recently listed at Cinema Treasures (but without its Orpheum and Broadway aka’s) under its later name, the Liberty Theatre.
PSTOS has a Liberty Theatre page, too, but nobody there seems to have realized that the Orpheum and the Liberty were the same theater.
According to the obituary of John McKee Heffner, long time Mason City theater man, published in the April 7, 1956, issue of Boxoffice Magazine, the Strand Theatre had earlier been called the Princess Theatre.
The obituary of John McKee Heffner was published in the April 7, 1956, issue of Boxoffice Magazine. In 1906 Mr. Heffner had opened the first movie theater in Mason City, the Bijou, on South Federal Avenue. After the Bijou closed, he became the manager of the Palace, which had originally been called the Regent Theatre.
The State was in operation by 1936. An obituary published in the April 7, 1956, issue of Boxoffice said that the late Hans J. Petersen had managed the State Theatre at Harlowton for the Knutson circuit from 1936 to 1945.
The July 12, 1941, issue of Boxoffice said that Martin planned to open the Co-Ed on July 21.
The July 12, 1941, issue of Boxoffice Magazine carried the following item: “The new Grove at 1576 Bankhead Ave. has opened. Construction of the 618-seat house cost approximately $60,000. Wendell Welsh is manager.”
Also, Milledgeville had an earlier drive-in as well. Harry Hart noted in his Boxoffice Magazine column on June 10, 1950, that Martin Theatres had opened its 350-car Cadet Drive-In at Milledgeville on April 24.
The February 22, 1941, issue of Boxoffice Magazine has an article about Martin Theatres which mentions the Co-Ed at Milledgeville bing among the houses the circuit then had under construction.
The Starlite Drive-In, then under construction, was expected to be open by Thanksgiving Day, 1963, according to the November 25 issue of Boxoffice Magazine that year.
The aka should be Alder Theatre, like the tree the street was probably named after, not Adler.
The list is on-line, but the UM web site is oddly set up so I can’t find the page the full list is on, only the introductory page. I’ve only seen the actual list in the Google cache of the page, which is a bunch of dismantled text, difficult to decipher. I’m not sure which theaters are already listed at Cinema Treasures, perhaps under later names, and which are missing. Four theaters on the list don’t even have names given. I’m still trying to puzzle it all out. Maybe somebody else will have more luck with it.
The American Theatre in Winnemucca is mentioned in the May 3, 1947, issue of Boxoffice, and in earlier issues. The Sage Theatre in Wnnemucca is mentioned in the November 26, 1949, issue and in later issues. If they had the same address, then the house was called the American first and renamed the Sage sometime between 1947 and 1949.
I’ve dug up information on three theaters in Brawley other than the Brawley itself. There was a Eureka Theatre, in operation by 1937, owned by Ben Aranda. There was an Azteca (or Aztec- it appears under both names in different issues of Boxoffice) opened by Aranda in 1937. Then there was another theater opened in 1937 called the Circle, which, like the Brawley, was operated by Fox West Coast. I don’t have addresses for any of them though.
The Brawley itself got a renovation in 1976, and reopened on May 26 with “Cabaret” as the first attraction, according to June 11 issue of Boxoffice that year. By then it was operated by Great Western Theatres, seating had been reduced to 650, and it was apparently the only house still open in Brawley.
The September 4, 1937, issue of Boxoffice Magazine had this item: “The Azteca Film Corp. has a theatre under construction in Calexico which will be ready for business in about six weeks. Frank Ullman, El Centro exhibitor, will operate the house.”
The Valley Theatre was a Fox West Coast operation in 1940, when it suffered an estimated $5,000 damages from an earthquake that also damaged several other Imperial Valley houses, according to an item in the May 25, 1940, issue of Boxoffice Magazine. By 1945, Boxoffice was saying that the Valley Theatre was operated by independent exhibitor Frank Ullman.
From Boxoffice Magazine, March 1, 1952: “The Oregon premier of ‘Quo Vadis’ this week also marked the reopening as a first-run house of John Hamrick’s Liberty. The theatre is now known as the New Liberty.”
Deborah Kerr was among the guests appearing at the opening, which was broadcast on local radio.
The May 23, 1942, issue of Boxoffice magazine said: “Jimmy Edwards opened his new Santa Anita, near Arcadia, May 14. The 743-seater charges 40 cents admission and boasts a crying room and a parking lot accommodating 450 cars. The Edwards circuit, with this addition, numbers 20 houses.”
According to the finding aid for the Buechner & Orth papers at the University of Minnesota, the firm designed over a dozen theaters. So far, Cinema Treasures attributes only three of these, with separate listings for Charles Buechner and Henry Orth.
There probably was supposed to be a comma between the names, but the addition of “Street” appears to have been an error as well.
The Grand makes a few appearances in various issues of Boxoffice Magazine from 1938 to 1944. First, in the June 25, 1938, issue there is this brief item: “Hyman ‘Doc’ Barsky has assumed ownership and will reopen two dark houses —the Placentia, a 300-seater at Placentia, and the Grand, in Anaheim, a 600-seater —with both scheduled for renovation.” The item also mentions that Fox West Coast had been the lessee of the Grand.
Then from Boxoffice of January 21, 1939, comes this breaking news: “Closed for the last 12 years, the Grand Theatre will be reopened February 1 by Doc Barsky and Bob Sproul on a lease relinquished by Fox West Coast. Sproul, who operates the Brentwood Theatre in Santa Monica, will be the active manager at the Grand.”
It sounds as though Fox West Coast had been leasing the house for years only to keep it closed. But maybe the copy writer at Boxoffice mistakenly wrote “12 years” in place of “12 months.” Does anybody know if the Grand vanished from theater listings from 1927 through 1939?
Then, the July 29, 1939, issue of Boxoffice announces a shakeup at the Grand: “H.H. Barsky has purchased the Grand Theatre from Bob Sproul and has closed it temporarily for alterations and redecorating. He will open the house at a 15-cent admission scale.”
As the earlier reports suggest that Barsky and Sproul were in a partnership, this item must have meant that Barsky had bought Sproul’s share of the business. Perhaps they’d had a tiff.
But it looks as though Mr. Barsky soon had buyer’s remorse. The April 6, 1940, issue of Boxoffice reveals the next turn of events in the Grand saga: “J.E. Trott has purchased the Grand, a 950-seater, from H.H. Barsky.”
As the reported seating capacity had increased from 600 in 1938, Barsky and/or Sproul must have done extensive remodeling- or crammed in a lot of really small seats.
The Grand soon found itself with yet another new owner, and then another. The June 17, 1944, issue of Boxoffice reported that Morris Rabwin had purchased the Grand from A. Blanco. Meanwhile, according to the same report, A. Blanco had lately been palling round in Tijuana with none other than “Doc” Barsky. Boxoffice fails to provide further details about their relationship. I guess Bob Sproul was entirely out of the picture by then.
With its sale to Mr. Rabwin, the Grand vanishes from the pages of Boxoffice, as far as I’ve been able to discover. I can find no mentions of it as the Garden, either. Sic transit gloria.
The name change from Downey Theatre to Avenue Theatre took place in 1949. The April 16 issue of Boxoffice Magazine said that the Cummings circuit would spend $200,000 on remodeling its Victory and Meralta Theatres, and that the Victory would be renamed the Avenue.
With regard to ken mc’s posts of January this year, I do recall the United Artists being called the Alameda for a while around 1961-1962. I think it was after it closed again that the Alameda name was moved to the United Artists in East Los Angeles. I guess UA wanted to get their money’s worth from that expensive signage.
My USC links have all changed again, too, so here’s the current link to the wide view of the original Optic Theatre on Broadway (located at lower right of the photo.) There is also this cropped version with the Optic in close-up.
Note that just up the street the Broadway Central Building, later to become the location of the Broadway Theatre, is under construction.
Fox West Coast reopened this house as the New Anaheim Theatre on Thursday, July 8, 1937, according to Boxoffice Magazine of July 10 that year. The item said that the house had “…been closed for several months, undergoing extensive remodeling.”
The PSTOS page about the Liberty Theatre appears to contain errors and certainly omits some early information about the house. The organization itself has another web page with two vintage postcard views of the Liberty when it was the the Orpheum Theatre, clearly identifiable as the same building in the 1946 photo of the Liberty linked by Lost Memory immediately above this comment.
I don’t know where PSTOS got the information that the theater had been built in 1916 for T&D, but that circuit, based in San Francisco, was indeed operating vaudeville houses in California during that period. Perhaps they had some sort of arrangement with the Orpheum circuit to present Orpheum vaudeville and use the Orpheum name.
In any case, the Liberty was taken over by Jensen and Von Herberg by 1917, and was operated in later years by the Evergreen-Hamrick combine, and then by John Hamrick Theatres. Hamrick had the house extensively remodeled in 1952.
The Broadway Theatre, at Broadway and Stark, that was the subject of the 1917 L.A. Times article ken mc quoted from on Nov 16, 2008, must have been the original Portland Orpheum, pictured in photos on this PSTOS page. It is recently listed at Cinema Treasures (but without its Orpheum and Broadway aka’s) under its later name, the Liberty Theatre.
PSTOS has a Liberty Theatre page, too, but nobody there seems to have realized that the Orpheum and the Liberty were the same theater.