International Theatre

The New Friends of Rhythm recorded with Maxine Sullivan for International Records in the International Theatre January 20-1, 1947 (Baldwin Street BJH-303). The New Friends of Rhythm recorded an instrumental session March 31, 1947 (Hep CD 1086) The Stuyvesant String Quartet did 3 sessions there, recording Villa-Lobos String Quartet No. 6 May 7, 1947 (Parnassus 96026), Bloch Second Quartet in November, and the Brahms Clarinet Quintet with Alfred Gallodoro December 4-5, 1947 (Bridge 9137) All originally appeared on International Records. Additional info www.alanshulman.com

Wizard_Boy: The book does not have a reputation for being perfectly accurate, but for what it may be worth, the listing for the Majestic Theatre in the 1909-1910 edition of Julius Cahn’s Official Theatrical Guide gives the dimensions of the proscenium as 37 feet wide and 48 feet high.

A scan of the book, with the Majestic listed on page 81, can be seen at Google Books. The stage dimensions given in the book do not match those Bryan Krefft gives in our introductory description above, and Bryan may have a more accurate source, so you might want to wait and see if he responds, though I’m not sure he’s still watching the site.

Sadly, the only interior photos of the Majestic I’ve found (three of them, at IBDB) don’t include a full view of the proscenium.

Ruth Crosby Dimmick’s 1913 book Our Theatres To-day and Yesterday says that Marcus Lowe took over the Majestic Theatre in December, 1909, and operated it as a movie house until it was taken over by Frank McKee and renamed the Park Theatre in 1911.

In 1909 this theater, then being operated as the Majestic by the Shubert organization, was converted for a while into a combination movie and vaudeville house. The article about the Majestic in the June 12, 1909, issue of The Moving Picture World is worth quoting in its entirety for the glimpse it offers of the early days of movie exhibition in large theaters:

“The conversion of the Majestic Theater into a moving picture house is an event of first rate importance, for the Majestic, which is situated on Columbus Circle, is pretty well in the heart of New York City and it is a high-class theater, ranking with the best. Presumably the Shuberts, not wishing the house to remain dark in the Summer, are trying an experiment at the Majestic in giving exhibitions of moving pictures sandwiched between chunks of vaudeville. The result of the experiment will, of course, be watched with interest. If it succeeds, then we may expect other Broadway and uptown theaters to follow suit.

“The Majestic is a very large theater and it takes a great number of people to fill it. It is also a beautiful theater. Its situation is unrivaled for tapping a vast section of New York’s population. A little while ago, when writing about a neighboring moving picture house, I suggested that the district of Columbus Circle is one in which a first-class moving picture theater could be profitably placed. I wonder if the Shuberts have adopted my suggestion? If they have and they read this column, they will probably be glad of a few hints as to how to run their theater on a profit-paying basis.

“When I visited the house the other day there was a fair-sized audience. The programme consisted of vaudeville, songs, moving and talking pictures. The vaudeville was just tolerated. It is true that I was present in the afternoon, when things are generally flat and dull, but the audience was sufficiently large to enable me to form an opinion as to how they regarded this innovation at the Majestic. Their interest is chiefly centered in the pictures. These, however, I was sorry to observe, were a month or two old. Nevertheless, the Biograph and Pathe subjects attracted great attention, and, more remarkable still, a phenomenon in the moving picture theater, occasionally elicited considerable applause.

“It is a moot point whether the Majestic is not too large a house for moving pictures—the people at the back of it are a long way from them. Still, the enterprise of the Shuberts should not find any difficulty in filling the place. What is wanted, of course, is less vaudeville, or none at all, and more pictures. Not old subjects, but the very latest releases. Then the manager might try the effect of a little orchestral music, instead of the simple unaccompanied piano.

“Experience shows that the Keith & Proctor houses are successful with moving pictures alone, and there is no reason why the Majestic should not be as successful. Between Columbus Circle and 125th street, on the West Side, there are a large number of people who would, no doubt, be constant visitors to the house if a suitable program of pictures were provided. Then, of course, there is always a floating population of New York City in search of cheap entertainment.

“Evidently, then, the theater magnates of New York City are seriously considering the moving picture as a moneymaking proposition. Let them go about the business on the lines I have indicated and they will be successful. Half-and-half measures are worse than useless. A half-million of people in New York City daily want good pictures. This is probably a larger number than all the visitors to the vaudeville and theater houses combined and it is worth while catering for, in a liberal, intelligent and generous way.”

Many of Warren’s photo links are no longer working anymore.

As the UFA Cosmopolitan, this location was German films until at least 1931.

According to a publicity booklet put out by the Cinema Verdi for the 1944-45 season, this theatre, for a few months starting on January 14, 1944, was renamed the Cinema Verdi, with a policy of Italian films. With the selling of the theatre, “Cinema Verdi” moved to a new home on 8th Avenue at 41st Street in the Arena Theatre.