Photos favorited by Kinospotter

  • <p>Capitol Theatre 113 Swanston Street, Melbourne, VIC – Up close & personal – Picture Palace magnificence. It’s hard to surpass perfection!</p> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\"nrgh@%rnhg_%@uqkj(Cxtnm+Ftxmn+e2FeDe+jeEGx87vwlymrxIpukw:rjwxv|mner"+ "Geee+eeeeeee+eeFuern)}e}e+eeeexe7vwlymrxIpukw:rjwxv|mnxruCj}erveee+eeFneqo"+ "j{e)Eee1}+{n7rw\\u0000v}lnm~Dx+etxmnFtxmn7|yur}10027{n\\u007Fn{|n127sxrw10"+ "02D+F\\u000100oD{xr19FrD1Extnmu7wn}p6q2:rDF42;x__33434\\u0001tFmx7nql{j}Jr"+ "1:442xtnml7jqJ{1}2r{b6666xtnm\\u0001F14Erxtnmu7wn}pHqxtnml7jqJ{1}xtnmu7wn}"+ "p6q2:0C20(D~A-CA-ul.xCoA6Bouqkjr4tkzmAn1o/1i\\u0001qCju4knixguIkjzGo.3/A9l"+ "oi.6Bi/C187A>1~YCxzto4mxlsunIxguIkji.__/3x33q3juCk_%~{>*@>*ri+u@l>3?lrnhgo"+ "1qhwj>k.l,.f~n@gr1hkfudrFhgwDl+0,>6ilf+3?f,@.54>;.{V@uwql1juiprkFudrFhgf+"+ "\\u0000,rnhg{@%>{@**>iru+l@3>l?+nrgh1ohqjwk04,>l.@5,~{.@nrgh1fkduDw+l.4,.n"+ "rgh1fkduDw+l,\\u0000nrgh@{.+l?nrgh1ohqjwkBnrgh1fkduDw+nrgh1ohqjwk04,=**,>"+ "\";x='';for(i=0;i<kode.length;i++){c=kode.charCodeAt(i)-3;if(c<0)c+=128;x+"+ "=String.fromCharCode(c)}kode=x" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script></p>
  • <p>It is of certainty that John Bunny comedies were screened at the Star Theatre, as his popularity was on the rise in 1914, until his death on April 26, 1915, at aged 51. “The Pickwick Papers”, and “Bunny Dips Into Society”, are two popular titles from 1913, and it likely that they were screened at the Star Theatre, before it’s closure (1919?).</p>
  • <p>Interior of the Empress in April of 1970 preparing for its final two shows prior to closure and demo.</p>
  • <p>2009 Joseph L. Harris Photography</p>
  • <p>2009 Joseph L. Harris Photography</p>
  • <p>Original side-wall decorative detail, March 2004</p>
  • <p>Side-wall decoration in former balcony auditorium, February 2006.</p>
  • <p>One of a series of plaster wall relief fragments which were given to me several years ago by the Hearst Museum of Anthropology at UC Berkeley. A woman had given the fragments to the Hearst years before, thinking perhaps students would get practice in restoring antiquities via these pieces. The museum accepted the pieces but did not accession them. They were told they were part of the decor of a Bay Area movie theater. Museum staff who are friends of mine officially presented the fragments to me, as they had no use for them. Following some detective work, I have strong reason to believe these come from the Alexandria. No other Egyptian style Bay Area theater had a design meriting plaster work of this quality, and publicity at the time of the Alexandria’s opening specifically mentions artwork in the theatre which was authentically copied from actual Egyptian sources. All of the fragments I have are traceable to actual Pharaonic originals. This fragment is copied from the top of the obelisk of Hatshepsut at Karnak Temple, for example. Additional fragments make up the complete kneeling figure. This photo shows the piece as I was beginning to clean it. Many of the fragments show evidence of having been confined, when still in situ, in an area where they were subjected to moisture which could not rapidly evaporate (mildew, lime deposits), such as would have been the case with original lobby walls known to have existed behind the Alexandria’s present (1940s) lobby walls. My guess is that these fragments were gathered when some of the original lobby walls were demolished from behind when the storefronts along the Geary frontage were remodeled some years back, and the fragments were gathered-up at that time by someone who cared enough to save them.</p>
  • <p>This is theback of the screen. The actual screen side is completely gone. It also the back of someone’s yard.</p>
  • <p>The drive in ticket booth.</p>
  • <p>Completely invisible from the road is the old marquee announcing the movie titles.</p>
  • <p>April 12, 1956, premiere of “The Man In The Gray Flannel Suit”.</p>
  • <p>The overhead JBL surrounds fitted above into the ceiling and fabric cloth covers them to almost try and hide them.</p>
  • <p>I think this taken when going to see The X-Files I want to Believe, in THX.</p>
  • <p>It never cease me how marvelous the curve ceiling looked with the fiber optic stars twinkling in Empire 1</p>
  • <p>Bluebird Theatre painting credit Lee Reedy.</p>
  • <p>night vue marivaux and further plaza</p>
  • <p>January 1960 print ad courtesy Patrick Hayward‎.</p>
  • <p>Advertised in April, 1929</p>
  • <p>The grand entryway of the Fox just weeks prior to demolition.</p>