I’ve noticed some of the posts here from the old days are getting quoted on social media. So I thought I would take the opportunity to correct something based upon research that I’ve done over the last 5 years.
Tomorrow, Monday November 25, 2024, is the 103rd anniversary, of a real life incident, that happened backstage, at the Lyric Theatre, at 12 Mary Street, in Hamilton, Ontario.
In 1940, the Lyric Theatre, was renamed the Century Theatre, when it was bought out by 20th Century Theatres Inc. It operated as a cinema, until it was closed, by Famous Players, in September 1989. After thirty years, of sitting empty, it was demolished in January 2010.
The Lyric Theatre, in 1921, was leased by the Keith / Albee circuit, and had a mixed bill of eight live acts of vaudeville, followed by a Hollywood feature film. The three hour long program was repeated twice daily at 2:00 pm and 7:00 pm.
The week of November 21, the film was “The Servant In The House” starring Jean Hershel, John Gilbert, and Jack Curtis, and the top vaudeville act was “Under The Apple Tree”, a musical comedy, written by Darl MacBoyle, and featuring music composed by Walter L. Rosemont. The production featured a cast of fourteen, and starred Loring Smith, who later went on to have a notable career on Broadway. He was part of the original Broadway production of “Hello Dolly”.
The play, which was a rewritten version of an earlier sketch from 1916, called “Oh Please, Mr Detective”, concerned a stolen wallet, and the comedian who had stolen it, being unable to get rid of it, with it always making its way back to him, like the proverbial “cat with nine lives”.
The short play was produced by a man called George Choos, who also had a number of similar productions, touring the Keith, Orpheum, and Pantages Vaudeville circuits. By the time, “Under The Apple Tree”, got to Hamilton, the production had been on the road for more than twenty months.
Cecile Bartley, was a twenty-one year old chorus girl, she joined the “Under The Apple Tree” company in Indiana, in March of 1921. She was the daughter of an Irish Catholic railroad engineer, who worked on Chicago’s elevated railway. Before joining the play, she had spent a year touring in a production called “Tickle Me”, that starred Frank Tinney.
John “Jack” Grubb, was a 45 year old, overweight, stage carpenter originally from Baltimore, Maryland. He had been with “Under The Apple Tree”, since the production had opened in January 1920, in Chester, Pennsylvania. He had a small speaking part in the play, but his main role was as an IATSE stage hand, being responsible for getting forty steamer trunks, full of wardrobe and scenery, on and off the trains, which was how the production got from town to town.
During the latter part of 1921, Grubb became obsessed with Bartley, and even though he was not a Catholic, had asked her to marry him. Things came to head, when “Under The Apple Tree”, arrived in Hamilton, Ontario, as Bartley, had at last complained to the manager of the act, about Grubb’s harassment of her. Grubb, was ordered to refrain from bothering her further, otherwise he would be fired.
On the afternoon of Friday November 25, 1921, the matinee performance went on without incident. Cecile Bartley, and another chorus girl, Helen Campbell, remained in their dressing room, below the stage, to do some sewing. The rest of the company, and the local stage hands, all went for their dinner break. At around 5:30pm, with the theatre empty, except for an usher turning back seats, Bartley, and Campbell, climbed the stairs, and were confronted by Grubb, on the empty stage. Being rebuffed once again, he pulled out a revolver, and fired three shots into Bartley. In terror, she ran down the stairs, before collapsing. Grubb, then fired two shots into his own heart.
Local police officers, who were directly across the street, at Central Station, were on the scene in minutes. The only direct witness, who could tell them what happened was Helen Campbell, as Bartley remained unconscious for several days. The Chief of Police, and the local coroner, saw no need for an inquest.
Astonishingly, there was one final performance of “Under The Apple Tree”, on the evening of November 25, even though the act was now missing two members of the company. The news broke across North America, on Saturday November 26, by which time most of the actors, had caught the early train, back to New York.
Early newspaper reports about the shooting, reported that the event had happened on stage in the middle of a performance, in front of two thousand people. Also that, as Bartley, was not expected to survive, it was described incorrectly, as a murder and suicide. Those early wire stories, were not corrected, leaving a “legend”, about what happened, in popular memory. “Variety”, and the “New York Dramatic Mirror”, and the local papers, reported the story accurately. Dozens, of other newspapers, reported it incorrectly, and then never wrote about it again.
Grubb’s body, was sent to Baltimore by train, after it was embalmed at the Dwyer Brothers Funeral Home at James and Cannon. He was buried at Louden Park Cemetery, with his only mourners being members of the Baltimore local of IATSE. His grave has no headstone.
Cecile Bartley, was very fortunate, to have surgeons, who had served in the Canadian Army Medical Corps, during the First World War. After spending seven weeks at the City Hospital, at Victoria and Barton, she was discharged, and returned to Chicago, with her mother. A report in the “Hamilton Herald”, in late 1922, noted that her bill, for her hospital stay, had not been paid by the “Actor’s Fund”.
As near as can be determined, Cecile Bartley, left the theatre, and never acted again. On October 2nd 1922, she married James S Holmes of Hamilton, who owned and operated a grocery store on Kenilworth Avenue. They met while she was recuperating in the Hamilton General hospital.
They had a daughter together, and she moved to Hamilton for at least a year and a half living on King Street near Tisdale Avenue. Holmes was killed in an explosion while distilling alcohol leaving her a widow.
She moved back to Chicago and by 1925 married an Italian man named Costello. In 1930, she is in US Census data, as living as a widow, with a six year old daughter named Mary. Chicago, during Prohibition, was a dangerous place to live it seems.
My play reconstruction of the vaudeville act UNDER THE APPLE TREE was performed as part of the 2018 Hamilton Fringe Festival.
The first film I remember seeing at the Tivoli was Message from Space in November 1978. Prior to that of course it had showed adult films which the 11 year old me couldn’t get into!
An application has been made by the current owner to demolish what remains of the building. It is going before city council this week, because the building has a historical designation which protects it
Yes indeed, it opened in the middle of the Centennial celebrations for the town of Hamilton, which actually didn’t happen until 1946. They just felt like having a celebration to celebrate the city in August of 1913, after the centenary of the War of 1812 the year before.
The 2000 seats on all of the ads, was a huge selling point, although the actual seating capacity was closer to 1800.
The building was designed by Lambert and son of Rochester New York.
About two years back, the former balcony and projection booth, of the Majestic, was gutted to become 5 apartments.
The upstairs of the cinema had survived intact since the building was converted into a health food store back circa 1981.
There was an article in the Hamilton Spectator, of the view looking out of the projection room window, looking at the ceiling, which was green and gold.
Television reports from April 2021, suggest that the demolition of the auditorium is planned, in order to build a 19 storey condo project.
Much of what has survived of Thomas Lamb’s decor, will certainly be destroyed. Some vague token promise to save part, and display it in an alley, seem like lip service to my ears.
I saw films at the Loew’s when I was a student in Montreal in 1987. It reminded me a great deal of the now demolished Uptown Theatre in Toronto.
I think it is a waste to tear down a mostly intact 104 year old theatre.
I have add an image of the fire insurance map from February 1911, showing the Red Mill Theatre.
I have since discovered that the Red Mill theatre was operating as late as 1930, at least it is still in the Vernon’s City Directory. The small nickelodeons typically did not advertise their bills in the local newspapers, but I did find ads for this theatre in the Labour News, demonstrating that their audience was working class.
Also some confusion in the name of the manager. Dave Stewart indeed managed the Red Mill Theatre in the 1920s, but he was not the Jack Stewart that managed the Unique Theatre, and ran a sheet music business, called “The Song Shop”, next door to it. It was Jack Stewart that went on to manage the Lyric Theatre on Mary Street, not Dave.
While I wish the owner of this building well, in their desire to reopen the former Kenmore Theatre as a live performance venue, I do wish that they had not used the name “Lyric Theatre” to describe it.
The Lyric Theatre, later renamed the Century Theatre, stood between August 1913 and January 2010, on Mary Street. It had a rich theatrical history, with performers like the Marx Brothers on its large stage, in September 1919.
Now, when one googles “Lyric Theatre, Hamilton, Ontario”, you get this building, which has had a rather short history, mostly as a small neighborhood cinema, compared with the 1800 seat Keith / Albee circuit vaudeville house, downtown.
Joe, I know that the Delta Theatre was planned as far back as 1921, but did not actually attract investors with the necessary funding until 1924.
The original corner building went up in 1919, but it was only one story, I have seen pictures of it before the Main Street auditorium, and the entrences on King and Main were added.
It original building was enlarged, and at second story added, when the theatre began construction circa 1924.
Fred Guest, as he already owned several cinemas in Hamilton, was the key player who made the project feasible. He certainly made money enough to reinvest in new theatre construction.
The architect’s drawing is the only place that I have seen this building referred to as the Griffin Opera House.
Contemporary newspaper listings always refer to it as Griffin’s Theatre.
John J. Griffin, was a early cinema pioneer who was involved with the circus and carnival circuit, at the turn of the century. By 1905 he was the manager of the Sells Brother’s Circus.
With his son, Peter Griffin he formed the Griffin Amusement Company, which opened a string of nickelodeon storefront cinemas, beginning in Toronto in 1906.
By 1914, he had leased existing theatre buildings or built new ones, in Chatham, Brockville, Owen Sound, St. Thomas, Guelph, St Catherines, Woodstock, and Kingston.
The Hamilton Griffin’s Theatre opened in September of 1913, about a month after the Lyric Theatre on Mary Street.
Because Griffin had made his fortune by partnering with Ambrose Small’s legitimate theatre circuit providing “small time” vaudeville on typically early week dark nights, he was able to attract investment which allowed him to lease and control more than thirty theatres across Ontario by 1920, the year in which he retired.
The Hamilton Theatre was short lived. By 1917, the same year that the Loews Corporation opened its new theatre on King Street, his consortium of local investors, sold the building to the Arcade Department store, immediately adjacent to the south.
The interior of the theatre was gutted to become retail space. By 1930, both the former Griffin Theatre, and the Arcade department store, were demolished to build the Eaton’s Department store.
Ironically, the Arcade Department store building had been constructed in the 1870s, as the Mechanic’s Institute, and the third floor hall, the Academy of Music, was one of Hamilton’s earliest live performance venues.
Griffin died in Toronto on August 13, 1931, at the age of 77.
Further info, and his connection with the Brockville Opera House, can be found at the link below.
The Tivoli Theatre is certainly not open! It was last used in the spring of 2004, as a live performance venue. Since then, other then brief opportunities to tour the building, the public has had no access to it.
From approximately 1967 on-wards the Kenilworth Theatre became a Ukrainian Cultural Centre. It had closed as a cinema in the mid 1960s.
You could still see the ladder on the side of the building that led to the projection booth, and the ticket booth survived in the lobby area.
About ten years ago, the marquee was finally removed.
The building operated as a facility for banquets, weddings, meetings, music and community theatre, until sadly, it was completely destroyed by a fire in April 2019.
The status should now be updated to demolished.
Further information and some additonal images are at this link. www.cbc.ca/news/canada/hamilton/hamilton-ukrainian-cultural-centre-1.5097787
Wonderful news! About two years back the Playhouse Theatre was restored and has reopened after a brief renovation. It now features a restored 35mm film projector, as well as the industry standard digital projection.
Brand new seating has reduced the seating capacity down to about 300, but the seats are modern and comfortable. I have seen a dozen or so films so far and have enjoyed the film ever so more seeing it in a vintage hundred and and sevsn year old cinema.
The Gregory was a different Theatre on the east side of Kenilworth just North of Main. Also known as the Cinderella in the late teens it is currently being gutted for apartments.
All of this stuff is in the Ontario archives in the RG11 – RG10 files.
Seating capacity when it opened was 2000 seats IN ALL ADVERTISING.. (This does not mean that there were really 2000 seats – Just that the management wanted every one to know that the Lyric was the biggest new theatre in town.)
In the 1921 Gus Hill Moving Picture Directory the Lyric Theatre is listed as having 1820 seats (Which was likely the real figure all a long). Both the Loews (1917) and the Pantages (1920) had opened by then, and they had given up on being the biggest in town.
According to the RG 11 files at the ONT archives:
Nov 8/1938 Construction report – Lyric Theatre – Lic: Ross T Stewart. 722 seats (no balcony) (This is the seating capacity since the theatre reopened in 1930 I believe).
June 25/1940 – Seating plan Century Theatre – 866 seats – Kaplan and Sprachman
March 9/1967 – Century Theatre reseating – 705 seats – Canadian seating company.
The final seating count was its capacity till Famous Players clsoed it in Sept 1989.
Demolition has started BTW…. Sad to lose the old girl.
It was I who talked to Paul Wilson Monday for today’s article eulogizing the theatre. The image which I directed them to from the January 3rd issue of the SPECTATOR clearly shows the interior of the Lyric Theatre with ONE balcony.
I think many Hamiltonians are only now waking up to the history that this building represents… Sadly none of it will prevent the destruction which will begin early next week.
BTW we have started a facebook group to remember the grand old girl… How join us!
I’ve noticed some of the posts here from the old days are getting quoted on social media. So I thought I would take the opportunity to correct something based upon research that I’ve done over the last 5 years. Tomorrow, Monday November 25, 2024, is the 103rd anniversary, of a real life incident, that happened backstage, at the Lyric Theatre, at 12 Mary Street, in Hamilton, Ontario.
In 1940, the Lyric Theatre, was renamed the Century Theatre, when it was bought out by 20th Century Theatres Inc. It operated as a cinema, until it was closed, by Famous Players, in September 1989. After thirty years, of sitting empty, it was demolished in January 2010.
The Lyric Theatre, in 1921, was leased by the Keith / Albee circuit, and had a mixed bill of eight live acts of vaudeville, followed by a Hollywood feature film. The three hour long program was repeated twice daily at 2:00 pm and 7:00 pm.
The week of November 21, the film was “The Servant In The House” starring Jean Hershel, John Gilbert, and Jack Curtis, and the top vaudeville act was “Under The Apple Tree”, a musical comedy, written by Darl MacBoyle, and featuring music composed by Walter L. Rosemont. The production featured a cast of fourteen, and starred Loring Smith, who later went on to have a notable career on Broadway. He was part of the original Broadway production of “Hello Dolly”.
The play, which was a rewritten version of an earlier sketch from 1916, called “Oh Please, Mr Detective”, concerned a stolen wallet, and the comedian who had stolen it, being unable to get rid of it, with it always making its way back to him, like the proverbial “cat with nine lives”.
The short play was produced by a man called George Choos, who also had a number of similar productions, touring the Keith, Orpheum, and Pantages Vaudeville circuits. By the time, “Under The Apple Tree”, got to Hamilton, the production had been on the road for more than twenty months.
Cecile Bartley, was a twenty-one year old chorus girl, she joined the “Under The Apple Tree” company in Indiana, in March of 1921. She was the daughter of an Irish Catholic railroad engineer, who worked on Chicago’s elevated railway. Before joining the play, she had spent a year touring in a production called “Tickle Me”, that starred Frank Tinney.
John “Jack” Grubb, was a 45 year old, overweight, stage carpenter originally from Baltimore, Maryland. He had been with “Under The Apple Tree”, since the production had opened in January 1920, in Chester, Pennsylvania. He had a small speaking part in the play, but his main role was as an IATSE stage hand, being responsible for getting forty steamer trunks, full of wardrobe and scenery, on and off the trains, which was how the production got from town to town.
During the latter part of 1921, Grubb became obsessed with Bartley, and even though he was not a Catholic, had asked her to marry him. Things came to head, when “Under The Apple Tree”, arrived in Hamilton, Ontario, as Bartley, had at last complained to the manager of the act, about Grubb’s harassment of her. Grubb, was ordered to refrain from bothering her further, otherwise he would be fired.
On the afternoon of Friday November 25, 1921, the matinee performance went on without incident. Cecile Bartley, and another chorus girl, Helen Campbell, remained in their dressing room, below the stage, to do some sewing. The rest of the company, and the local stage hands, all went for their dinner break. At around 5:30pm, with the theatre empty, except for an usher turning back seats, Bartley, and Campbell, climbed the stairs, and were confronted by Grubb, on the empty stage. Being rebuffed once again, he pulled out a revolver, and fired three shots into Bartley. In terror, she ran down the stairs, before collapsing. Grubb, then fired two shots into his own heart.
Local police officers, who were directly across the street, at Central Station, were on the scene in minutes. The only direct witness, who could tell them what happened was Helen Campbell, as Bartley remained unconscious for several days. The Chief of Police, and the local coroner, saw no need for an inquest.
Astonishingly, there was one final performance of “Under The Apple Tree”, on the evening of November 25, even though the act was now missing two members of the company. The news broke across North America, on Saturday November 26, by which time most of the actors, had caught the early train, back to New York.
Early newspaper reports about the shooting, reported that the event had happened on stage in the middle of a performance, in front of two thousand people. Also that, as Bartley, was not expected to survive, it was described incorrectly, as a murder and suicide. Those early wire stories, were not corrected, leaving a “legend”, about what happened, in popular memory. “Variety”, and the “New York Dramatic Mirror”, and the local papers, reported the story accurately. Dozens, of other newspapers, reported it incorrectly, and then never wrote about it again.
Grubb’s body, was sent to Baltimore by train, after it was embalmed at the Dwyer Brothers Funeral Home at James and Cannon. He was buried at Louden Park Cemetery, with his only mourners being members of the Baltimore local of IATSE. His grave has no headstone.
Cecile Bartley, was very fortunate, to have surgeons, who had served in the Canadian Army Medical Corps, during the First World War. After spending seven weeks at the City Hospital, at Victoria and Barton, she was discharged, and returned to Chicago, with her mother. A report in the “Hamilton Herald”, in late 1922, noted that her bill, for her hospital stay, had not been paid by the “Actor’s Fund”.
As near as can be determined, Cecile Bartley, left the theatre, and never acted again. On October 2nd 1922, she married James S Holmes of Hamilton, who owned and operated a grocery store on Kenilworth Avenue. They met while she was recuperating in the Hamilton General hospital.
They had a daughter together, and she moved to Hamilton for at least a year and a half living on King Street near Tisdale Avenue. Holmes was killed in an explosion while distilling alcohol leaving her a widow.
She moved back to Chicago and by 1925 married an Italian man named Costello. In 1930, she is in US Census data, as living as a widow, with a six year old daughter named Mary. Chicago, during Prohibition, was a dangerous place to live it seems.
My play reconstruction of the vaudeville act UNDER THE APPLE TREE was performed as part of the 2018 Hamilton Fringe Festival.
The first film I remember seeing at the Tivoli was Message from Space in November 1978. Prior to that of course it had showed adult films which the 11 year old me couldn’t get into!
An application has been made by the current owner to demolish what remains of the building. It is going before city council this week, because the building has a historical designation which protects it
A photo that I had never seen before. From November 1921.
https://www.newspapers.com/image/991332839/?match=1&clipping_id=147245690
Yes indeed, it opened in the middle of the Centennial celebrations for the town of Hamilton, which actually didn’t happen until 1946. They just felt like having a celebration to celebrate the city in August of 1913, after the centenary of the War of 1812 the year before.
The 2000 seats on all of the ads, was a huge selling point, although the actual seating capacity was closer to 1800.
The building was designed by Lambert and son of Rochester New York.
About two years back, the former balcony and projection booth, of the Majestic, was gutted to become 5 apartments.
The upstairs of the cinema had survived intact since the building was converted into a health food store back circa 1981.
There was an article in the Hamilton Spectator, of the view looking out of the projection room window, looking at the ceiling, which was green and gold.
Sadly now gone.
Clockwise from top left.
The Bennett’s Theatres in Montreal, Ottawa, London, Quebec City, Hamilton and the Savoy Theatre in Hamilton.
This cinema building is almost identical to the Fox Theatre in Stoney Creek. Perhaps they shared the same architect?
Television reports from April 2021, suggest that the demolition of the auditorium is planned, in order to build a 19 storey condo project.
Much of what has survived of Thomas Lamb’s decor, will certainly be destroyed. Some vague token promise to save part, and display it in an alley, seem like lip service to my ears.
I saw films at the Loew’s when I was a student in Montreal in 1987. It reminded me a great deal of the now demolished Uptown Theatre in Toronto.
I think it is a waste to tear down a mostly intact 104 year old theatre.
Opening night of the Pantages Theatre in Hamilton was October 31, 1921.
It changes its name to the Palace around 1927.
Final films are shown in the fall of 1972.
I just added the Red Mill Theatre’s listing in the 1921 Julius Cahn / Gus Hill guide.
I would find it surprising if there were actually 800 seats!
I will be adding the Imperial Theatre and Temple Theatre next, which are also on this list. Both are not yet in the Cinema Treasures database.
I have add an image of the fire insurance map from February 1911, showing the Red Mill Theatre.
I have since discovered that the Red Mill theatre was operating as late as 1930, at least it is still in the Vernon’s City Directory. The small nickelodeons typically did not advertise their bills in the local newspapers, but I did find ads for this theatre in the Labour News, demonstrating that their audience was working class.
Also some confusion in the name of the manager. Dave Stewart indeed managed the Red Mill Theatre in the 1920s, but he was not the Jack Stewart that managed the Unique Theatre, and ran a sheet music business, called “The Song Shop”, next door to it. It was Jack Stewart that went on to manage the Lyric Theatre on Mary Street, not Dave.
I have no idea if they were related!
Okay, I have spent some time going through the Vernon’s Hamilton city directory, and I have solved one mystery.
The image of the “New Princess Theatre” is the former Unique Theatre at 8 Market Square.
It goes from the Unique Theatre 1911 to 1923 to the Little Theatre in 1925, and finally becomes the New Princess between 1927 to 1930.
By 1932 it is gone, likely converted to retail?? By the 1940s the address is the Majestic Restaurant.
And to reply to Joe Vogel from a few years back, the 1911 auditorium, stage and fly gallery, still stands in 2021.
In 1924 the Princess Theatre’s auditorium, became the “Tivoli lounge” which is where the concession area was built from the late 1940s onwards.
It was the 1873 Prongelay block, which became a store front nickelodeon, the Colonial Theatre, that was demolished in June of 2004.
I will share the fire insurance map from 1911 that shows the two parts of the building.
While I wish the owner of this building well, in their desire to reopen the former Kenmore Theatre as a live performance venue, I do wish that they had not used the name “Lyric Theatre” to describe it.
The Lyric Theatre, later renamed the Century Theatre, stood between August 1913 and January 2010, on Mary Street. It had a rich theatrical history, with performers like the Marx Brothers on its large stage, in September 1919.
Now, when one googles “Lyric Theatre, Hamilton, Ontario”, you get this building, which has had a rather short history, mostly as a small neighborhood cinema, compared with the 1800 seat Keith / Albee circuit vaudeville house, downtown.
Joe, I know that the Delta Theatre was planned as far back as 1921, but did not actually attract investors with the necessary funding until 1924.
The original corner building went up in 1919, but it was only one story, I have seen pictures of it before the Main Street auditorium, and the entrences on King and Main were added.
It original building was enlarged, and at second story added, when the theatre began construction circa 1924.
Fred Guest, as he already owned several cinemas in Hamilton, was the key player who made the project feasible. He certainly made money enough to reinvest in new theatre construction.
The architect’s drawing is the only place that I have seen this building referred to as the Griffin Opera House.
Contemporary newspaper listings always refer to it as Griffin’s Theatre.
John J. Griffin, was a early cinema pioneer who was involved with the circus and carnival circuit, at the turn of the century. By 1905 he was the manager of the Sells Brother’s Circus.
With his son, Peter Griffin he formed the Griffin Amusement Company, which opened a string of nickelodeon storefront cinemas, beginning in Toronto in 1906.
By 1914, he had leased existing theatre buildings or built new ones, in Chatham, Brockville, Owen Sound, St. Thomas, Guelph, St Catherines, Woodstock, and Kingston.
The Hamilton Griffin’s Theatre opened in September of 1913, about a month after the Lyric Theatre on Mary Street.
Because Griffin had made his fortune by partnering with Ambrose Small’s legitimate theatre circuit providing “small time” vaudeville on typically early week dark nights, he was able to attract investment which allowed him to lease and control more than thirty theatres across Ontario by 1920, the year in which he retired.
The Hamilton Theatre was short lived. By 1917, the same year that the Loews Corporation opened its new theatre on King Street, his consortium of local investors, sold the building to the Arcade Department store, immediately adjacent to the south.
The interior of the theatre was gutted to become retail space. By 1930, both the former Griffin Theatre, and the Arcade department store, were demolished to build the Eaton’s Department store.
Ironically, the Arcade Department store building had been constructed in the 1870s, as the Mechanic’s Institute, and the third floor hall, the Academy of Music, was one of Hamilton’s earliest live performance venues.
Griffin died in Toronto on August 13, 1931, at the age of 77.
Further info, and his connection with the Brockville Opera House, can be found at the link below.
https://hastingshistory.ca/News/news.inc.php?ID=52&command=miniViewArticle&lang=EN&s=0
The Tivoli Theatre is certainly not open! It was last used in the spring of 2004, as a live performance venue. Since then, other then brief opportunities to tour the building, the public has had no access to it.
From approximately 1967 on-wards the Kenilworth Theatre became a Ukrainian Cultural Centre. It had closed as a cinema in the mid 1960s.
You could still see the ladder on the side of the building that led to the projection booth, and the ticket booth survived in the lobby area.
About ten years ago, the marquee was finally removed.
The building operated as a facility for banquets, weddings, meetings, music and community theatre, until sadly, it was completely destroyed by a fire in April 2019.
The status should now be updated to demolished.
Further information and some additonal images are at this link.
www.cbc.ca/news/canada/hamilton/hamilton-ukrainian-cultural-centre-1.5097787
Wonderful news! About two years back the Playhouse Theatre was restored and has reopened after a brief renovation. It now features a restored 35mm film projector, as well as the industry standard digital projection.
Brand new seating has reduced the seating capacity down to about 300, but the seats are modern and comfortable. I have seen a dozen or so films so far and have enjoyed the film ever so more seeing it in a vintage hundred and and sevsn year old cinema.
The Gregory was a different Theatre on the east side of Kenilworth just North of Main. Also known as the Cinderella in the late teens it is currently being gutted for apartments.
Chuck there is a You tube video here..
http://www.youtube.com/watch?v=AvpTESNCcFc
Chuck there are almost 400 images of the demolition on the facebook page.. The most recent were taken today
View link
Alas, as of today the Lyric / Century is completely gone…
RIP old girl…
Adrian:
All of this stuff is in the Ontario archives in the RG11 – RG10 files.
Seating capacity when it opened was 2000 seats IN ALL ADVERTISING.. (This does not mean that there were really 2000 seats – Just that the management wanted every one to know that the Lyric was the biggest new theatre in town.)
In the 1921 Gus Hill Moving Picture Directory the Lyric Theatre is listed as having 1820 seats (Which was likely the real figure all a long). Both the Loews (1917) and the Pantages (1920) had opened by then, and they had given up on being the biggest in town.
According to the RG 11 files at the ONT archives:
Nov 8/1938 Construction report – Lyric Theatre – Lic: Ross T Stewart. 722 seats (no balcony) (This is the seating capacity since the theatre reopened in 1930 I believe).
June 25/1940 – Seating plan Century Theatre – 866 seats – Kaplan and Sprachman
March 9/1967 – Century Theatre reseating – 705 seats – Canadian seating company.
The final seating count was its capacity till Famous Players clsoed it in Sept 1989.
Demolition has started BTW…. Sad to lose the old girl.
Mark:
It was I who talked to Paul Wilson Monday for today’s article eulogizing the theatre. The image which I directed them to from the January 3rd issue of the SPECTATOR clearly shows the interior of the Lyric Theatre with ONE balcony.
I think many Hamiltonians are only now waking up to the history that this building represents… Sadly none of it will prevent the destruction which will begin early next week.
BTW we have started a facebook group to remember the grand old girl… How join us!
View link