Photos favorited by Kinospotter

  • <p>“Skourasized” auditorium</p>
  • <p>How can we get that out of the Fox Theatre salvage sale in 1980?</p>
  • <p>February 19, 1932</p>
  • <p>Original 1931 poster for “Road to Life,” shown here in February 1932.</p>
  • <p>The Dawn-A-Vu Drive-In was opened in May 1956 when it was operated by Donald Mendenhall. In the late-1970’s it was renamed Idan-ha Drive-In. Jeff and Shauna Bowen, who also run the indoor Idan-ha Theatre on Main Street.</p>
            
              <p>Contributed by Greg Lynch - <script type="text/javascript">
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  • <p>October 21, 1933</p>
  • <p>1974 print ad courtesy Peter Noorish.</p>
  • <h1>Love in 3-D at the Bryson (original German title: Liebe in drei Dimensionen) is a 1973 West German adult comedy film directed by Walter Boos. It is historically notable for being shot in 70mm (specifically using the Triarama process)</h1>
            
              <p>The film is a sexploitation comedy featuring multiple erotic vignettes. It gained significant international success, partly due to the novelty of combining “eroticism and 3-D”.</p>
            
              <p>In filmmaking, Triarama is an alternative name for a specific three-dimensional (3D) film process officially known as Hi-Fi Stereo 70 or Stereovision 70. This technical process allows for the recording and projection of stereoscopic images using a single camera and a specialized 65mm or 70mm film format.</p>
            
              <p>How the Triarama Process Works – The process creates a 3D effect by simulating human depth perception through the following steps: Dual Image Capture: A single camera uses two lenses spaced at a distance similar to human eyes (approximately 63.5mm) to record two separate images simultaneously.</p>
            
              <h1>Anamorphic Squeeze: These two images (left and right perspectives) are placed side-by-side on a single 65mm negative frame and subjected to an anamorphic squeeze.</h1>
            
              <p>Stereoscopic Projection: During exhibition, the film is projected onto a screen where the two images are “unsqueezed.” Audience members wear polarised 3D glasses to ensure each eye sees only its corresponding image, which the brain then merges to perceive depth.</p>
            
              <h1>Release: While shot in 70mm, it was frequently screened in a 35mm single-strip 3D format for exhibition, as was the Bryson season.</h1>
            
              <p>Cinematography: The film is characterized by extreme 3D effects designed to jump out of the screen, including scenes with twigs hitting a car window, a girl on a swing moving toward the camera, and various objects thrusted toward the audience.</p>
            
              <p>Cast: The film starred Ingrid Steeger, Christina Lindberg, and Elisabeth Volkmann.</p>
            
              <h1>Season - Love in 3D commenced at the Bryson on July 5th 1974 and ran for a six week season, concluding on Aug 15, 1974.</h1>
            
              <p>Contributed by Greg Lynch - <script type="text/javascript">
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  • <p>Bryson Theatre 184 Exhibition Street, Melbourne, VIC</p>
            
              <p>Photo - Caths Archive</p>
            
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  • <p>the theatre was newly remodeled by Louis Denavaut</p>
  • <p>September 30, 1970</p>
  • <p>October, 1940</p>
  • <p>The Mayfair Theatre auditorium at its opening</p>
  • <p>Goddammit Oakland!</p>
  • <p>Orchestra Hall, Chicago in 1915</p>
  • <p>W.L. Hill comes over from Famous Players Lasky to direct the prologue to “The Blue Bird” in 1918 here on the stage of the Orchestra Hall.</p>
  • <p>After fitting most of their Sydney city and suburban theatres with a CinemaScope upgrade, the Hoyts installation team headed off to Newcastle, and later country areas. Here in the Newcastle Civic projection room - a few days before “The Robe” opened - we see Hilton Shepherd by a Gaumont-Kalee model GK21 35mm film projector (with a Kalee 4-track penthouse magnetic reproducer). The new Bausch & Lomb anamorphic unit (which stretches the ‘squeezed’ image) appears to have a Kalee backing lens. Thanks to Eric White for his assistance with this photo.</p>
  • <p>When CinemaScope was introduced in 1953, Fox promoted the idea that it could be seen ‘without glasses’ (a reference to the fact that there were many 3-D films in release that needed patrons to goggle up). By the time “The Robe” reached Newcastle, Fox’s claim had been modified, with addition of the word ‘special’.</p>
  • <p>Civic Theatre 375 Hunter Street, Newcastle, NSW</p>
            
              <h1>This is a photo of the Civic Theatre on the opening night of Twentieth Century Fox’s epic film “The Robe”, which commenced it’s season on Wednesday November 17 1954. This was presented in four track Stereophonic sound and the new modern wonder called CinemaScope.</h1>
            
              <p>The Robe was the first Cinemascope film to be released and screened at Newcastle’s Civic Theatre.</p>
            
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  • <p>Civic Theatre 375 Hunter Street, Newcastle, NSW</p>
            
              <p>Photo - Kerry T.</p>
            
              <h1>Jeffry B. writes - The theater’s grand ornamental dome attracts attention. The Newcastle Civic Theater is located in Hunter Street, you can get a good view of the theater when you walk in the center of Newcastle.</h1>
            
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  • <p>November 20, 1930, with Maria Jacobini. Shot in Italian by Paramount in Paris. Often considered the first Italian talking film.</p>
  • <p>Shown here in January 1937 as “Gesuzza, la sposa garibaldina.”, made in 1933. Alessandro Blasetti’s film about the creation of Italy.</p>