Sold – During 1966 the theatre was sold to Nikos & Demetrios Lazogas who pursued a Greek screening policy, mainly of family & comedy product they had purchased.
Comment : Between 1962 & 1968 it is believed that The Sunshine Theatre followed a policy of running Greek Motion Pictures. There is evidence that over the remaining years that Reg Boulter / R Penny & Grove Bros were exhibitors at The Sunshine Theatre.
Melbourne is home to one of the largest Greek diaspora communities in the world as well as being the city with the largest Greek-speaking population outside Greece. According to the 2001 Australian census, Melbourne has the largest Greek Australian population in Australia (151,785 or around 47%), and the largest Greek population of any city in the World, outside of Greece – Contributed by Greg Lynch –
Sunshine Theatre 128 Hampshire Road, Sunshine Victoria
Physical Description Description today.
This is a Moderne style, one and two-storey, former theatre, sited opposite the Masonic Hall in the former civic and social centre of Sunshine. The street facade has a streamlined tiered treatment with curved corners and projecting fins, all executed in moulded cement. The projection booth, set back in the upper level, sits forward of the auditorium and so is expressed externally. Originally, banding in black tiles at the plinth and a string course at the top of the entrance created a strong horizontal effect (since over painted). This was accentuated by the curve-edged cantilevered verandah over the set-back entrance.
The multiple sets of glass doors sat at the top of a small flight of three steps. Internally, the building was decorated with Moderne style geometric patterns executed in plaster, with timber panelling in the foyer. Much of this has been removed in the conversion to first a furniture shop, and then to offices. However, the ceiling panels and proscenium arch remain intact.
Physical Conditions Condition/integrity
In good condition. The conversion to commercial use has meant the foyer interior has been stripped, windows have been inserted into the originally blank facade, and the entrance remodelled in modern glazing. The rear corrugated-iron clad shed which held the auditorium has been replaced with a masonry shed of approximately the same footprint. Note – This place/object may be included in the Victorian Heritage Register pursuant to the Heritage Act 2017. Check the Victorian Heritage Database, selecting ‘Heritage Victoria’ as the place data owner – Contributed by Greg Lynch –
In March 1954 Lionel Hart established Independent Film Distributors & opened “The Liberty” in Barrack Street, with 450 seats on a single upper level; The theatre initially specialized in a Continental Art film policy. Independent Film Distributors subsequently established a second theatre on 23 December 1955, which was named “The Savoy” Newsreel Theatrette, and was located in the basement of the Savoy Hotel in Hay Street, in what was previously a billiard saloon. The Savoy ran in competition to the all ready long established, and very successful, Mayfair Newsreel Theatrette, also in Hay Street City.
The Savoy ran continuous “hour shows”
The 300 seat Savoy ran continuous “hour shows”, that is programmes of not less than an hour (though frequently slightly more), starting at 10 am and continuing without a break until approximately 11 pm, allowing patrons to enter and leave as they pleased, and to stay as long as they wished, its appeal was particularly to shoppers and others with a short time to spare in the city, so it advertised nursery, powder rooms, free cloak and parcel depository.
The introduction of television
The introduction of television brought this to an end, by providing similar programmes free in viewers' own lounge rooms. So, at the Savoy, continuous programming of re-runs of successful feature films replaced the newsreel format; for example in January 1964 seven sessions per day of a Three Stooges' film, in January 1965 eight sessions per day of East of Eden. Even this was difficult to sustain, and the cinema drifted more and more into sensational programming, after the success of films such as London in the Raw, presented in June 1965, to which children under 16 were not admitted. By the time of the “R” certificate legislation in 1972, the Savoy had a reputation for rather risque product, and in 1975 was one of the first cinemas to convert to a policy of screening only R-rated movies, a policy with which it was very successful until the early 1980s.
Topless usherettes
It closed briefly in 1983, then reverted to more conventional programming when taken over by John Marsden later that year, re-opening on 17 November 1983; when Marsden had difficulties with film supply, he sold it to Ken Hill who installed video projection and in February 1987 began to run it as an adult cinema, with topless usherettes. The cinema closed in August 1991 and its equipment moved to Club X Cinema in the basement of the Club Emporium in Barrack Street.
The End
In 1997, the building that housed the old Savoy was still there, but the cinema staircase and entrance had been demolished, and shops extended across these gaps; access was still possible from the lane way behind to the derelict interior, as it was with the rest of the Savoy Hotel – Contributed by Greg Lynch –
Premier Theatre and Summer Gardens 293 Stirling Street, East Perth, WA 6000 – Photo by Bill Burton 1981 – The sun was setting on a great historic theatre & landmark – Contributed by Greg Lynch –
The Premier Theatre was built by the East Perth Football Club. Films had previously been screened outdoors at Perth Oval and the club decided to build an indoor theatre. WR (Bill) Haynes, the club’s patron, lent them the money for it but in 1927 he decided to take it over himself. Cyril Norton
(secretary of the EPFC) became the manager.
The club colours of blue and black.
The tiles along the front of the building were in the club colours of blue and black. The interior had a pressed tin ceiling. The theatre seated 1,000 patrons downstairs and 440 upstairs (some reports 450) – In 1938 it underwent a major renovation both externally and internally to the Art Deco style, and new projectors and a sound system were installed. “When it was a top film we used to switch with the new Oxford Theatre. They’d show the first half and we’d show it the second half. A chap on a motor bike used to run between the two theatres with the spools.”
The deck chairs were expensive
The Premier Theatre Gardens were built in Stirling Street in the mid-1930s. “The deck chairs were expensive and the garden seats were the cheap ones. When it rained they used to have to carry half of the projection equipment across from the gardens to the theatre and start 20 minutes later. Everyone from the garden’s cheap seats used to head straight for the good seats upstairs.” posted online by (Graham Norton) – Contributed by Greg Lynch –
The New Mentone Theatre, located on the corner of Balcombe Road and Point Nepean Road, opened on Saturday 5 May 1928, with live entertainment and movies. Seating catered for 1306. Paramount films presented a double bill, Beau Sabreur supported by Jesse James as the gala program. Although opening in the days of silent movies, Albert Lydford: Builder of The New Picture Theatre at Mentone considered himself an Entrepreneur & a Showman, and was quick to realize talking pictures were the future and installed Western Electric sound equipment. Mentone became the first suburban theatre in Victoria to screen talkies. The New Mentone was at first run by its builders, Mr A. E. Lydford and his three sons, until the depression in 1931 forced them to sell the theatre. It was then run by Fowler & Carr Theatres Property Ltd, who ran the theatre for most of its life. When the Carr family bought Mentone Theatre they also operated the Paramount at Mordialloc, which in 1938 became The Regent. The Mentone & Mordialloc theatres began switching the program in 1936, and continued until the closure of both theatres – After the advent of TV in 1956 attendances collapsed. The theatre went dark on September 25, 1961, and was demolished the following year to enable the widening of the Nepean Highway. Fowler & Carr Theatres Property Ltd. were still the operators when it closed. Contributed by Greg Lynch –
*“The Lyric Theatre Maylands” is important for its association with cinema, by far the most popular form of entertainment in the early twentieth century, which provided entertainment to the people of Maylands and surrounds for more than 38 years.
*The Lyric was the heart of the community. More people would pass through the Lyric than any other building in Maylands. By the 1940’s cinema had come of age. It was a time when most of the population went to the movies, at least once, sometimes twice a week.
Architecture – “The Lyric Theatre” Maylands is an early and intact example of an important cinema building, constructed during a decade of unprecedented growth in the Motion Picture industry. The facade of the building is two storied in height, with stucco ornamentation in the Classical style. The upper storey, (five) windows are round headed, with modest archivolts suspended by slender columns. The balcony balustrading and stairway is still intact. The fibrous plaster paneled ceilings, and the ornate columned square proscenium, provide a unique architectural picture frame, with traces of staggered Roman / Greek decorative influence. The theatre seated 1000 people.
*If any building in Maylands has a story to tell it’s the Lyric Theatre. The struggle to stay open during the Great Depression comes to mind, when in desperation management introduced Roller Skating, Dancing and Cabaret to supplement the movies.
*During World War Two “The Lyric Theatre” was the center of many loan rally functions. These were held by “The Maylands War Loan Committee” which encouraged Australians to invest in war bonds. Substantial funds were collected on these occasions..
*MAYLANDS. ANZAC ENTERTAINMENT – During the war years and after “The Maylands Sub Branch of the Returned Soldiers” held numerous functions at “The Lyric”. While the theatre was often used as a fitting termination to the solemnities of Anzac Day.
*The Lyric Maylands is significant for its association with Herb Robinson who operated a number of companies and cinemas in Maylands, and who will be remembered as one of the “Fathers of the West Australian Cinema Industry”. The story of Herb Robinson is one of achievement. Born in Perth April 9, 1909 to Mary Ellen and Richard Herbert Robinson. His father was killed in action in France when he was only eight years old. in April 1918 Robinson attended St Patrick’s Boys' School, and after leaving school worked as a clerk for the W A Government Railways. In 1933 he and his sister opened the Roxy Gardens, Maylands. The following year they took over the nearby “Lyric Theatre”, also in Maylands. Uniquely remaining owners of both theatres until their eventual closure in the early 1960s because of the inroads of television. On 16 July 1940 Robinson enlisted in the Australian Army during World War II, serving with the 5th Australian Infantry Troops. Then on 8 August 1942 he married Annie Mary Eluned Morgan, resulting in two daughters. Robinson was discharged from the army on 12 December 1945. He was elected to the Perth Road Board in 1951, and from 1959 to 1961 served as its chairman. Robinson also served as president of the Motion Picture Exhibitors' Association of WA, from 1951 to 1956. When the Perth Road Board became the Shire of Perth in 1961 Robinson was elected to shire president, serving in the position until he left the council in 1963.
*Political career – Herb Robinson was elected to the Legislative Council in 1962, representing the three-member Suburban Province. Robinson was a Justice of the Peace from 1951 till 1985. In retirement he moved to Canberra, passing away in July 1990 at the age of 81. – Vale H. R. (Herb) Robinson. Footnote: The Robinson family were hands on theatre owners and show people. Most Saturday nights you would find a member of the family at either the Roxy or the Lyric acting as welcoming hosts in the old style, by positioning themselves at the theatre entrance door, and then fare welling the patrons as they departed.
*OPINION – “The Lyric Theatre Maylands” can never be replaced, and it is important that every member of the Maylands community rally to protect the cultural memory of this heritage structure. Potentially “The Lyric Theatre” could be restored to it’s original glory. The size and location of the building would make an excellent Community Arts Center – Contributed by Greg Lynch –
Greg Lynch said – The legend of the Roxy Gardens in Maylands is the story and vision of the Robinson family. H. R.(Herb) Robinson & his sister Miss M. I. Robinson who built the gardens in 1933, while opening that same year. Twelve months later the Robinsons took over the Lyric Theatre (built in 1923 by Mr. H. C. Leister) also located in Maylands. The Roxy Gardens was a 900-seater outdoor cinema which ran during during the summer months with three complete changes of programmes every week. The beautiful evergreen Roxy featured walls covered with all varieties of climbing roses & ivy which in season were a spectacular blaze of color and visual enjoyment. The cheaper seats in this venue (front stalls) were wooden benches on bitumen, the dearer seats were deck chairs on grass (back stalls) The screen was located at the rear of the site. In the early 1950’s a new wide-screen (pre-CinemaScope) replaced the old square format complete with a white neon edging. Poplar trees were planted across the back and sides to frame it. Later a lounge cane chair & cushion was introduced replacing the deckchairs, this was unique to the Roxy. At the same time palm trees were planted along the side walls. The gardens also boasted the Raycophone extended range sound system. Simultaneous screenings at both Lyric and Roxy gave patrons the choice of either indoors or open-air.
THE TV JUGGERNAUT
In late 1954 the Robinsons modernized the candy bar & entrance, not realizing that the television juggernaut was about to fall upon them. On a warm Friday evening around this period I had just finished a show at the Regent Theatre Guildford and Bob Yelland my employer was giving me a lift home. Both of us lived in Mt Lawley, and as we passed the Roxy Bob noticed that the lights were still on, so we stopped off to say hello. Herb was still working in his new candy bar and very proud to show us around. To my eyes The Roxy Gardens were an absolute thing of tropical beauty, and an excellent example of the cinema gardens era. The Roxy closed forever in June 1962, while the Lyric had closed the year before in June 1961. Now after a lifetime of working in the Cinema/Motion Picture Industry I look back with warm appreciation to the Golden Era and know we have lost something very special with the passing of our wonderful Picture Palaces and beautiful atmospheric outdoor cinemas such as The Roxy Gardens – Maylands is a poorer place without it – Contributed by Greg Lynch …
The Albany opened as a Newsreel Theatrette screening continuously every hour, on October 30, 1936
NEWSREEL THEATRETTES* These were scattered around central Melbourne, and first appeared in 1932. Most were below street level.These establishments screened continuous newsreels from Movietone, Universal & Cinesound, along with cartoons, Pete Smith & Three Stooge comedy’s – to name a few . There were no intermissions and it was possible to sit there all day! – Contributed by Greg Lynch –
The Argus (Melbourne, Vic) Thu 3 Dec, 1936 Page 7, writes about the HOWEY ESTATE BUILDING PROGRAMME
The proposed Albany Theatre was part of THE HOWEY ESTATE BUILDING PROGRAM and was built into the basement of Albany Court, located in 230 Collins Street, Melbourne, Victoria The ground floor of the building had been designed as a shopping arcade extending from Collins street through to Howey place. There are seven shops in the arcade, and two in Collins street. A bright and attractive appearance has been given to the show windows by the use of stainless steel moldings.
The Albany Theatre*
The basement of the building will be occupied by the Albany Theatre and a modern coffee lounge, both under the same control. Air conditioning to be provided in both the lounge and the theatre. The decoration follows the modern horizontal treatment. The special furniture in the lounge and theatre has been designed by the theatre architects Messrs Taylor, Soillieux and Overend. The operating bio box is situated at the Collins street end and has natural light from pavement lights above. The seating Capacity at the time of building was 268.
The projection equipment*
The projection equipment has been installed by Harringtons Limited. The sound is the Australian made Racophone. A central heating ventilating and air conditioning system has been carried right throughout the building. A system of 12 vertical utility ducts runs from the basement to the roof, each duct carrying the hot and cold water mains the radiation, and gas services. All the equipment operating these services is a sub-basement, and with the general and sanitary plumbing formed part of the contract of Messrs Thomas Warner and Sons, of South Melbourne.
The Heating*
The boiler operating the hot-water and heating service is fired by a fully automatically controlled fuel oil burner which was installed by Major Furnace and Combustion Engineers Pty Ltd of South Yarra.
The Grand opening*
The Albany opened as a newsreel theatrette screening continuously every hour, on October 30, 1936. The original Exhibitors were Woodrow and Sloman – Contributed by Greg Lynch –
The Exhibitor who ran your 30 minute featurette (One Man Bike) was the late Gordon McClelland. His family ran the Carlton Cinema from 1924. Gordon was a highly respected member of the Cinema Industry & a great supporter of Independent film-making, and a valued friend of this writer – Gordon McClelland, together with the late Baz Brownbill of the Pix Theatre Geelong, pioneered class-room school screenings in Victoria, utilizing 35mm portables – Contributed by Greg Lynch –
Statement of Significance for The Globe Theatre Winchelsea
The Globe Theatre was built in Winchelsea in 1926-27 as a picture theatre and concert hall. Constructed by the Lawrence family, it provided a venue for the local talent, Marjorie Lawrence, to perform. Lawrence, who became an internationally acclaimed soprano, gave her farewell concert in the building in 1928, prior to studying in Paris, and gave her first return concert there in 1939. The theatre was also used for movie screenings, weddings, dances and horticultural shows. In 1946 the theatre was acquired by the Winchelsea Shire Council and since 1990 has been managed by the local Lions Club.
The simple, hall-like building has a main broad gable roof and a smaller gable to the front, both of which terminate in eaves along the sides of the building. At the front, a bold, bracketed, stepped parapet conceals the building behind. The original skillion veranda across the front facade was replaced by one of similar form in 1992. Paired ventilation stacks dominate the ridge line of the main roof. The original portions of the building are clad with galvanized iron sheeting to dado level, folded to reflect strapped horizontal boards. The upper walls are clad with strapped cement sheets. Double hung, paned windows with segmental arched pediments above, line the sides of the hall, and paned windows and ticket openings flank the central front entrance.
The interior of the main hall has a coved, decorative pressed metal ceiling, with pressed metal ceiling roses and ventilation openings. An original landscape scenery back drop remains in place at the rear of the stage. Interior walls of the foyer and the hall have timber dados, strapped cement sheet wall cladding and pressed metal ceilings. The original dressing rooms at the rear of the building have been replaced by a brick addition.
Why is it significant?
The Globe Theatre, Winchelsea is of historical significance for its association with Marjorie Lawrence, who became the leading dramatic soprano for the Paris Opera Company and also triumphed in New York, performing with the Metropolitan Opera.
The Globe Theatre, Winchelsea is of architectural significance as a small, intact example of a theatre built in a Victorian country town. The building retains much of its early form and original decoration, including a rare surviving early scenery backdrop.
The Globe Theatre, Winchelsea is of scientific (technical) significance for its use of galvanised iron folded sheeting as a form of cladding. This form of cladding would appear to be highly unusual – Contributed by Greg Lynch courtesy of Heritage Council Victoria –
The Cumberland Argus and Fruit growers Advocate (Parramatta, NSW – Wednesday 17 December 1947, Page 5, writes – NEW THEATRE FOR GRANVILLE
With the gala opening of the new Hoyts Castle Theatre, Granville, on Boxing Day, there will dawn a new trend in Motion Picture Theatre design — Sydney’s first real post-war theatre. Named, as many Granville residents will remember, after the original open-air theatre, which once occupied the site. This palatial edifice will present the most modern overseas methods in theatre construction and yet combine comfort and beauty, together with the high class in programme presentation, always associated with Hoyts Theatres.
Realizing the growing need for a modern theatre in Granville and at the same time, bearing in mind the acute building situation in Australia today, the architect’s pencil has given Granville a concrete construction of everlasting beauty. Its all steel, igloo type roof, single sloping floor, up to the minute- air-cooling and heating plant; its ultra-modern projection equipment and acoustics, make it a theatre as modern as tomorrow, a theatre of good looks, snug comfort and fine appointments. Now that it is a reality, Hoyts will continue their policy built up over years of experience, in the presentation of only the cream in motion picture entertainment – Contributed by Greg Lynch –
Greg Lynch says – “THE NEWMARKET PICTURE THEATRE was the beginning of The McLeish chain of theatres – Sat, 5 May 1915 and “The Newmarket Picture Theatre is RE-OPENING UNDER NEW MANAGEMENT. – Mr. Robert McLeish, well-known for his success at the Northcote Theatre. The Newmarket Picture Theatre will be re-opened on Saturday. The theatre has received a thorough overhaul, being renovated and decorated throughout and has been provided with new seating, floor cloths, and electric lighting.” – The Herald (Melbourne, Vic) Sat, 5 May 1915 said: – Newmarket residents are to be congratulated upon the possession of a picture theatre that will challenge comparison with the very best that any of the Melbourne suburbs can boast. The building is an imposing structure, with outstanding architectural features. Through the enterprise of Mr Robert McLeish, it has been transformed both externally and internally Into a most handsome and up-to-date picture house, and one in which the convenience and comfort of patrons have received special attention. It has been renovated, re-seated, and decorated throughout. The approaches to the dress circle and main hall have been beautified with a tasteful and artistic design of cream colouring, and enhanced with a series of finely executed decorative panels in blue and fawn. For the main hall the colour scheme is a harmonious blending of white and brown, in keeping with the suggestion of light and brightness aimed at in the general design. The Newmarket Theatre is the first of a chain of theatres which it is his intention of running in conjunction with the theatre business he has already established in the suburb of Northcote –
DEATH OF A GREAT SHOWMAN The Argus (Melbourne, Vic) Wed, 7 Oct 1953 – Page 3 By F. KEITH MANZIE – THE Australian film industry suffered an irreparable loss yesterday in the death of veteran showman Robert McLeish. No one in Australia has done more in pioneering and establishing motion pictures and Cinema in this country. THEATRES in the McLeish chain, such as the luxurious Regal, in Hartwell, and Rivoli, in Upper Hawthorn, did much to gain for Melbourne suburban cinemas the reputation of “the best in the world. Mr. McLeish was a tireless worker for Melbourne’s charities and needy film industry employees. He has been President of the famed Green Room Club since 1920, the genial Bob had an international reputation as a host to visitors. And it was Bob’s own money which sustained this theatrical club when it passed through parlous times. ROBERT McLEISH, who was 70, began life in North Melbourne – where another world famous film personality in Al Daft, now chief executive of Universal Pictures in America also had his beginning. It was as a silvery throated baritone that he broke into show business. As a singer of “heart throb” songs – such as “Goodbye, Little Girl, Goodbye,” and “In the Shade of the Old Apple Tree” – Mr. McLeish was in great demand at the start of the century at Sunday night open-air concerts, and singing in front of the screen at silent film shows. AFTER appearing in Tivoli Theatre minstrel shows, Mr McLeish went into management for himself, conducting “McLeish’s Weekly Pops” in suburban and country town halls throughout Victoria and Tasmania. Then, sensing the potential growth of screen plays & cinema, he took over managership of the Northcote Theatre in 1912, where he showed complete programmes of pictures, instead of the mixed vaudeville-movie shows previously presented. In 1917 he leased the NEWMARKET THEATRE, and then acquired the Clifton Hill Theatre in 1918; and in 1921 the McLeish “chain” really started to operate with the building of the Rivoli Theatre, in Camberwell.
In 1944 Mr McLeish won the title of “Mr Melbourne” in a competition conducted in aid of the Australian Com- forts Fund. As the Amusement Industries candidate he topped the poll with something like a million and a half votes; which represented the sum of £18,148. – WHEN not working on behalf of the entertainment industry Bob McLeish found time to take a keen interest in horse racing. He was a member of the Victoria Racing Club, the Victorian Amateur Turf Club, the Melbourne Racing Club, and the Moonee Valley Racing Club. Mr McLeish added to an impressive personality a rare flair for story-telling and a rich gift for making speeches, *GREEN ROOM CLUB members gathered yesterday to drink a silent toast to the passing of a loved president and a good friend. Mr McLeish leaves his son, Rob, to carry on for him at the Green Room Club and in the conducting of the affairs of the McLeish Theatre circuit. The funeral service is to be held at St. George’s Church of England, Glenferrie road. (next to the Malvern Town Hall), at 2 p.m. today. It will be conducted by the Rev. Roscoe Wilson. The Funeral will then proceed to Springvale Crematorium. –
GREG LYNCH UPDATE – “THE NEWMARKET THEATRE” – The Flemington Spectator October 30, 1913 (references the opening of The Newmarket Theatre as November 1, 1913.) The Newmarket Theatre was built on a site that was a Hay Store. The Exhibitor is registered as Greater J. D. Williams Amusement Company. The theatre flourished until 1915 when the manager Mr. G. W. Brown made application to The City of Melbourne to pay the theatres rates in installments. Melbourne’s growth rate had stalled and the level of wages remained far lower than it had been in the 1880s. As a result, urban poverty became a feature of city life, and the slum areas of the inner industrial suburbs were spreading. The signs were bad and theatre attendance numbers continued to fluctuate over the years to follow. Then on Thurs 11 Feb, 1915 The Essendon Gazette ran the following extra – ordinary advertisement / article for The Newmarket Theatre …. Quote: “You should not fail to attend the matinee on Saturday next, February 13th at the above well-known theatre, where pictures of only the highest class are screened. We are now in a state of depression, however there is no reason why you should be prevented from having some enjoyment at a moderate cost.
The manager of The Newmarket Theatre has very wisely decided to present at each Saturday matinee such articles as Flour, Sugar and Wood which every householder will find of great' benefit. The prize to be given at next Saturday’s matinee will be One Ton of Wood delivered to your home, wherever you may live.” end quote…. By 1916 the social environment appeared to have improved and on Thurs 1 Jun 1916, The Flemington Spectator ran the following advertisement / article for The Newmarket Theatre – Quote: “ This well-known and favourite theatre is showing some good pictures just now and is drawing splendid houses. ‘The manager, Mr. G. W. Brown, announces that “The Rosary” will be shown this evening and on Friday and Saturday. Then on Monday night, in addition to the pictures, live on stage will be the Kilties’ Band, vocalists, instrumentalists and entertainers. Tuesday will be a Chaplin night, including the most laughable Chaplin comedy, “The Woman,” and this will be shown for the first time in Newmarket.“ end quote…
Thurs 3 May 1917 and The Essendon Gazette announces big changes. Quote: “The Newmarket Picture Theatre is RE-OPENING UNDER NEW MANAGEMENT under the guidance of Mr. Robert McLeish, well-known for his success at the Northcote Theatre. The Newmarket Picture Theatre will be re-opened on Saturday next. The theatre has received a thorough overhaul, being renovated and decorated throughout and has been provided with new seating, floor cloths, and electric lighting, A Simplex Biograph has been installed, which is claimed to be one of the best in the world. The programmes will be accompanied by the capable operatic orchestra under the direction of Mr.Geo. H. Breatnall. For the opening night special attractions have been secured with, Mary Pickford in “Hulda from Holland” supported by Olga Petrova in “The Black Butterfly” end quote – Special note: (The Black Butterfly is a now lost 1916 American silent drama film starring Olga Petrova and released by Metro Pictures. The last known copy was destroyed in the 1967 MGM Vault fire). Mr. Robert McLeish passed away Wed, 7 Oct 1953 at the age of 70, and it is believed that his son Rob carried on with the theatre until the television juggernaut caught up with him in the late 50’s. McLeish closed the theatre on 1st Jan, 1959.
The theatre continued under the exhibitors De S. Petro & S. Fava for a further two years running Italian language films. After this period the premises were rented out as a dance hall, which became famous as the birthplace of a Rock ‘n’ Roll band called The Blue Jays, who were running dances to good crowds twice a week. Marcus Herman legendary founder of Crest Records took the opportunity to record the band at the theatre resulting in a series of singles and EPs. – To quote Milesago: – The Blue Jays were already well established in Melbourne and one of the city’s leading dance groups. They formed in 1959, with the original lineup being Frankie Brent, Doug Stirling, Chris Lawson and Bobby Johnson. They cut a series of swinging instrumental singles and EPs for the Crest label, as well as a 1961 LP, “Twisting With The Blue Jays” and The Arthur Murray Twist Party Featuring The Blue Jays Big Dance Beat. Like so many Aussie bands, there was a regular turnover of personnel, and some of the members who passed through included Laurie Allen (later to be half of pop duo Bobby & Laurie), Johnny Cosgrove, Alan Easterbrook and Ray Houston. – The doors of the “now” NEWMARKET PICTURE THEATRE finally closed sometime during the middle 60’s and was ultimately demolished….Greg Lynch –
The Paramount Theatre Oakleigh – To complete the story – Ron Kitchen acquired the Paramount in 1946, and ran the theatre until 1966.
Tribute: Ron Kitchen was a builder by trade who came to own a theatre. During his time at the Paramount he installed CinemaScope & VistaVision & was regarded as a switched on Exhibitor & Showman. The Paramount advertised programs under the newspaper banner of “Suburban Theatres Tonight”. Ron’s close personal friends were industry based, such as the late Brian Casey (Universal Pictures) & the late Keith Milroy (British Empire Films), & this writer was very happy to call him friend. Ron had experienced severe personal tragedy, yet was always affable, and in addition, a much respected member of “The Society of Cinema Pioneers”. . “Cosmopolitan Motion Pictures” through Peter Young purchased the building in 1966, and ran as a cinema, showcasing Greek product until 1971. The Paramount stood empty and was shuttered for many years, & then finally demolished in 2015 – VALE RON KITCHEN – Contributed by Greg Lynch –
Lakeside Drive-in Theatre, Yarrawonga Opened: Tues March 21, 1961 Location: Murray Valley Hwy, Yarrawonga, Victoria, Australia… Capacity: 380 Cars…… Operators : The Scott Family (David & Murial – owners) managed for the Scott’s by Kevin Harbrow during the 60’s & 70’s. Then Bob Jane & brother during the 80’s …. The operator at closing – Steve McDonnell …. The Lakeside closed: 17th April 1999.
Brief history: Greg Lynch says – The Lakeside Drive-in theatre, Yarrawonga is located near the Victoria/NSW boarder, on the main Hwy running into town. After the Grove Open Air theatre closed in 1964, The Lakeside was the only film venue in town for most of the last 40 years, In the early days the Lakeside traded well. Yarrawonga had the advantage of a large summer influx of water-skiers who would swell the ramps. The Projection room was at the front of the snack bar/toilet building. (refer to the photo) Fenced gardens were in front of the ground floor projection room, to stop little kids and big kids making rabbit ears in the projection beam. The irony is, despite a small population of only 3,500, Yarrawonga had a drive-in theatre that operated until 1999.(the population today is 7057) The reasons for the closure are many. Along with the easy access to video tape movies, drive in theatres just fell out of fashion. The Lakeside Drive – in theatre was owned in the beginning by The Scott Family from Cobram. Muriel Scott ran the Melba Theatre in Cobram, Victoria, while David would ultimately build & operate, The Stargazer Drive in theatre in Albury NSW.. Later years – The Lakeside drive in was resurrected and operated on & off during the summer months, while competing against movies shown at the Town Hall. It’s difficult to operate a venture that only makes money during the warmer months. Today this picture paddock is once again dark. A lot of interest in the town of Yarrawonga has disappeared for an old Picture Show Man like myself. Call me old fashioned, or just someone who liked to relax in his car on a nice summers night & enjoy a movie under the stars. Regretfully the drive-in on the highway is no more, and for industry people the paddock will always remain dark…
For those who believe that old cinemas have souls, you could argue that there is much more to a theatre than just bricks and mortar. Should we consider the personalities of the owners & staff, along with the memories of a passing parade of countless movie fans, who over the years were cocooned in the mysterious darkness of the Rialto Theatre, while enjoying the transported screen images of time and place.
If memory permits the year is 1957 and Ken Neck (Hoyts Chief Engineer) sends this writer to The Rialto Theatre Kew, to take up the position of assistant to Bill Kerr (head projectionist). Up to this point I had been on the relief circuit, working at places such as The Lyceum & Athenaeum theatres in Melbourne City, and later at The Padua & Alhambra theatres in Bell Street Brunswick. The TV juggernaut had begun and Hollywood’s Golden Age was over. Broadcast television was free, except for the required Government TV Licence which was introduced in 1957, costing a whopping five pounds per year. For those in the cinema industry television was the enemy, which was to be bad mouthed at every opportunity, as we watched in desperation as attendance’s slipped away.
Despite the slippery slope we found ourselves travelling, there were many great movies screened at “The Rialto” during the 50’s. It was during this period that Hoyts created “The Regency Release” – This referred to movies screened at The Regent Theatre in the city. There would be a delay of, say two weeks into the season, and then selected suburban theatres like “The Rialto” could participate day & date with the city release. Such an occasion was the Warner Brothers movie “Sayanora” starring Marlon Brando & Red Buttons. A Regency release was a most prestigious engagement and one of the weapons Hoyts were using to entice people back to the cinema.
My arrival at “The Rialto” coincided with the installation of a much needed improved exhaust system in the projection booth, along with “Calder Arcs” to replace the previous generation of antique light sources. The projectors were long working C&W’s. The theatre was an island, a place where the staff existed in mortal fear of a visit from head-office, or even worse a new theatre manager. Such a person was Vernon Rawlings, fresh from the UK, who arrived with many strange ideas on theatre presentation. Traditionally the news-reel opened the show, but no, Mr Rawlings insisted that we run the news straight after the first feature, then close for interval – this caused a lot of anxiety in the projection booth. Managers came and went at “The Rialto” on a regular basic. One that I had a lot of affection for was Stanley (Hamlet) Henry. He came to us from Hoyts “New Theatre Albury”. An older well preserved gentlemen who had a habit of eloquently quoting Shakespeare at the drop of a hankie. Every week we received a screening list from Hoyts Program Director, Lou Somprou . A beautiful man who’s greatest sin was to book Liberace’s “Sincerely Yours” with Rock Around The Clock. This caused a riot at “The Rialto” as the entire theatre gathered in the front foyer during “Sincerely Yours” waiting for “Rock Around The Clock” to start after interval. I was to remind him of this with a smile on my face, many times during his life-time.
As mentioned a visit from head-office was treated with great apprehension. There were two gentlemen who were greatly feared, namely Joe Walker and Alan McDowell. Both were theatre supervisors of extreme efficiency. If you looked sideways you were out the door with a boot up the backside. The only reason I survived is that I answered to Ken Neck (The Chief Engineer) This wonderful man saved me a number of times from the wrath of Joe. For those who don’t know Joe Walker was the father of the late Ron Walker, the former Australian Grand Prix boss and co-founder of Melbourne’s Crown Casino. The cleaning lady at “The Rialto” (for the sake of description) over a long period was Mrs Monks, a hard working woman, whose husband was the manager of the famous Collins Street store of Hillier Chocolates, located inside Hoyts Regent Theatre. The Monks went on to purchase and run an old style double story boarding house in Burnett Street, St Kilda. This writer was their first customer. Bill Kerr the senior projectionist moved on and was replaced by Frank Johnson. Frank was an extremely capable man who was employed by Hoyts in the daytime to strip out doomed theatres, while at night he showed pictures at The Rialto". As the 50’s moved along theatres were closing because of television, almost on a monthly basis. Every week we expected word to arrive of our demise. Many beautiful theatres were closed during that dark period, and usually a petrol station sprung up in it’s place. Frank and myself were an interesting combination, because by this time I was repairing Hoyts Neon signs in the daytime. and assisting nightly in “The Rialto” projection booth.
Over the years many interesting people passed through The Rialto. Roy Ramsey for one. Roy was a re-leaving projectionist who was elevated to Chief Engineer with Hoyts. This position had been previously held by Ken Neck and Syd Emerson. Dingy Bell, (the Hoyts carrier) was a memorable personality whom I had the pleasure of working with on numerous occasions. Dingy was a regular visitor to “The Rialto” delivering cleaning supplies and helping where needed.
Channel Nine celebrity, Philip Brady was a regular picture goer at “The Rialto” One night the theatre staff were agog as Philip walked in with John Landy, and the Bob Dyer quiz king, Barry Jones. From memory they had come to see “The King & I” in CinemaScope 55, and It kept the staff talking for a week. The Rialto theatre survived till 1961, until the lights went out and the theatre fell dark in High Street. For me “The Rialto Theatre Kew” will always be a special place. A place where a young projectionist met, romanced and wedded the girl in the milk bar opposite, 58 years and two daughters past. Ken Neck, always my savior transferred me to Hoyts Palace Theatre Glenferrie, 9 months before the closure of “The Rialto”, and the next stage of a 65 year career in the entertainment business began.
Projectionists are now a dying breed. Digital projection has replaced the screening of film. This means the projectionist of the past is no longer required. Cinema managers are now trained to operate the equipment and program the hard-drives … Contributed by Greg Lynch –
Management (Hoyts) of the Broadway Theatre Camberwell announced on Feb 20, 1930 that the theatre will close for the installation of Talkies, and then re-open on Feb 24 with “The Follies” & Talkie shorts. – Reference “Table Talk” Newspaper – Thurs Feb 20, 1924 … Comment : Ken Lemmon was one of the projectionist’s who worked in The Broadway Bio Box during the introduction of the latest talkie technology – Contributed by Greg Lynch –
BOX HILL PICTURES (1915) At The Recreation hall. Williams' Box Hill Pictures drew one of the best crowds ever in the Recreation hall last Saturday night. A splendid programme was shown, including the 6th series of ‘Lucille Love,’ a 30,000 feet star film that is being shown in sections of 2000 feet each Saturday. Though not as exciting as some other parts, it is a very nice portion, a side-splitting Keystone, ‘Between Showers, and other comedies kept the crowd in good humor, while a topical war-film gave some insight into the happenings in Europe. ‘Bully Boy’ was the idea a sketch artist has of the finish of the ‘War Devil, as he calls him, showing, amongst other interesting sketches, the Kaiser being swallowed up by a British bull dog, and the applause that followed showed that also suited the feelings of local residents. Next Saturday the 6th series of ‘Lucille Love’ is to be shown, along with other dramas, comedies, topical war gazettes, and pictures of interest, and to suit patrons who live up the line a longer programme will be shown, so that those who have to catch the train leaving Box-Hill at 11.05, will not have to wait any time on the station. In future the programme will commence at 8.15 and finish at 10.50PM. – An article featured in the Camberwell and Hawthorn Advertiser (Vic) Sat 16 Jan, 1915 (Page 6) titled BOX HILL PICTURES.
Note: Lucille Love, Girl of Mystery is a 1914 American action film serial directed by Francis Ford. It was the first serial by Universal. It was originally intended to be a short subject. The serial is now considered to be lost with only four episodes surviving. – Contributed by Greg Lynch –
Table Talk Newspaper (Melbourne, Vic ) Thu 7, Jul 1921 – Printed on Page 44 – “OUR THEATRE”. On the Crest of Camberwell Hill. Opened June 29, 1921 – The name of the new motion picture theatre at Camberwell, is expressive. (“OUR THEATRE”) It has been built by a company largely composed of local shareholders. The building which stands in Burke-road, Camberwell, just above the railway station. The name Boroondara, which formerly applied to the whole district, signified “out of the darkness into the light,” and there was a feeling in local circles that Camberwell had not emerged sufficiently out of the darkness. Now so far as the picture industry is concerned it is in a flood of light, and from its elevation “Our Theatre” is a conspicuous feature for a long distance around. The directors of the company are Messrs. \V. J. P. Davies (chairman), J.R. Drake, F. F. Fitzroy, and George Veal, the appointed manager being Mr. H. H. Heath. The task of preparing designs was entrusted to Mr. Chris. A. Cowper,
architect, of Chancery House, Melbourne, that finally selected being of the French Renaissance period, with a little of the
Adams period introduced to give life and lightness to the general effect.
The facade is splendidly illuminated with flood lights. The entrance hall gives direct access to the auditorium on either side of the operator’s cabin. At either end of the hall stairways run up to the foyer—which in this instance will be known as “our cabaret.” This extends the whole width of the building and is handsomely finished and furnished, with large arched windows and lit at night by shaded lights.
It possesses a refreshment buffet and a piano, for it is to be used for dancing purposes when the pictures are finished
of an evening. Mr. Frusher (formerly a lieutenant in the A.I.F.) is the lessee. Entrance to the balcony is gained
through the foyer, and the interior of the building impresses one at once. There is a strong suggestion of the dramatic thea
tre in the design. The balcony seats 850 persons and is brought well over the arena below, so that it appears exceptionally close to the stage. It is very roomy and comfortably seated with up-holstered tip-up seats. Altogether there is sitting accommodation for 1800 people in the theatre. The arched ceiling is very fine and is lit by six Perfecta electric
lights of 4000 candle power each. The ornate mouldings of the front of the balcony have been carried around the interior walls, forming a waist-line, and the windows above are curtained and decorated so as to give the effect of stage
boxes, which is further heightened by the
presence of window boxes containing poppies and chrysanthemums, which give a note of color when illuminated by the
electric light. Flanking the stage are two large trellis
screens for ventilation purposes. The air is drawn from the rear and sprayed through the trellised vents, being ex
tracted from above and below the balcony so that there is always a gentle but unobtrusive current of air in the theatre,
the method being known ns the “whirl” system, installed by Messrs. Long and Denton. The proscenium, the electrical
screen and lighting effects associated with it, which was installed by the Faulkesley Electric Co., is one of the latest innovations in picture theatres. The scene represented is one typical of Australian life, with cultivated farmland, mountain
and bush. At the touch of a button in the manager’s office the back picture slides back on either side, disclosing the white
curtain, the roadside fences fold over the orchestra, and at the same time the lights in the house are gradually dimmed—like
the setting of the sun—so that the audience is not plunged into sudden darkness or subjected to eyestrain when the process
Is reversed.
The contractor for the whole building was Mr. George Curry, of Auburn, the total cost being about £30,000. Our Theatre was thrown open for inspection on Tuesday evening to the share holders and invited guests, when there was a large gathering, the balcony being full to overflowing. The theatre was opened to the public on Wednesday evening, June 29, an excellent orchestra, under Mr. C. Taylor, providing the overture and instrumental music. Fox’s world gazette, Louise Lovely in “While the Devil Laughs,” “The World and the Woman,” featuring Geraldine Farrar, and the Sunshine comedy, “Pals and Petticoats,” were the principal items in the program.
NOTE: “The World and Its Woman” is a 1919 American silent drama film produced and distributed by Goldwyn Pictures and directed by Frank Lloyd. Opera singer Geraldine Farrar and her husband Lou Tellegen star. – Contributed by Greg Lynch –
film
commented about
Cinemaon
Dec 15, 2018 at 4:17 pm
GREG LYNCH SAYS…SILENT MOVIES COME TO STUART, NT, AUSTRALIA – Stuart, wide open frontier town, a thousand long miles from Darwin, and Adelaide in the south. Looking for new opportunities, South Australians Joe and Eileen Kilgariff arrived in 1927 with their four children. Joe was a builder by trade with a family background in hotel-keeping and an entrepreneurial passion for showing movies. Previous experience as a projectionist in Barmera SA had told him that movies were a growth business, and to make sure he had brought all his equipment with him. Almost immediately he set up shop and began showing silent movies in an old Iron shed that he called a cinema, located just across the road from “The Stuart Arms”. Meanwhile, Eileen in the months that followed had been studying the comings and goings of the hotel, and a decision was made to take over the lease. History confirms that Leonard Malvern Frances, and Reginald Valentine Naughton transferred the lease of “The Stuart Arms” to Eileen Elizabeth Kilgariff on the 8th November 1927.The Stuart Alms was located on the corner of Todd and Parsons Streets. Joe began to renovate, upgrade and extend the building. In 1929 Steve Kilgariff joined his brother Joe and moved his family to Stuart in an attempt to escape a major slump in the South Australia building industry. The family arrived with great expectations on the new Ghan train. Bernie, Steve’s son was commandeered as a bell ringer to promote Joe’s cinema business. On a Saturday night sometime back in the late 20’s it probably sounded like this, “Tonight, Tonight, Electric Pictures here Tonight” as a young Bernie marched up and down Parsons Street ringing his bell and calling out on the top of his voice. In later life he was to tell stories of how this was his introduction to public speaking, and how he would anxiously wait for the weekly episode of the serial to arrive on the Ghan. Usually made up of 12 episodes, patrons took their serial very seriously. Joe Kilgariff pioneered the exhibition of silent moving pictures in the Alice, and It is assumed that this continued until the arrival of sound three years later. Eileen’s sister, Mona Minahan arrived in 1932 and began working in the family business at the Stuart Arms Hotel. Mona became the Territory’s first bar maid and went on to become a legendary Alice identity. For the Kilgariff family, following the trail of the iron rail to Stuart began the formation of a dynasty that would see them building their way across the length and breadth of the Northern Territory. This was in places as diverse as Daly River, Barrow Creek, Tennant Creek, Winnecke, Aileron and The Granites. It wasn’t until 1 August 1933 that the township and name of Stuart was officially changed and gazetted as Alice Springs.
NB: Contrary to legend there are no records of any cinema screenings at “The Stuart Arms”. There are no known photographs of Joe Kilgariff’s cinema, which was located opposite “The Stuart Arms”. The information in the opening paragraph comes from the published recollections & public interviews of Bernard Francis Kilgariff AM, who was a successful Australian politician and a founding member of the Country Liberal Party. Bernie Kilgariff died at the age of 86, on 13 April 2010 …
Greg Lynch says – THE GROVE OPEN AIR THEATRE – The Grove Picture Company was the instrument of the Trustees of Alexandra Park, locally known as The Grove and was set up to raise funds for improvement to Alexandra Park. At the time the group were running silent movies at a loss in the New Shire Hall Yarrawonga. A decision was made to investigate talking pictures. Finance was arranged and the necessary equipment was purchased. With sound the venture at The Shire hall became profitable, and in 1935 it was decided to construct a new open-air theatre to run during the summer months. This theatre was established on the site in Belmore Street, which is now Rotary Park and the car parking area in Hume Street. The theatre was named “The Grove Open Air Theatre, Yarrawonga”. Picture shows were run very successfully at this location, providing residents with quality entertainment, while at the same time raising funds for community benefits. For the bulk of the time the theatre was managed by Don Forbes. During the early 60’s, this writer has memories of Don making the journey to Melbourne to book film for The Grove. This was while I was the film booker at Universal Pictures. Don was regarded as an astute programmer. However by 1964 the arrival of the television juggernaut made the picture business unviable, so the Grove Picture Show was forced to close, regretfully forever –
TIME LINE – 1936 – THE OPENING OF THE PORT HEDLAND PICTURE GARDENS on Boxing night (1936) was the main attraction to the town during the holidays and drew a large number of country visitors. In cool open air gardens patrons sat in comfortable deck chairs and enjoyed Port Hedland’s first talkies. Judging by the enthusiasm shown by all, the talkies promise to be a great asset to the town – Northern Times (Carnarvon, WA) – Wed 6 Jan 1937
1939 – CHILDREN’S XMAS ENTERTAINMENT at the Port Hedland Picture Gardens by the courtesy of Mr. C. Bayman. who placed bis Picture Garden at the disposal of the Parents and Citizens' ‘Association. The event of the year for the children took place on December 23. when Santa Claus paid his annual visit to Port Hedland. A gaily decorated tree was erected with scores of exciting parcels. About a hundred children were present who each received a gift and were then regaled with cool drinks. The children and general public then enjoyed an excellent program of pictures as the guests of Mr. Bayman. – Northern Times (Carnarvon, WA) – Fri 6 Jan 1939
1939 – THE PICTURE GARDENS DEMOLISHED – A DISASTROUS HURRICANE STRUCK THE TOWNSHIP on January ll, 1939 causing damage estimated at over £75,000. No lives were lost as a result of the storm, however three houses and the railway Goods Shed were washed out to sea and a channel was cut by seawater from Airey Point to the back of the Post office. Nineteen kilometers of road and railway, including the causeway, were washed away. Several properties including a store, garage AND THE PICTURE GARDENS WERE DEMOLISHED BY THE WIND, and a number of houses were un-roofed. Western Mail Perth, WA : Thu 26 Jan 1939.
1941 – MR BAYMAN’S PICTURE GARDENS WERE A TOTAL WRECK and flying sheets of iron have done a great deal of damage. Many of the trees that have been struggling for existence since the blow two years ago are up rooted and in every case badly damaged. The rain was terrific, sixteen inches falling during the twenty-four hours, so against the damage done to roads and houses can be set a well replenished water supply. All the tanks overflowing for hours. – Northern Times (Carnarvon, WA) – Thu 13 Mar 1941
1952 – FACE LIFT FOR THE PICTURE GARDENS – After what must have seemed a vain quest, the proprietors of the local picture gardens have finally obtained the necessary labour to give the gardens a “face lift.” Judging by the first day’s labour the gardens will soon be about the brightest spot in the town – Northern Times (Carnarvon, WA) – Thus 8 May 1952 – Contributed by Greg Lynch –
Exhibitors through the years were…
1925 – 1953 : Exhibitor : Sunshine Pictures Pty Ltd
1931 – 1966 : Exhibitor : Kirby’s Theatres Pty Ltd
Sold – During 1966 the theatre was sold to Nikos & Demetrios Lazogas who pursued a Greek screening policy, mainly of family & comedy product they had purchased.
Comment : Between 1962 & 1968 it is believed that The Sunshine Theatre followed a policy of running Greek Motion Pictures. There is evidence that over the remaining years that Reg Boulter / R Penny & Grove Bros were exhibitors at The Sunshine Theatre.
Melbourne is home to one of the largest Greek diaspora communities in the world as well as being the city with the largest Greek-speaking population outside Greece. According to the 2001 Australian census, Melbourne has the largest Greek Australian population in Australia (151,785 or around 47%), and the largest Greek population of any city in the World, outside of Greece – Contributed by Greg Lynch –
Sunshine Theatre 128 Hampshire Road, Sunshine Victoria
Physical Description Description today.
This is a Moderne style, one and two-storey, former theatre, sited opposite the Masonic Hall in the former civic and social centre of Sunshine. The street facade has a streamlined tiered treatment with curved corners and projecting fins, all executed in moulded cement. The projection booth, set back in the upper level, sits forward of the auditorium and so is expressed externally. Originally, banding in black tiles at the plinth and a string course at the top of the entrance created a strong horizontal effect (since over painted). This was accentuated by the curve-edged cantilevered verandah over the set-back entrance.
The multiple sets of glass doors sat at the top of a small flight of three steps. Internally, the building was decorated with Moderne style geometric patterns executed in plaster, with timber panelling in the foyer. Much of this has been removed in the conversion to first a furniture shop, and then to offices. However, the ceiling panels and proscenium arch remain intact.
Physical Conditions Condition/integrity
In good condition. The conversion to commercial use has meant the foyer interior has been stripped, windows have been inserted into the originally blank facade, and the entrance remodelled in modern glazing. The rear corrugated-iron clad shed which held the auditorium has been replaced with a masonry shed of approximately the same footprint. Note – This place/object may be included in the Victorian Heritage Register pursuant to the Heritage Act 2017. Check the Victorian Heritage Database, selecting ‘Heritage Victoria’ as the place data owner – Contributed by Greg Lynch –
Savoy Theatrette 636 Hay Street, Perth, WA
New Theatres for Perth City.
In March 1954 Lionel Hart established Independent Film Distributors & opened “The Liberty” in Barrack Street, with 450 seats on a single upper level; The theatre initially specialized in a Continental Art film policy. Independent Film Distributors subsequently established a second theatre on 23 December 1955, which was named “The Savoy” Newsreel Theatrette, and was located in the basement of the Savoy Hotel in Hay Street, in what was previously a billiard saloon. The Savoy ran in competition to the all ready long established, and very successful, Mayfair Newsreel Theatrette, also in Hay Street City.
The Savoy ran continuous “hour shows”
The 300 seat Savoy ran continuous “hour shows”, that is programmes of not less than an hour (though frequently slightly more), starting at 10 am and continuing without a break until approximately 11 pm, allowing patrons to enter and leave as they pleased, and to stay as long as they wished, its appeal was particularly to shoppers and others with a short time to spare in the city, so it advertised nursery, powder rooms, free cloak and parcel depository.
The introduction of television
The introduction of television brought this to an end, by providing similar programmes free in viewers' own lounge rooms. So, at the Savoy, continuous programming of re-runs of successful feature films replaced the newsreel format; for example in January 1964 seven sessions per day of a Three Stooges' film, in January 1965 eight sessions per day of East of Eden. Even this was difficult to sustain, and the cinema drifted more and more into sensational programming, after the success of films such as London in the Raw, presented in June 1965, to which children under 16 were not admitted. By the time of the “R” certificate legislation in 1972, the Savoy had a reputation for rather risque product, and in 1975 was one of the first cinemas to convert to a policy of screening only R-rated movies, a policy with which it was very successful until the early 1980s.
Topless usherettes
It closed briefly in 1983, then reverted to more conventional programming when taken over by John Marsden later that year, re-opening on 17 November 1983; when Marsden had difficulties with film supply, he sold it to Ken Hill who installed video projection and in February 1987 began to run it as an adult cinema, with topless usherettes. The cinema closed in August 1991 and its equipment moved to Club X Cinema in the basement of the Club Emporium in Barrack Street.
The End
In 1997, the building that housed the old Savoy was still there, but the cinema staircase and entrance had been demolished, and shops extended across these gaps; access was still possible from the lane way behind to the derelict interior, as it was with the rest of the Savoy Hotel – Contributed by Greg Lynch –
Premier Theatre and Summer Gardens 293 Stirling Street, East Perth, WA 6000 – Photo by Bill Burton 1981 – The sun was setting on a great historic theatre & landmark – Contributed by Greg Lynch –
The Premier Theatre was built by the East Perth Football Club. Films had previously been screened outdoors at Perth Oval and the club decided to build an indoor theatre. WR (Bill) Haynes, the club’s patron, lent them the money for it but in 1927 he decided to take it over himself. Cyril Norton (secretary of the EPFC) became the manager.
The club colours of blue and black.
The tiles along the front of the building were in the club colours of blue and black. The interior had a pressed tin ceiling. The theatre seated 1,000 patrons downstairs and 440 upstairs (some reports 450) – In 1938 it underwent a major renovation both externally and internally to the Art Deco style, and new projectors and a sound system were installed. “When it was a top film we used to switch with the new Oxford Theatre. They’d show the first half and we’d show it the second half. A chap on a motor bike used to run between the two theatres with the spools.”
The deck chairs were expensive
The Premier Theatre Gardens were built in Stirling Street in the mid-1930s. “The deck chairs were expensive and the garden seats were the cheap ones. When it rained they used to have to carry half of the projection equipment across from the gardens to the theatre and start 20 minutes later. Everyone from the garden’s cheap seats used to head straight for the good seats upstairs.” posted online by (Graham Norton) – Contributed by Greg Lynch –
The New Mentone Theatre, located on the corner of Balcombe Road and Point Nepean Road, opened on Saturday 5 May 1928, with live entertainment and movies. Seating catered for 1306. Paramount films presented a double bill, Beau Sabreur supported by Jesse James as the gala program. Although opening in the days of silent movies, Albert Lydford: Builder of The New Picture Theatre at Mentone considered himself an Entrepreneur & a Showman, and was quick to realize talking pictures were the future and installed Western Electric sound equipment. Mentone became the first suburban theatre in Victoria to screen talkies. The New Mentone was at first run by its builders, Mr A. E. Lydford and his three sons, until the depression in 1931 forced them to sell the theatre. It was then run by Fowler & Carr Theatres Property Ltd, who ran the theatre for most of its life. When the Carr family bought Mentone Theatre they also operated the Paramount at Mordialloc, which in 1938 became The Regent. The Mentone & Mordialloc theatres began switching the program in 1936, and continued until the closure of both theatres – After the advent of TV in 1956 attendances collapsed. The theatre went dark on September 25, 1961, and was demolished the following year to enable the widening of the Nepean Highway. Fowler & Carr Theatres Property Ltd. were still the operators when it closed. Contributed by Greg Lynch –
Statement of Heritage Significance
*“The Lyric Theatre Maylands” is important for its association with cinema, by far the most popular form of entertainment in the early twentieth century, which provided entertainment to the people of Maylands and surrounds for more than 38 years.
*The Lyric was the heart of the community. More people would pass through the Lyric than any other building in Maylands. By the 1940’s cinema had come of age. It was a time when most of the population went to the movies, at least once, sometimes twice a week.
Architecture – “The Lyric Theatre” Maylands is an early and intact example of an important cinema building, constructed during a decade of unprecedented growth in the Motion Picture industry. The facade of the building is two storied in height, with stucco ornamentation in the Classical style. The upper storey, (five) windows are round headed, with modest archivolts suspended by slender columns. The balcony balustrading and stairway is still intact. The fibrous plaster paneled ceilings, and the ornate columned square proscenium, provide a unique architectural picture frame, with traces of staggered Roman / Greek decorative influence. The theatre seated 1000 people.
*If any building in Maylands has a story to tell it’s the Lyric Theatre. The struggle to stay open during the Great Depression comes to mind, when in desperation management introduced Roller Skating, Dancing and Cabaret to supplement the movies.
*During World War Two “The Lyric Theatre” was the center of many loan rally functions. These were held by “The Maylands War Loan Committee” which encouraged Australians to invest in war bonds. Substantial funds were collected on these occasions..
*MAYLANDS. ANZAC ENTERTAINMENT – During the war years and after “The Maylands Sub Branch of the Returned Soldiers” held numerous functions at “The Lyric”. While the theatre was often used as a fitting termination to the solemnities of Anzac Day.
*The Lyric Maylands is significant for its association with Herb Robinson who operated a number of companies and cinemas in Maylands, and who will be remembered as one of the “Fathers of the West Australian Cinema Industry”. The story of Herb Robinson is one of achievement. Born in Perth April 9, 1909 to Mary Ellen and Richard Herbert Robinson. His father was killed in action in France when he was only eight years old. in April 1918 Robinson attended St Patrick’s Boys' School, and after leaving school worked as a clerk for the W A Government Railways. In 1933 he and his sister opened the Roxy Gardens, Maylands. The following year they took over the nearby “Lyric Theatre”, also in Maylands. Uniquely remaining owners of both theatres until their eventual closure in the early 1960s because of the inroads of television. On 16 July 1940 Robinson enlisted in the Australian Army during World War II, serving with the 5th Australian Infantry Troops. Then on 8 August 1942 he married Annie Mary Eluned Morgan, resulting in two daughters. Robinson was discharged from the army on 12 December 1945. He was elected to the Perth Road Board in 1951, and from 1959 to 1961 served as its chairman. Robinson also served as president of the Motion Picture Exhibitors' Association of WA, from 1951 to 1956. When the Perth Road Board became the Shire of Perth in 1961 Robinson was elected to shire president, serving in the position until he left the council in 1963.
*Political career – Herb Robinson was elected to the Legislative Council in 1962, representing the three-member Suburban Province. Robinson was a Justice of the Peace from 1951 till 1985. In retirement he moved to Canberra, passing away in July 1990 at the age of 81. – Vale H. R. (Herb) Robinson. Footnote: The Robinson family were hands on theatre owners and show people. Most Saturday nights you would find a member of the family at either the Roxy or the Lyric acting as welcoming hosts in the old style, by positioning themselves at the theatre entrance door, and then fare welling the patrons as they departed.
*OPINION – “The Lyric Theatre Maylands” can never be replaced, and it is important that every member of the Maylands community rally to protect the cultural memory of this heritage structure. Potentially “The Lyric Theatre” could be restored to it’s original glory. The size and location of the building would make an excellent Community Arts Center – Contributed by Greg Lynch –
Greg Lynch said – The legend of the Roxy Gardens in Maylands is the story and vision of the Robinson family. H. R.(Herb) Robinson & his sister Miss M. I. Robinson who built the gardens in 1933, while opening that same year. Twelve months later the Robinsons took over the Lyric Theatre (built in 1923 by Mr. H. C. Leister) also located in Maylands. The Roxy Gardens was a 900-seater outdoor cinema which ran during during the summer months with three complete changes of programmes every week. The beautiful evergreen Roxy featured walls covered with all varieties of climbing roses & ivy which in season were a spectacular blaze of color and visual enjoyment. The cheaper seats in this venue (front stalls) were wooden benches on bitumen, the dearer seats were deck chairs on grass (back stalls) The screen was located at the rear of the site. In the early 1950’s a new wide-screen (pre-CinemaScope) replaced the old square format complete with a white neon edging. Poplar trees were planted across the back and sides to frame it. Later a lounge cane chair & cushion was introduced replacing the deckchairs, this was unique to the Roxy. At the same time palm trees were planted along the side walls. The gardens also boasted the Raycophone extended range sound system. Simultaneous screenings at both Lyric and Roxy gave patrons the choice of either indoors or open-air.
THE TV JUGGERNAUT In late 1954 the Robinsons modernized the candy bar & entrance, not realizing that the television juggernaut was about to fall upon them. On a warm Friday evening around this period I had just finished a show at the Regent Theatre Guildford and Bob Yelland my employer was giving me a lift home. Both of us lived in Mt Lawley, and as we passed the Roxy Bob noticed that the lights were still on, so we stopped off to say hello. Herb was still working in his new candy bar and very proud to show us around. To my eyes The Roxy Gardens were an absolute thing of tropical beauty, and an excellent example of the cinema gardens era. The Roxy closed forever in June 1962, while the Lyric had closed the year before in June 1961. Now after a lifetime of working in the Cinema/Motion Picture Industry I look back with warm appreciation to the Golden Era and know we have lost something very special with the passing of our wonderful Picture Palaces and beautiful atmospheric outdoor cinemas such as The Roxy Gardens – Maylands is a poorer place without it – Contributed by Greg Lynch …
The Albany opened as a Newsreel Theatrette screening continuously every hour, on October 30, 1936
NEWSREEL THEATRETTES* These were scattered around central Melbourne, and first appeared in 1932. Most were below street level.These establishments screened continuous newsreels from Movietone, Universal & Cinesound, along with cartoons, Pete Smith & Three Stooge comedy’s – to name a few . There were no intermissions and it was possible to sit there all day! – Contributed by Greg Lynch –
The Argus (Melbourne, Vic) Thu 3 Dec, 1936 Page 7, writes about the HOWEY ESTATE BUILDING PROGRAMME
The proposed Albany Theatre was part of THE HOWEY ESTATE BUILDING PROGRAM and was built into the basement of Albany Court, located in 230 Collins Street, Melbourne, Victoria The ground floor of the building had been designed as a shopping arcade extending from Collins street through to Howey place. There are seven shops in the arcade, and two in Collins street. A bright and attractive appearance has been given to the show windows by the use of stainless steel moldings.
The Albany Theatre*
The basement of the building will be occupied by the Albany Theatre and a modern coffee lounge, both under the same control. Air conditioning to be provided in both the lounge and the theatre. The decoration follows the modern horizontal treatment. The special furniture in the lounge and theatre has been designed by the theatre architects Messrs Taylor, Soillieux and Overend. The operating bio box is situated at the Collins street end and has natural light from pavement lights above. The seating Capacity at the time of building was 268.
The projection equipment*
The projection equipment has been installed by Harringtons Limited. The sound is the Australian made Racophone. A central heating ventilating and air conditioning system has been carried right throughout the building. A system of 12 vertical utility ducts runs from the basement to the roof, each duct carrying the hot and cold water mains the radiation, and gas services. All the equipment operating these services is a sub-basement, and with the general and sanitary plumbing formed part of the contract of Messrs Thomas Warner and Sons, of South Melbourne.
The Heating*
The boiler operating the hot-water and heating service is fired by a fully automatically controlled fuel oil burner which was installed by Major Furnace and Combustion Engineers Pty Ltd of South Yarra.
The Grand opening*
The Albany opened as a newsreel theatrette screening continuously every hour, on October 30, 1936. The original Exhibitors were Woodrow and Sloman – Contributed by Greg Lynch –
Message to Haydn Keenan
The Exhibitor who ran your 30 minute featurette (One Man Bike) was the late Gordon McClelland. His family ran the Carlton Cinema from 1924. Gordon was a highly respected member of the Cinema Industry & a great supporter of Independent film-making, and a valued friend of this writer – Gordon McClelland, together with the late Baz Brownbill of the Pix Theatre Geelong, pioneered class-room school screenings in Victoria, utilizing 35mm portables – Contributed by Greg Lynch –
Statement of Significance for The Globe Theatre Winchelsea
The Globe Theatre was built in Winchelsea in 1926-27 as a picture theatre and concert hall. Constructed by the Lawrence family, it provided a venue for the local talent, Marjorie Lawrence, to perform. Lawrence, who became an internationally acclaimed soprano, gave her farewell concert in the building in 1928, prior to studying in Paris, and gave her first return concert there in 1939. The theatre was also used for movie screenings, weddings, dances and horticultural shows. In 1946 the theatre was acquired by the Winchelsea Shire Council and since 1990 has been managed by the local Lions Club.
The simple, hall-like building has a main broad gable roof and a smaller gable to the front, both of which terminate in eaves along the sides of the building. At the front, a bold, bracketed, stepped parapet conceals the building behind. The original skillion veranda across the front facade was replaced by one of similar form in 1992. Paired ventilation stacks dominate the ridge line of the main roof. The original portions of the building are clad with galvanized iron sheeting to dado level, folded to reflect strapped horizontal boards. The upper walls are clad with strapped cement sheets. Double hung, paned windows with segmental arched pediments above, line the sides of the hall, and paned windows and ticket openings flank the central front entrance.
The interior of the main hall has a coved, decorative pressed metal ceiling, with pressed metal ceiling roses and ventilation openings. An original landscape scenery back drop remains in place at the rear of the stage. Interior walls of the foyer and the hall have timber dados, strapped cement sheet wall cladding and pressed metal ceilings. The original dressing rooms at the rear of the building have been replaced by a brick addition.
Why is it significant? The Globe Theatre, Winchelsea is of historical significance for its association with Marjorie Lawrence, who became the leading dramatic soprano for the Paris Opera Company and also triumphed in New York, performing with the Metropolitan Opera.
The Globe Theatre, Winchelsea is of architectural significance as a small, intact example of a theatre built in a Victorian country town. The building retains much of its early form and original decoration, including a rare surviving early scenery backdrop.
The Globe Theatre, Winchelsea is of scientific (technical) significance for its use of galvanised iron folded sheeting as a form of cladding. This form of cladding would appear to be highly unusual – Contributed by Greg Lynch courtesy of Heritage Council Victoria –
The Cumberland Argus and Fruit growers Advocate (Parramatta, NSW – Wednesday 17 December 1947, Page 5, writes – NEW THEATRE FOR GRANVILLE
With the gala opening of the new Hoyts Castle Theatre, Granville, on Boxing Day, there will dawn a new trend in Motion Picture Theatre design — Sydney’s first real post-war theatre. Named, as many Granville residents will remember, after the original open-air theatre, which once occupied the site. This palatial edifice will present the most modern overseas methods in theatre construction and yet combine comfort and beauty, together with the high class in programme presentation, always associated with Hoyts Theatres.
Realizing the growing need for a modern theatre in Granville and at the same time, bearing in mind the acute building situation in Australia today, the architect’s pencil has given Granville a concrete construction of everlasting beauty. Its all steel, igloo type roof, single sloping floor, up to the minute- air-cooling and heating plant; its ultra-modern projection equipment and acoustics, make it a theatre as modern as tomorrow, a theatre of good looks, snug comfort and fine appointments. Now that it is a reality, Hoyts will continue their policy built up over years of experience, in the presentation of only the cream in motion picture entertainment – Contributed by Greg Lynch –
Greg Lynch says – “THE NEWMARKET PICTURE THEATRE was the beginning of The McLeish chain of theatres – Sat, 5 May 1915 and “The Newmarket Picture Theatre is RE-OPENING UNDER NEW MANAGEMENT. – Mr. Robert McLeish, well-known for his success at the Northcote Theatre. The Newmarket Picture Theatre will be re-opened on Saturday. The theatre has received a thorough overhaul, being renovated and decorated throughout and has been provided with new seating, floor cloths, and electric lighting.” – The Herald (Melbourne, Vic) Sat, 5 May 1915 said: – Newmarket residents are to be congratulated upon the possession of a picture theatre that will challenge comparison with the very best that any of the Melbourne suburbs can boast. The building is an imposing structure, with outstanding architectural features. Through the enterprise of Mr Robert McLeish, it has been transformed both externally and internally Into a most handsome and up-to-date picture house, and one in which the convenience and comfort of patrons have received special attention. It has been renovated, re-seated, and decorated throughout. The approaches to the dress circle and main hall have been beautified with a tasteful and artistic design of cream colouring, and enhanced with a series of finely executed decorative panels in blue and fawn. For the main hall the colour scheme is a harmonious blending of white and brown, in keeping with the suggestion of light and brightness aimed at in the general design. The Newmarket Theatre is the first of a chain of theatres which it is his intention of running in conjunction with the theatre business he has already established in the suburb of Northcote –
DEATH OF A GREAT SHOWMAN The Argus (Melbourne, Vic) Wed, 7 Oct 1953 – Page 3 By F. KEITH MANZIE – THE Australian film industry suffered an irreparable loss yesterday in the death of veteran showman Robert McLeish. No one in Australia has done more in pioneering and establishing motion pictures and Cinema in this country. THEATRES in the McLeish chain, such as the luxurious Regal, in Hartwell, and Rivoli, in Upper Hawthorn, did much to gain for Melbourne suburban cinemas the reputation of “the best in the world. Mr. McLeish was a tireless worker for Melbourne’s charities and needy film industry employees. He has been President of the famed Green Room Club since 1920, the genial Bob had an international reputation as a host to visitors. And it was Bob’s own money which sustained this theatrical club when it passed through parlous times. ROBERT McLEISH, who was 70, began life in North Melbourne – where another world famous film personality in Al Daft, now chief executive of Universal Pictures in America also had his beginning. It was as a silvery throated baritone that he broke into show business. As a singer of “heart throb” songs – such as “Goodbye, Little Girl, Goodbye,” and “In the Shade of the Old Apple Tree” – Mr. McLeish was in great demand at the start of the century at Sunday night open-air concerts, and singing in front of the screen at silent film shows. AFTER appearing in Tivoli Theatre minstrel shows, Mr McLeish went into management for himself, conducting “McLeish’s Weekly Pops” in suburban and country town halls throughout Victoria and Tasmania. Then, sensing the potential growth of screen plays & cinema, he took over managership of the Northcote Theatre in 1912, where he showed complete programmes of pictures, instead of the mixed vaudeville-movie shows previously presented. In 1917 he leased the NEWMARKET THEATRE, and then acquired the Clifton Hill Theatre in 1918; and in 1921 the McLeish “chain” really started to operate with the building of the Rivoli Theatre, in Camberwell.
In 1944 Mr McLeish won the title of “Mr Melbourne” in a competition conducted in aid of the Australian Com- forts Fund. As the Amusement Industries candidate he topped the poll with something like a million and a half votes; which represented the sum of £18,148. – WHEN not working on behalf of the entertainment industry Bob McLeish found time to take a keen interest in horse racing. He was a member of the Victoria Racing Club, the Victorian Amateur Turf Club, the Melbourne Racing Club, and the Moonee Valley Racing Club. Mr McLeish added to an impressive personality a rare flair for story-telling and a rich gift for making speeches, *GREEN ROOM CLUB members gathered yesterday to drink a silent toast to the passing of a loved president and a good friend. Mr McLeish leaves his son, Rob, to carry on for him at the Green Room Club and in the conducting of the affairs of the McLeish Theatre circuit. The funeral service is to be held at St. George’s Church of England, Glenferrie road. (next to the Malvern Town Hall), at 2 p.m. today. It will be conducted by the Rev. Roscoe Wilson. The Funeral will then proceed to Springvale Crematorium. –
GREG LYNCH UPDATE – “THE NEWMARKET THEATRE” – The Flemington Spectator October 30, 1913 (references the opening of The Newmarket Theatre as November 1, 1913.) The Newmarket Theatre was built on a site that was a Hay Store. The Exhibitor is registered as Greater J. D. Williams Amusement Company. The theatre flourished until 1915 when the manager Mr. G. W. Brown made application to The City of Melbourne to pay the theatres rates in installments. Melbourne’s growth rate had stalled and the level of wages remained far lower than it had been in the 1880s. As a result, urban poverty became a feature of city life, and the slum areas of the inner industrial suburbs were spreading. The signs were bad and theatre attendance numbers continued to fluctuate over the years to follow. Then on Thurs 11 Feb, 1915 The Essendon Gazette ran the following extra – ordinary advertisement / article for The Newmarket Theatre …. Quote: “You should not fail to attend the matinee on Saturday next, February 13th at the above well-known theatre, where pictures of only the highest class are screened. We are now in a state of depression, however there is no reason why you should be prevented from having some enjoyment at a moderate cost.
The manager of The Newmarket Theatre has very wisely decided to present at each Saturday matinee such articles as Flour, Sugar and Wood which every householder will find of great' benefit. The prize to be given at next Saturday’s matinee will be One Ton of Wood delivered to your home, wherever you may live.” end quote…. By 1916 the social environment appeared to have improved and on Thurs 1 Jun 1916, The Flemington Spectator ran the following advertisement / article for The Newmarket Theatre – Quote: “ This well-known and favourite theatre is showing some good pictures just now and is drawing splendid houses. ‘The manager, Mr. G. W. Brown, announces that “The Rosary” will be shown this evening and on Friday and Saturday. Then on Monday night, in addition to the pictures, live on stage will be the Kilties’ Band, vocalists, instrumentalists and entertainers. Tuesday will be a Chaplin night, including the most laughable Chaplin comedy, “The Woman,” and this will be shown for the first time in Newmarket.“ end quote…
Thurs 3 May 1917 and The Essendon Gazette announces big changes. Quote: “The Newmarket Picture Theatre is RE-OPENING UNDER NEW MANAGEMENT under the guidance of Mr. Robert McLeish, well-known for his success at the Northcote Theatre. The Newmarket Picture Theatre will be re-opened on Saturday next. The theatre has received a thorough overhaul, being renovated and decorated throughout and has been provided with new seating, floor cloths, and electric lighting, A Simplex Biograph has been installed, which is claimed to be one of the best in the world. The programmes will be accompanied by the capable operatic orchestra under the direction of Mr.Geo. H. Breatnall. For the opening night special attractions have been secured with, Mary Pickford in “Hulda from Holland” supported by Olga Petrova in “The Black Butterfly” end quote – Special note: (The Black Butterfly is a now lost 1916 American silent drama film starring Olga Petrova and released by Metro Pictures. The last known copy was destroyed in the 1967 MGM Vault fire). Mr. Robert McLeish passed away Wed, 7 Oct 1953 at the age of 70, and it is believed that his son Rob carried on with the theatre until the television juggernaut caught up with him in the late 50’s. McLeish closed the theatre on 1st Jan, 1959.
The theatre continued under the exhibitors De S. Petro & S. Fava for a further two years running Italian language films. After this period the premises were rented out as a dance hall, which became famous as the birthplace of a Rock ‘n’ Roll band called The Blue Jays, who were running dances to good crowds twice a week. Marcus Herman legendary founder of Crest Records took the opportunity to record the band at the theatre resulting in a series of singles and EPs. – To quote Milesago: – The Blue Jays were already well established in Melbourne and one of the city’s leading dance groups. They formed in 1959, with the original lineup being Frankie Brent, Doug Stirling, Chris Lawson and Bobby Johnson. They cut a series of swinging instrumental singles and EPs for the Crest label, as well as a 1961 LP, “Twisting With The Blue Jays” and The Arthur Murray Twist Party Featuring The Blue Jays Big Dance Beat. Like so many Aussie bands, there was a regular turnover of personnel, and some of the members who passed through included Laurie Allen (later to be half of pop duo Bobby & Laurie), Johnny Cosgrove, Alan Easterbrook and Ray Houston. – The doors of the “now” NEWMARKET PICTURE THEATRE finally closed sometime during the middle 60’s and was ultimately demolished….Greg Lynch –
Coliseum Picture Palace Little Bridge Street, Ballarat, VIC
Congratulations Katrina Slater, great photos and a really nice effort. Your efforts are appreciated ! – Greg Lynch –
The Paramount Theatre Oakleigh – To complete the story – Ron Kitchen acquired the Paramount in 1946, and ran the theatre until 1966.
Tribute: Ron Kitchen was a builder by trade who came to own a theatre. During his time at the Paramount he installed CinemaScope & VistaVision & was regarded as a switched on Exhibitor & Showman. The Paramount advertised programs under the newspaper banner of “Suburban Theatres Tonight”. Ron’s close personal friends were industry based, such as the late Brian Casey (Universal Pictures) & the late Keith Milroy (British Empire Films), & this writer was very happy to call him friend. Ron had experienced severe personal tragedy, yet was always affable, and in addition, a much respected member of “The Society of Cinema Pioneers”. . “Cosmopolitan Motion Pictures” through Peter Young purchased the building in 1966, and ran as a cinema, showcasing Greek product until 1971. The Paramount stood empty and was shuttered for many years, & then finally demolished in 2015 – VALE RON KITCHEN – Contributed by Greg Lynch –
Lakeside Drive-in Theatre, Yarrawonga Opened: Tues March 21, 1961 Location: Murray Valley Hwy, Yarrawonga, Victoria, Australia… Capacity: 380 Cars…… Operators : The Scott Family (David & Murial – owners) managed for the Scott’s by Kevin Harbrow during the 60’s & 70’s. Then Bob Jane & brother during the 80’s …. The operator at closing – Steve McDonnell …. The Lakeside closed: 17th April 1999.
Brief history: Greg Lynch says – The Lakeside Drive-in theatre, Yarrawonga is located near the Victoria/NSW boarder, on the main Hwy running into town. After the Grove Open Air theatre closed in 1964, The Lakeside was the only film venue in town for most of the last 40 years, In the early days the Lakeside traded well. Yarrawonga had the advantage of a large summer influx of water-skiers who would swell the ramps. The Projection room was at the front of the snack bar/toilet building. (refer to the photo) Fenced gardens were in front of the ground floor projection room, to stop little kids and big kids making rabbit ears in the projection beam. The irony is, despite a small population of only 3,500, Yarrawonga had a drive-in theatre that operated until 1999.(the population today is 7057) The reasons for the closure are many. Along with the easy access to video tape movies, drive in theatres just fell out of fashion. The Lakeside Drive – in theatre was owned in the beginning by The Scott Family from Cobram. Muriel Scott ran the Melba Theatre in Cobram, Victoria, while David would ultimately build & operate, The Stargazer Drive in theatre in Albury NSW.. Later years – The Lakeside drive in was resurrected and operated on & off during the summer months, while competing against movies shown at the Town Hall. It’s difficult to operate a venture that only makes money during the warmer months. Today this picture paddock is once again dark. A lot of interest in the town of Yarrawonga has disappeared for an old Picture Show Man like myself. Call me old fashioned, or just someone who liked to relax in his car on a nice summers night & enjoy a movie under the stars. Regretfully the drive-in on the highway is no more, and for industry people the paddock will always remain dark…
For those who believe that old cinemas have souls, you could argue that there is much more to a theatre than just bricks and mortar. Should we consider the personalities of the owners & staff, along with the memories of a passing parade of countless movie fans, who over the years were cocooned in the mysterious darkness of the Rialto Theatre, while enjoying the transported screen images of time and place.
If memory permits the year is 1957 and Ken Neck (Hoyts Chief Engineer) sends this writer to The Rialto Theatre Kew, to take up the position of assistant to Bill Kerr (head projectionist). Up to this point I had been on the relief circuit, working at places such as The Lyceum & Athenaeum theatres in Melbourne City, and later at The Padua & Alhambra theatres in Bell Street Brunswick. The TV juggernaut had begun and Hollywood’s Golden Age was over. Broadcast television was free, except for the required Government TV Licence which was introduced in 1957, costing a whopping five pounds per year. For those in the cinema industry television was the enemy, which was to be bad mouthed at every opportunity, as we watched in desperation as attendance’s slipped away.
Despite the slippery slope we found ourselves travelling, there were many great movies screened at “The Rialto” during the 50’s. It was during this period that Hoyts created “The Regency Release” – This referred to movies screened at The Regent Theatre in the city. There would be a delay of, say two weeks into the season, and then selected suburban theatres like “The Rialto” could participate day & date with the city release. Such an occasion was the Warner Brothers movie “Sayanora” starring Marlon Brando & Red Buttons. A Regency release was a most prestigious engagement and one of the weapons Hoyts were using to entice people back to the cinema.
My arrival at “The Rialto” coincided with the installation of a much needed improved exhaust system in the projection booth, along with “Calder Arcs” to replace the previous generation of antique light sources. The projectors were long working C&W’s. The theatre was an island, a place where the staff existed in mortal fear of a visit from head-office, or even worse a new theatre manager. Such a person was Vernon Rawlings, fresh from the UK, who arrived with many strange ideas on theatre presentation. Traditionally the news-reel opened the show, but no, Mr Rawlings insisted that we run the news straight after the first feature, then close for interval – this caused a lot of anxiety in the projection booth. Managers came and went at “The Rialto” on a regular basic. One that I had a lot of affection for was Stanley (Hamlet) Henry. He came to us from Hoyts “New Theatre Albury”. An older well preserved gentlemen who had a habit of eloquently quoting Shakespeare at the drop of a hankie. Every week we received a screening list from Hoyts Program Director, Lou Somprou . A beautiful man who’s greatest sin was to book Liberace’s “Sincerely Yours” with Rock Around The Clock. This caused a riot at “The Rialto” as the entire theatre gathered in the front foyer during “Sincerely Yours” waiting for “Rock Around The Clock” to start after interval. I was to remind him of this with a smile on my face, many times during his life-time.
As mentioned a visit from head-office was treated with great apprehension. There were two gentlemen who were greatly feared, namely Joe Walker and Alan McDowell. Both were theatre supervisors of extreme efficiency. If you looked sideways you were out the door with a boot up the backside. The only reason I survived is that I answered to Ken Neck (The Chief Engineer) This wonderful man saved me a number of times from the wrath of Joe. For those who don’t know Joe Walker was the father of the late Ron Walker, the former Australian Grand Prix boss and co-founder of Melbourne’s Crown Casino. The cleaning lady at “The Rialto” (for the sake of description) over a long period was Mrs Monks, a hard working woman, whose husband was the manager of the famous Collins Street store of Hillier Chocolates, located inside Hoyts Regent Theatre. The Monks went on to purchase and run an old style double story boarding house in Burnett Street, St Kilda. This writer was their first customer. Bill Kerr the senior projectionist moved on and was replaced by Frank Johnson. Frank was an extremely capable man who was employed by Hoyts in the daytime to strip out doomed theatres, while at night he showed pictures at The Rialto". As the 50’s moved along theatres were closing because of television, almost on a monthly basis. Every week we expected word to arrive of our demise. Many beautiful theatres were closed during that dark period, and usually a petrol station sprung up in it’s place. Frank and myself were an interesting combination, because by this time I was repairing Hoyts Neon signs in the daytime. and assisting nightly in “The Rialto” projection booth.
Over the years many interesting people passed through The Rialto. Roy Ramsey for one. Roy was a re-leaving projectionist who was elevated to Chief Engineer with Hoyts. This position had been previously held by Ken Neck and Syd Emerson. Dingy Bell, (the Hoyts carrier) was a memorable personality whom I had the pleasure of working with on numerous occasions. Dingy was a regular visitor to “The Rialto” delivering cleaning supplies and helping where needed.
Channel Nine celebrity, Philip Brady was a regular picture goer at “The Rialto” One night the theatre staff were agog as Philip walked in with John Landy, and the Bob Dyer quiz king, Barry Jones. From memory they had come to see “The King & I” in CinemaScope 55, and It kept the staff talking for a week. The Rialto theatre survived till 1961, until the lights went out and the theatre fell dark in High Street. For me “The Rialto Theatre Kew” will always be a special place. A place where a young projectionist met, romanced and wedded the girl in the milk bar opposite, 58 years and two daughters past. Ken Neck, always my savior transferred me to Hoyts Palace Theatre Glenferrie, 9 months before the closure of “The Rialto”, and the next stage of a 65 year career in the entertainment business began.
Projectionists are now a dying breed. Digital projection has replaced the screening of film. This means the projectionist of the past is no longer required. Cinema managers are now trained to operate the equipment and program the hard-drives … Contributed by Greg Lynch –
Management (Hoyts) of the Broadway Theatre Camberwell announced on Feb 20, 1930 that the theatre will close for the installation of Talkies, and then re-open on Feb 24 with “The Follies” & Talkie shorts. – Reference “Table Talk” Newspaper – Thurs Feb 20, 1924 … Comment : Ken Lemmon was one of the projectionist’s who worked in The Broadway Bio Box during the introduction of the latest talkie technology – Contributed by Greg Lynch –
BOX HILL PICTURES (1915) At The Recreation hall. Williams' Box Hill Pictures drew one of the best crowds ever in the Recreation hall last Saturday night. A splendid programme was shown, including the 6th series of ‘Lucille Love,’ a 30,000 feet star film that is being shown in sections of 2000 feet each Saturday. Though not as exciting as some other parts, it is a very nice portion, a side-splitting Keystone, ‘Between Showers, and other comedies kept the crowd in good humor, while a topical war-film gave some insight into the happenings in Europe. ‘Bully Boy’ was the idea a sketch artist has of the finish of the ‘War Devil, as he calls him, showing, amongst other interesting sketches, the Kaiser being swallowed up by a British bull dog, and the applause that followed showed that also suited the feelings of local residents. Next Saturday the 6th series of ‘Lucille Love’ is to be shown, along with other dramas, comedies, topical war gazettes, and pictures of interest, and to suit patrons who live up the line a longer programme will be shown, so that those who have to catch the train leaving Box-Hill at 11.05, will not have to wait any time on the station. In future the programme will commence at 8.15 and finish at 10.50PM. – An article featured in the Camberwell and Hawthorn Advertiser (Vic) Sat 16 Jan, 1915 (Page 6) titled BOX HILL PICTURES.
Note: Lucille Love, Girl of Mystery is a 1914 American action film serial directed by Francis Ford. It was the first serial by Universal. It was originally intended to be a short subject. The serial is now considered to be lost with only four episodes surviving. – Contributed by Greg Lynch –
Table Talk Newspaper (Melbourne, Vic ) Thu 7, Jul 1921 – Printed on Page 44 – “OUR THEATRE”. On the Crest of Camberwell Hill. Opened June 29, 1921 – The name of the new motion picture theatre at Camberwell, is expressive. (“OUR THEATRE”) It has been built by a company largely composed of local shareholders. The building which stands in Burke-road, Camberwell, just above the railway station. The name Boroondara, which formerly applied to the whole district, signified “out of the darkness into the light,” and there was a feeling in local circles that Camberwell had not emerged sufficiently out of the darkness. Now so far as the picture industry is concerned it is in a flood of light, and from its elevation “Our Theatre” is a conspicuous feature for a long distance around. The directors of the company are Messrs. \V. J. P. Davies (chairman), J.R. Drake, F. F. Fitzroy, and George Veal, the appointed manager being Mr. H. H. Heath. The task of preparing designs was entrusted to Mr. Chris. A. Cowper, architect, of Chancery House, Melbourne, that finally selected being of the French Renaissance period, with a little of the Adams period introduced to give life and lightness to the general effect.
The facade is splendidly illuminated with flood lights. The entrance hall gives direct access to the auditorium on either side of the operator’s cabin. At either end of the hall stairways run up to the foyer—which in this instance will be known as “our cabaret.” This extends the whole width of the building and is handsomely finished and furnished, with large arched windows and lit at night by shaded lights. It possesses a refreshment buffet and a piano, for it is to be used for dancing purposes when the pictures are finished of an evening. Mr. Frusher (formerly a lieutenant in the A.I.F.) is the lessee. Entrance to the balcony is gained through the foyer, and the interior of the building impresses one at once. There is a strong suggestion of the dramatic thea tre in the design. The balcony seats 850 persons and is brought well over the arena below, so that it appears exceptionally close to the stage. It is very roomy and comfortably seated with up-holstered tip-up seats. Altogether there is sitting accommodation for 1800 people in the theatre. The arched ceiling is very fine and is lit by six Perfecta electric lights of 4000 candle power each. The ornate mouldings of the front of the balcony have been carried around the interior walls, forming a waist-line, and the windows above are curtained and decorated so as to give the effect of stage boxes, which is further heightened by the presence of window boxes containing poppies and chrysanthemums, which give a note of color when illuminated by the electric light. Flanking the stage are two large trellis screens for ventilation purposes. The air is drawn from the rear and sprayed through the trellised vents, being ex tracted from above and below the balcony so that there is always a gentle but unobtrusive current of air in the theatre, the method being known ns the “whirl” system, installed by Messrs. Long and Denton. The proscenium, the electrical screen and lighting effects associated with it, which was installed by the Faulkesley Electric Co., is one of the latest innovations in picture theatres. The scene represented is one typical of Australian life, with cultivated farmland, mountain and bush. At the touch of a button in the manager’s office the back picture slides back on either side, disclosing the white curtain, the roadside fences fold over the orchestra, and at the same time the lights in the house are gradually dimmed—like the setting of the sun—so that the audience is not plunged into sudden darkness or subjected to eyestrain when the process Is reversed.
The contractor for the whole building was Mr. George Curry, of Auburn, the total cost being about £30,000. Our Theatre was thrown open for inspection on Tuesday evening to the share holders and invited guests, when there was a large gathering, the balcony being full to overflowing. The theatre was opened to the public on Wednesday evening, June 29, an excellent orchestra, under Mr. C. Taylor, providing the overture and instrumental music. Fox’s world gazette, Louise Lovely in “While the Devil Laughs,” “The World and the Woman,” featuring Geraldine Farrar, and the Sunshine comedy, “Pals and Petticoats,” were the principal items in the program.
NOTE: “The World and Its Woman” is a 1919 American silent drama film produced and distributed by Goldwyn Pictures and directed by Frank Lloyd. Opera singer Geraldine Farrar and her husband Lou Tellegen star. – Contributed by Greg Lynch –
GREG LYNCH SAYS…SILENT MOVIES COME TO STUART, NT, AUSTRALIA – Stuart, wide open frontier town, a thousand long miles from Darwin, and Adelaide in the south. Looking for new opportunities, South Australians Joe and Eileen Kilgariff arrived in 1927 with their four children. Joe was a builder by trade with a family background in hotel-keeping and an entrepreneurial passion for showing movies. Previous experience as a projectionist in Barmera SA had told him that movies were a growth business, and to make sure he had brought all his equipment with him. Almost immediately he set up shop and began showing silent movies in an old Iron shed that he called a cinema, located just across the road from “The Stuart Arms”. Meanwhile, Eileen in the months that followed had been studying the comings and goings of the hotel, and a decision was made to take over the lease. History confirms that Leonard Malvern Frances, and Reginald Valentine Naughton transferred the lease of “The Stuart Arms” to Eileen Elizabeth Kilgariff on the 8th November 1927.The Stuart Alms was located on the corner of Todd and Parsons Streets. Joe began to renovate, upgrade and extend the building. In 1929 Steve Kilgariff joined his brother Joe and moved his family to Stuart in an attempt to escape a major slump in the South Australia building industry. The family arrived with great expectations on the new Ghan train. Bernie, Steve’s son was commandeered as a bell ringer to promote Joe’s cinema business. On a Saturday night sometime back in the late 20’s it probably sounded like this, “Tonight, Tonight, Electric Pictures here Tonight” as a young Bernie marched up and down Parsons Street ringing his bell and calling out on the top of his voice. In later life he was to tell stories of how this was his introduction to public speaking, and how he would anxiously wait for the weekly episode of the serial to arrive on the Ghan. Usually made up of 12 episodes, patrons took their serial very seriously. Joe Kilgariff pioneered the exhibition of silent moving pictures in the Alice, and It is assumed that this continued until the arrival of sound three years later. Eileen’s sister, Mona Minahan arrived in 1932 and began working in the family business at the Stuart Arms Hotel. Mona became the Territory’s first bar maid and went on to become a legendary Alice identity. For the Kilgariff family, following the trail of the iron rail to Stuart began the formation of a dynasty that would see them building their way across the length and breadth of the Northern Territory. This was in places as diverse as Daly River, Barrow Creek, Tennant Creek, Winnecke, Aileron and The Granites. It wasn’t until 1 August 1933 that the township and name of Stuart was officially changed and gazetted as Alice Springs.
NB: Contrary to legend there are no records of any cinema screenings at “The Stuart Arms”. There are no known photographs of Joe Kilgariff’s cinema, which was located opposite “The Stuart Arms”. The information in the opening paragraph comes from the published recollections & public interviews of Bernard Francis Kilgariff AM, who was a successful Australian politician and a founding member of the Country Liberal Party. Bernie Kilgariff died at the age of 86, on 13 April 2010 …
Greg Lynch says – THE GROVE OPEN AIR THEATRE – The Grove Picture Company was the instrument of the Trustees of Alexandra Park, locally known as The Grove and was set up to raise funds for improvement to Alexandra Park. At the time the group were running silent movies at a loss in the New Shire Hall Yarrawonga. A decision was made to investigate talking pictures. Finance was arranged and the necessary equipment was purchased. With sound the venture at The Shire hall became profitable, and in 1935 it was decided to construct a new open-air theatre to run during the summer months. This theatre was established on the site in Belmore Street, which is now Rotary Park and the car parking area in Hume Street. The theatre was named “The Grove Open Air Theatre, Yarrawonga”. Picture shows were run very successfully at this location, providing residents with quality entertainment, while at the same time raising funds for community benefits. For the bulk of the time the theatre was managed by Don Forbes. During the early 60’s, this writer has memories of Don making the journey to Melbourne to book film for The Grove. This was while I was the film booker at Universal Pictures. Don was regarded as an astute programmer. However by 1964 the arrival of the television juggernaut made the picture business unviable, so the Grove Picture Show was forced to close, regretfully forever –
TIME LINE – 1936 – THE OPENING OF THE PORT HEDLAND PICTURE GARDENS on Boxing night (1936) was the main attraction to the town during the holidays and drew a large number of country visitors. In cool open air gardens patrons sat in comfortable deck chairs and enjoyed Port Hedland’s first talkies. Judging by the enthusiasm shown by all, the talkies promise to be a great asset to the town – Northern Times (Carnarvon, WA) – Wed 6 Jan 1937
1939 – CHILDREN’S XMAS ENTERTAINMENT at the Port Hedland Picture Gardens by the courtesy of Mr. C. Bayman. who placed bis Picture Garden at the disposal of the Parents and Citizens' ‘Association. The event of the year for the children took place on December 23. when Santa Claus paid his annual visit to Port Hedland. A gaily decorated tree was erected with scores of exciting parcels. About a hundred children were present who each received a gift and were then regaled with cool drinks. The children and general public then enjoyed an excellent program of pictures as the guests of Mr. Bayman. – Northern Times (Carnarvon, WA) – Fri 6 Jan 1939
1939 – THE PICTURE GARDENS DEMOLISHED – A DISASTROUS HURRICANE STRUCK THE TOWNSHIP on January ll, 1939 causing damage estimated at over £75,000. No lives were lost as a result of the storm, however three houses and the railway Goods Shed were washed out to sea and a channel was cut by seawater from Airey Point to the back of the Post office. Nineteen kilometers of road and railway, including the causeway, were washed away. Several properties including a store, garage AND THE PICTURE GARDENS WERE DEMOLISHED BY THE WIND, and a number of houses were un-roofed. Western Mail Perth, WA : Thu 26 Jan 1939.
1941 – MR BAYMAN’S PICTURE GARDENS WERE A TOTAL WRECK and flying sheets of iron have done a great deal of damage. Many of the trees that have been struggling for existence since the blow two years ago are up rooted and in every case badly damaged. The rain was terrific, sixteen inches falling during the twenty-four hours, so against the damage done to roads and houses can be set a well replenished water supply. All the tanks overflowing for hours. – Northern Times (Carnarvon, WA) – Thu 13 Mar 1941
1952 – FACE LIFT FOR THE PICTURE GARDENS – After what must have seemed a vain quest, the proprietors of the local picture gardens have finally obtained the necessary labour to give the gardens a “face lift.” Judging by the first day’s labour the gardens will soon be about the brightest spot in the town – Northern Times (Carnarvon, WA) – Thus 8 May 1952 – Contributed by Greg Lynch –