In response to an e-mail inquiry (from me), Japan Society quickly corrected the price discrepancy on its Web site – it is indeed $4 admission for their cardholding members, and it is only valid for the screening of “The Seven Samurai†(which I agree can be clearly understood from wording contained on their site as well as in FOTL publicity).
I also received a prompt, detailed and informative response from a FOTL staff member regarding some points posed to them:
“Thanks for bringing these points to my attention.
The intended discount price was — and is — $4 for adults (down from our usual $6) with a Japan Society membership card.
The intention was that the discount be for the Seven Samurai screening only, and in fairness, I think that is reasonably clear on the Japan Society website.
I was frankly unaware of the Japan Society membership card alternate of the printed web page, and I will enquire about the genesis of that.
As to the reference to Yojimbo, you are of course correct. The flyer with that reference was not made up by our usual graphics person, but rather was designed, along with a Japanese language version, specifically for distribution at the Japan Society and its immediate environs. (A few may have gone elsewhere.) I did see this flyer before distribution, but must have only been checking dates and times and do not remember noticing the Yojimbo reference at all — so in the end, the fault is mine. I just checked our main flyers and posters, and re-read the press materials I prepared, and none describe TG,B&U as based on Yojimbo. Here’s what I said in my press kit: ‘Following in the footsteps of John Sturges and the Magnificent Seven, Sergio Leone remade one of Akira Kurosawa’s samurai films, Yojimbo, as A Fistful of Dollars…The movie…prompt(ed) two sequels; the final and, by most critical accounts, best of this “Dollars” trilogy being The Good, the Bad and the Ugly.’
Thanks again for your interest, and your support of the Loew’s."
…And THANK YOU, Loew’s Jersey and FOTL, for your concern and tireless efforts in presenting creative and quality classic movie programming to your patrons – it is most appreciated!
Anyone that can attend SHOULD attend and show their support!
Correction: “The Good, The Bad and the Ugly†is NOT based directly on the Japanese film “Yojimbo†(according to IMDb, that distinction actually belongs to another “spaghetti western†– 1964â€\s “A Fistful of Dollars†– upon which this film is based). “Inspired in part by†or “loosely derived from†would be better terms to describe the relationship.
Clarification: special reduced admission is available ONLY for the 2:00 p.m. screening of “THE SEVEN SAMURAI†on Saturday, May 12th â€" tickets for all other events are at regular cost. Patrons must present a Japan Society membership card OR a copy of this Web page to qualify for the discount (however, please note that the JS Web page indicates a regular adult ticket price of $6 and NOT the discount price of $4 shown on this FOTL flyer â€" yet another error?!?).
Perhaps it would be best to call the LJ Theatre directly at (201) 798-6055, contact them at , or even send a fax to (201) 798-4020 to clarify or correct any information that is questionable. If you do, kindly post and share any updates here AND on this CT news page .
Please pardon any misunderstanding or confusion that may have resulted from the above post
(ALL information presented was obtained from Web pages and publicity materials authored by Friends of the Loewâ€\s and Japan Society).
Correction: “The Good, The Bad and the Ugly†is NOT based directly on the Japanese film “Yojimbo†(according to IMDb, that distinction actually belongs to another “spaghetti western†– 1964â€\s “A Fistful of Dollars†– upon which this film is based). “Inspired in part by†or “loosely derived from†would be better terms to describe the relationship.
Clarification: special reduced admission is available ONLY for the 2:00 p.m. screening of “THE SEVEN SAMURAI†on Saturday, May 12th â€" tickets for all other events are at regular cost. Patrons must present a Japan Society membership card OR a copy of this Web page to qualify for the discount (however, please note that the JS Web page indicates a regular adult ticket price of $6 and NOT the discount price of $4 shown on this FOTL flyer â€" yet another error?!?).
Perhaps it would be best to call the LJ Theatre directly at (201) 798-6055, contact them at , or even send a fax to (201) 798-4020 to clarify or correct any information that is questionable. If you do, kindly post and share any updates here AND on the Loewâ€\s Jersey Theatre page .
Please pardon any misunderstanding or confusion that may have resulted from any postings (all information presented was obtained from Web pages and publicity materials authored by Friends of the Loewâ€\s and Japan Society).
Perhaps it’s an, ahem, “stretch” … but this movie follows 1965’s “A Few Dollars More” (“Per qualche dollaro in più”) which follows 1964’s “A Fistful of Dollars” (“Per un pugno di dollari”) and THAT was a remake of “Yojimbo”, hence the reference.
Even more confusing: although this is an American-style western, it is actually an Italian movie (“Il Buono, il brutto, il cattivo”) where only the three main characters speak English (the rest speak in their native languages of Italian and Spanish, but in later versions all parts are dubbed into English) … filmed in the Spanish desert … and connected to a Japanese movie – talk about multiculturalism!
May is officially “Asian/Pacific-American Heritage Month†– and the Jersey Theatre has all kinds of extra goodies in store for its movie patrons…
May 11-12…â€East Meets West[ern] Film Series: Foreign Films and Their American Remakesâ€
Fri: “The Good, The Bad and the Ugly†(1966) (based on Kurosawa’s “Yojimboâ€)
Sat: “The Seven Samurai†(1954) â€"– “The Magnificent Seven†(1960)
The Friends of the Loew’s has partnered with the Japan Society for a unique presentation of cinema combined with educational outreach featuring live performances, demonstrations and discussions. Japan Society members can even receive special reduced admission ($4.00 per show) by presenting their membership cards at the ticket desk!
This is an excellent example of non-profit organizations combining their specialized skills and resources through creative collaboration, programming and outreach to create a powerful presence, build public awareness and reach new and diverse audiences.
FOL even posted the series’ print flyer of events (bilingual â€" in English and Japanese!) on their Web site for everyone’s convenience â€" view it here [in PDF format – Adobe Acrobat Reader required].
Thank you FOL for making this information easily accessible to all!
P.S. Any news about June’s movies? Late last year, they were toying with the idea of a “James Bond†film series (listed under “coming attractions†in the “Holiday Shows†print program from Dec. 8-9th, 2006) – I would love to attend that!
Great food? Hey, this is Manhattan! Yes, there are the many pizzerias and sandwich shops, BUT if you like Dominican or Spanish-style food – you WILL be in heaven! There’s one place next to “No Parking”, but if you go up and down Broadway, you’ll find plenty of restaurants and some bakeries/pastry/coffee shops.
I also want to inform you that the aforementioned bar is an, ahem, “alternative lifestyle” establishment, but don’t let that dissuade you from visiting â€" it is indeed an excellent stop for pre- (or post-) show cocktails. The place is a relaxed meeting spot for socializing and friends (definitely not “cruisyâ€), the staff and customers are polite and nice (and they do get a “mixed crowd†â€" all races, ethnicities and genders are welcome – mostly men, but also many of their women “friendsâ€), so you will not feel out of sorts. The music is superb – excellent DJs and mixes ranging from retro house to reggaeton (but sadly, no dancing â€" this is strictly a bar-lounge).
If you keep an open mind, you will really enjoy and appreciate its ultra-modern, sleek style and upscale lounge ambience (which is reflected in the pricey drinks, although there is never a cover charge). It just celebrated its first anniversary, and is probably the nicest and cleanest establishment in the area (and one of the few where most staff and customers speak English) – definitely more Chelsea than Washington Heights – but then again, what else would you expect? ;–)
Parking in the area surrounding the theatre can politely be described as “challenging†(under “normal†everyday conditions, day or night, weekday or weekend). During a theatre event, I would expect it to be damn near impossible â€" don’t expect to find any street parking unless you arrive there several hours in advance of the show.
I suggest that you utilize the nearby indoor pay parking garage located on Broadway between 176th & 177th Streets (on the east side of the street) â€" very secure and convenient for theatre patrons. The Washington Heights neighborhood, while not terrible, is not the most hospitable at night, and the nearby Port Authority GWB Bus Station attracts its share of vagrants and miscreants. If you park close by and don’t walk far, you should be OK.
As previously mentioned, it is very convenient to public transport:
NYC Subway: A train to 175th St-Ft. Washington Ave.
MTA Bus lines: M5 to 178th St, M100 to 179th St; Bx3-7-13-15-35-36 to 179th St.
NJ Transit/various bus lines: GWB Bus Station (B’way at 178th-179th St).
By car: accessible via the Geo Washington Bridge, Cross Bronx Expwy, Henry Hudson Pkwy (9A), Harlem River Drive and Broadway/local streets.
Garage: Parking Unlimited Broadway (4162 B’way at 176thâ€"177th St) – tel. 212-568-1001.
I know all of this because I’ve visited [on several occasions] a bar located just one block north of this theatre, nestled between the parking garage entrances – ironically, it is named “No Parkingâ€!
Yet another positive mention about CT and this theatre page on the New York Post blog site: View link
Let’s all keep up the good work! Our contributions are getting noticed.
And speaking of “grindhouse†theatres, just below that item is another regarding the new movie of the same name and its distinct box office success in the NYC area: View link
Let others say what they may about us dyed-in-the-wool New Yorkers…deep down we are all “softies†– true sentimentalists at heart.
Since everyone seems to be waxing nostalgic lately about grindhouses and porn theaters…a brief yet hilarious feature article regarding this topic and this cinema, “House of Whacksâ€, just appeared in Time Out New York (issue 600) online â€" read it here: View link
If the Fair in Queens ends up going entirely “Bollywoodâ€, this place will indeed hold the dubious distinction of being the last remaining adult movie house within New York City limits.
Indian movies or porn? Love them or hate them…Why not both?
In my humble opinion, I feel that management could and should attempt to promote and operate this theatre as an Indian cinema in a last ditch effort to save it (after all, it IS a business) AND at the same time continue offering adult movies for a mature audience. How so, you ask?
The Fair is very coy about revealing its true identity as an adult establishment because it does not wish to be classified or perceived as such due to zoning laws and its proximity to a church. Therefore, it does not openly promote or present this fact to the public and relies on an “underground†following and word-of-mouth for business. This practice has actually worked quite well for it over the years and is probably the reason why the theatre still survives and is able to avoid more legal problems than it already has.
On the other hand, you don’t want the XXX cinema customers showing up when Indian movie audiences are in attendance â€"like oil and water, they would not mix well, resulting in some rather uncomfortable and tense situations for both, not to mention presenting the logistical problem of keeping them separate while at the same time sharing a common facility (box office, rest rooms, etc.). So how do you allow two disparate audiences into the same theatre, without one knowing that the other obviously exists?
My solution would be two-fold: openly promote and show Indian films, restricting them to clearly specified days and times, THEN at all other times continue to operate the theater as-is, anonymously as an venue for adult-only audiences. For example, posters, newspaper ads and the marquee could boldly advertise the Indian movies in such a way that the XXX customers could easily figure out which days are (or are not) open to them…for example:
ALL BOLLYWOOD CINEMA
ALL DAY – THU THRU SAT ONLY
NEW SHOWS EVERY WEEK
Indian movies would occupy the prime weekend time period, while a mix of adult and other movies could be shown the remainder of the week (including Sundays â€" one of their busiest days). This way, the theatre could draw income seven days per week, with the stronger business days “subsidizing†or compensating for the slower days. Depending upon which format excels (or flops), the option remains for expanding or terminating one or the other.
On March 31st, 2007, I just may have experienced an epiphany at the Jersey Theatre.
If ever there was a movie that could exploit and showcase this movie palace’s musty charm and character, it is “Sunset Boulevardâ€. Normally, when I view a movie here, I am completely captivated by what is on the screen and my surroundings disappear. But on Saturday night, something remarkable happened – for the FIRST time, I felt drawn in to this theatre’s fabric, noticing every subtle nuance and detail in ornament and structure around me â€" the movie show and theatre became one and the same.
When Norma Desmond quips “I am big…it’s the pictures that got smallâ€, she might as well be describing the modern theater-going experience.
And the scene where her mansion’s living room becomes her private movie theatre â€" I was transported back in time – I felt like I was there â€" she could have been sitting next to me! I have never experienced anything like this at any movie theatre…ever.
Oh yes, the print they used was gorgeous (despite some short little pops and skips in the middle) – the picture’s presentation looked smooth and brilliant on that huge screen.
This movie should be shown every year without fail â€" I can think of no better way to introduce newcomers to this theatre and the classic movie-going experience.
Take some romance…drama…betrayal…tragedy…throw in a little bitchiness for good measure…shake and stir well, then serve at the Loew’s Jersey Theatre.
Oops – now look what I started [with my previous comments] â€" I’m even being quoted in a New York Post article!
I drove by the theatre early Sunday morning (4/1) and saw no alterations made to the marquee or any other exterior clues indicating this latest programming change. It would be hasty of them to abandon showing adult movies altogether – I can’t believe that management would be foolish enough to desert a loyal following of customers (many of whom have been coming here for years). Still, given the ultimate fate of other nearby theatres that have gone this route, it does not bode well for adult theatre enthusiasts.
Suppose the switch to Indian films fails as a means of attracting a new and loyal audience â€" if there are no adult films showing, what will they have to fall back on? After all, there are other theatres nearby that already show Indian films, and the area can only support so many before the market becomes over-saturated (besides, how many first-run or new release movies could possibly be available in a specialty genre such as this – could they be shown simultaneously in several local theatres AND still attract and share a large-enough audience?). When the nearby Polk closed over a year ago, the Fair had a “lock†on the adult XXX theater-going audience in this area (and indeed in all of Queens).
I do believe that the increase in the admission price from $10 to $15 almost two years ago is a major reason why business has declined (although there are other factors that have collectively affected adult theatre establishments everywhere). Still, they do seem to get a decent crowd on weekends (although appearances can be deceiving). Perhaps the closure of the adjacent Italian restaurant (located there for many years) is an indicator that the financial situation is worse than it seems (during my occasional visits, it usually had few, if any, customers despite the decent food). The neighborhood and its population have changed â€" with this in mind, perhaps the programming switch is the theatre’s last-ditch effort to adapt to changing times and recognize (rather than operate in isolation from) its surrounding community.
I shall have to visit again to determine exactly what the Fair’s status is regarding its adult XXX offerings.
As if their programming and screening policy wasn’t confusing (or schizophrenic) enough…
I walked in last week and was taken by surprise – the interior was plastered with huge “coming attractionâ€-style posters for, of all things, Indian films – it looks like the main screen at the Fair will be going “Bollywoodâ€.
There was barely a square inch of wall space in the entry hall and lobby that wasn’t covered, and employees were still busy putting them up everywhere as I walked in. Looking around, I wondered if they were legitimate in their offerings or if they were hanging them there purely for decoration – the screen was still showing martial arts and slasher flicks, just as it has been for months, to an empty auditorium.
Which begs the question â€" why even bother? (I guess the manager must have gotten a good deal on free movie posters) The only South Asian audience that I can imagine wanting to see these films at this theatre are the Indian, Bengali and Sri Lankan staff that already work there.
I would gladly sit through five years of an ABBA-inspired musical rather than face even one minute of the horrible alternative that you mentioned.
Hmm, let’s see…several hours confined to an opera house â€"OR- interrogation under a bright light with bamboo shoots shoved under my nails and electrodes attached to my nipples while seated in a tank of water full of sharks…tough choice.
I’ll bet that even the most hardened criminals would rather face the latter.
One more ongoing gripe: the LJ website needs to be updated more often (they updated it just before I wrote this). It seems that in order to get advance notice about upcoming shows, you have no choice but to go to the theater (or attempt to contact them) and find out for yourself â€" it’s as if this is some type of “insider information†reserved only for those who are able to attend events at the theater on a regular basis. This info is always mentioned in programs and flyers distributed exclusively at the shows – based on these (and the updated website), I can tell you what future films they have planned (as of the time of this writing):
March 23…Special Showing:
“All About Eve†(1950) – with live appearance by Celeste Holm
March 30-31…Film Noir:
“Double Indemnity†(1944) — “Out of the Past†(1947) — “Sunset Boulevard†(1950)
April 27-28…Timeless Romances / Fantasy Romance:
“Portrait of Jennie†(1948) — “Wuthering Heights” (1939) — “Somewhere in Time†(1980)
May 11-12…Foreign Films and Their American Remakes:
“The Seven Samurai†(1954) — “The Magnificent Seven†(1960) — other titles TBA
June…TBA
In addition, on March 18th at 4:00 PM, the Girl Scouts of Greater Essex & Hudson Counties will be hosting and presenting a special screening of “Annie: The Movie Musical†(1982).
I attended the “Casablanca†screening on Saturday (Feb. 24th) and the presentation was well done (even though the print shown was scratchy at times and had some minor dropouts). As usual, the technical crew was on top of things, and this time the audio was at what I consider to be perfect volume level â€" pronounced and easy to hear (I usually find it to be on the soft side from where I normally sit – about midway back). The FOTL volunteer staff was cordial and attentive, making everyone feel welcome. There was also a nice audience turnout, with many in attendance appearing to be newcomers (they did not seem to be “regulars†such as myself) and while that’s good, there is also a downside.
I don’t want to sound like an old crab (which I’m not), but whatever happened to punctuality and manners? An annoying trend seems to be developing as of late at this theater. For the last few shows, the show times are largely being ignored, and the movies are starting much later that they should (Saturday night’s screening started almost 25 minutes late!). I am not sure why this is, but I consider this phenomenon to be a shared fault of both theater management and the audience. I understand that this theater is in need of an audience and always goes out of its way to accommodate the public, but if patrons are so rude as to come sauntering into the theater 25 minutes after the appointed show time, then quite frankly they DESERVE to miss the beginning of the film, and its start time should NOT be delayed to accommodate the few at the expense of the majority. I arrived 10 minutes early (pin a gold star on me) and did not appreciate sitting there for over 20 minutes staring at a blank screen when I made the effort to be on time. Management’s action of starting shows late, in effect, encourages and gives tacit approval to this annoying and distracting behavior. Even after the film started 25 minutes late, patrons were STILL walking in.
Folks, you need to realize that this is NOT some garden-variety multiplex theater where they show at least 30 minutes of commercials and previews prior to the main feature (I realize that many of you INTENTIONALLY arrive late to avoid sitting through these, but you need to drop your multiplex audience mentality and break this bad habit). When a feature film is presented at Loew’s Jersey, you see nothing BUT the movie, so BE SEATED ON TIME!
I particularly say all of this out of sympathy for those patrons who rely solely on mass transit to travel to and from the theater – they are beholden to fixed schedules and time constraints and have to plan accordingly. Late starts result in late endings – the idea of missing a crucial bus or train connection late at night due to an unnecessary delay is not an appealing proposition! Placing fellow patrons in the unsavory and precarious position of having to choose whether to miss the end of a movie or miss their ride is inconsiderate and unfair!
Actually, as of this writing, the LJ website is rather useless in answering YankeeMike’s question. It does NOT give SPECIFIC dates and start times for SPECIFIC movies – it doesn’t even mention the titles. All it says is “titles and times TBD”. This is the information that we would all like to know.
Yes, I thought I heard “Double Indemnity” mentioned as one of their offerings. Speaking of film noir…
Page E1 of today’s NY Times (1/29/07) features a big write-up on San Francisco’s Castro Theater and their wildly successful “Noir City†film festival, now in its fifth year and probably their biggest annual event.
Here’s another excellent example of a restored old-time movie palace, serving up great classic cinema, to a large contemporary audience of loyal, enthusiastic and appreciative movie-going fans.
As far as I know, NO theater of this type or size in the NYC area is offering screenings of this popular film genre on a regular basis. If they did, I’m sure they would become a major entertainment destination, perhaps rivaling such specialized movie havens as the Angelika or Tribeca cinemas.
Loew’s Jersey management: if you are reading this, are you thinking what I’m thinking?
The Times write-up spotlights their wildly successful “Noir City†film festival, now in its fifth year and probably their biggest annual event (now playing through February 4th).
Here’s another excellent example of a restored old-time movie palace, serving up great classic cinema, to a large contemporary audience of enthusiastic and appreciative movie-going fans.
Another great Saturday night show – the January 27th screening of “The African Queen”. The audience was, as always, in excellent form – great turnout too (I estimated over 500 – the orchestra level was about half-full). The audience’s average age was skewed slightly higher than at other shows I’ve attended, but still a wide variety (quite a few seniors, but I also noticed many in their 20s and 30s and did not see anyone under adult age).
Titles were announced for the upcoming “Audience Choice†February shows. Based on the suggestions submitted, the most popular were chosen as follows:
“Casablanca"
"Gone with the Wind"
"Back to the Future” (an exception â€" chosen as a sci-fi substitute for “Star Wars”, because no prints are available for the scheduled screening date).
Theater Director Colin Egan also mentioned March’s “Film Noir Seriesâ€, although I cannot recall what, if any, titles were mentioned. Does anyone know what they are?
I drove by this place on Saturday night (after visiting Loew’s Jersey) on my way up Broadway to 177th Street – it looks like a cross between a temple and a fortress, especially in the dark. Given its somewhat intimidating late-night surroundings, it seems a rather appropriate combination!
Divine â€"what better way to describe Dec. 9th’s screening of “The Sound of Musicâ€? The previous comments summarized it quite well. I was nervous when I saw toddlers and children being wheeled, carried and cajoled into the theater…but surprise: not one incident involving crying or screaming children – an amazing feat for a three-hour-long screening! A few restless ones, on two occasions running up and down an aisle unaccompanied â€" a very minor distraction, but still one that none-the-less could have been easily prevented with a proper adult escort. Thank goodness for the “built-in” intermission. Overall, adults comprised the vast majority of the audience.
As for the adults, one or two brief instances of conversation that were obvious simply because the theater was so utterly quiet â€" and a few audience members apparently weren’t going to have any part of it â€"these elicited almost immediate responses of “shhhh!†â€" I love it! You will be hard-pressed to find better audiences or movies than at this theater. There is clearly an unwritten code of silence in operation here. This place is like a church â€" for movie worship, that is.
I wonder if theater director Colin Egan reads these posts, because in his welcome and introductory comments to the audience, he remarked how many people have mentioned that this was the very first film that they can recall seeing as a child, in a movie theater! I agree that although it is not a “holiday movie†in the true sense (which may account for the lighter-than-I-expected attendance), seeing it has become an intergenerational tradition shared by members of many families (“The Wizard of Oz†and “The Ten Commandments†are others that I can think of). After all, the holiday season is about memories, families and tradition. Well-stated.
The owners continue to make improvements and freshen up the theater’s appearance. About three weeks ago, new carpeting was installed in all of the major public areas: the entry hall, lobby, auditorium aisles and two small video lounges – it is done up in a rather busy (if somewhat flamboyant) “swirly wreath” pattern featuring a rich contrasting color scheme of deep plum, dusty rose and ivory that complements the interior’s red, black and gold trim accents. Overall, the appearance and effect is surprisingly tasteful, dare I say even luxurious, and gives the place a vintage feel that compliments the theater’s style and heritage.
Even the outside received “the royal treatment”: permanent, all-weather red carpeting was laid in front of the entry doors, filling the large, recessed vestibule up to where the building’s facade meets the sidewalk. An employee goes outside and vacuums it every day!
However, with all of the illegal smoking going on about the place, how long will it maintain its appearance? Carpets and cigarettes are not a good match – lack of ashtrays will have indifferent patrons snuffing out lit butts and flicking ashes everywhere. It almost begs the question: why bother to make improvements if you’re going to allow them to be ruined?
In response to an e-mail inquiry (from me), Japan Society quickly corrected the price discrepancy on its Web site – it is indeed $4 admission for their cardholding members, and it is only valid for the screening of “The Seven Samurai†(which I agree can be clearly understood from wording contained on their site as well as in FOTL publicity).
I also received a prompt, detailed and informative response from a FOTL staff member regarding some points posed to them:
“Thanks for bringing these points to my attention.
The intended discount price was — and is — $4 for adults (down from our usual $6) with a Japan Society membership card.
The intention was that the discount be for the Seven Samurai screening only, and in fairness, I think that is reasonably clear on the Japan Society website.
I was frankly unaware of the Japan Society membership card alternate of the printed web page, and I will enquire about the genesis of that.
As to the reference to Yojimbo, you are of course correct. The flyer with that reference was not made up by our usual graphics person, but rather was designed, along with a Japanese language version, specifically for distribution at the Japan Society and its immediate environs. (A few may have gone elsewhere.) I did see this flyer before distribution, but must have only been checking dates and times and do not remember noticing the Yojimbo reference at all — so in the end, the fault is mine. I just checked our main flyers and posters, and re-read the press materials I prepared, and none describe TG,B&U as based on Yojimbo. Here’s what I said in my press kit: ‘Following in the footsteps of John Sturges and the Magnificent Seven, Sergio Leone remade one of Akira Kurosawa’s samurai films, Yojimbo, as A Fistful of Dollars…The movie…prompt(ed) two sequels; the final and, by most critical accounts, best of this “Dollars” trilogy being The Good, the Bad and the Ugly.’
Thanks again for your interest, and your support of the Loew’s."
…And THANK YOU, Loew’s Jersey and FOTL, for your concern and tireless efforts in presenting creative and quality classic movie programming to your patrons – it is most appreciated!
Anyone that can attend SHOULD attend and show their support!
Regarding my post of May 3, 2007:
Correction: “The Good, The Bad and the Ugly†is NOT based directly on the Japanese film “Yojimbo†(according to IMDb, that distinction actually belongs to another “spaghetti western†– 1964â€\s “A Fistful of Dollars†– upon which this film is based). “Inspired in part by†or “loosely derived from†would be better terms to describe the relationship.
Clarification: special reduced admission is available ONLY for the 2:00 p.m. screening of “THE SEVEN SAMURAI†on Saturday, May 12th â€" tickets for all other events are at regular cost. Patrons must present a Japan Society membership card OR a copy of this Web page to qualify for the discount (however, please note that the JS Web page indicates a regular adult ticket price of $6 and NOT the discount price of $4 shown on this FOTL flyer â€" yet another error?!?).
Perhaps it would be best to call the LJ Theatre directly at (201) 798-6055, contact them at , or even send a fax to (201) 798-4020 to clarify or correct any information that is questionable. If you do, kindly post and share any updates here AND on this CT news page .
Please pardon any misunderstanding or confusion that may have resulted from the above post
(ALL information presented was obtained from Web pages and publicity materials authored by Friends of the Loewâ€\s and Japan Society).
Regarding the above news item:
Correction: “The Good, The Bad and the Ugly†is NOT based directly on the Japanese film “Yojimbo†(according to IMDb, that distinction actually belongs to another “spaghetti western†– 1964â€\s “A Fistful of Dollars†– upon which this film is based). “Inspired in part by†or “loosely derived from†would be better terms to describe the relationship.
Clarification: special reduced admission is available ONLY for the 2:00 p.m. screening of “THE SEVEN SAMURAI†on Saturday, May 12th â€" tickets for all other events are at regular cost. Patrons must present a Japan Society membership card OR a copy of this Web page to qualify for the discount (however, please note that the JS Web page indicates a regular adult ticket price of $6 and NOT the discount price of $4 shown on this FOTL flyer â€" yet another error?!?).
Perhaps it would be best to call the LJ Theatre directly at (201) 798-6055, contact them at , or even send a fax to (201) 798-4020 to clarify or correct any information that is questionable. If you do, kindly post and share any updates here AND on the Loewâ€\s Jersey Theatre page .
Please pardon any misunderstanding or confusion that may have resulted from any postings (all information presented was obtained from Web pages and publicity materials authored by Friends of the Loewâ€\s and Japan Society).
Perhaps it’s an, ahem, “stretch” … but this movie follows 1965’s “A Few Dollars More” (“Per qualche dollaro in più”) which follows 1964’s “A Fistful of Dollars” (“Per un pugno di dollari”) and THAT was a remake of “Yojimbo”, hence the reference.
Even more confusing: although this is an American-style western, it is actually an Italian movie (“Il Buono, il brutto, il cattivo”) where only the three main characters speak English (the rest speak in their native languages of Italian and Spanish, but in later versions all parts are dubbed into English) … filmed in the Spanish desert … and connected to a Japanese movie – talk about multiculturalism!
May is officially “Asian/Pacific-American Heritage Month†– and the Jersey Theatre has all kinds of extra goodies in store for its movie patrons…
May 11-12…â€East Meets West[ern] Film Series: Foreign Films and Their American Remakesâ€
Fri: “The Good, The Bad and the Ugly†(1966) (based on Kurosawa’s “Yojimboâ€)
Sat: “The Seven Samurai†(1954) â€"– “The Magnificent Seven†(1960)
The Friends of the Loew’s has partnered with the Japan Society for a unique presentation of cinema combined with educational outreach featuring live performances, demonstrations and discussions. Japan Society members can even receive special reduced admission ($4.00 per show) by presenting their membership cards at the ticket desk!
This is an excellent example of non-profit organizations combining their specialized skills and resources through creative collaboration, programming and outreach to create a powerful presence, build public awareness and reach new and diverse audiences.
FOL even posted the series’ print flyer of events (bilingual â€" in English and Japanese!) on their Web site for everyone’s convenience â€" view it here [in PDF format – Adobe Acrobat Reader required].
Thank you FOL for making this information easily accessible to all!
P.S. Any news about June’s movies? Late last year, they were toying with the idea of a “James Bond†film series (listed under “coming attractions†in the “Holiday Shows†print program from Dec. 8-9th, 2006) – I would love to attend that!
Great food? Hey, this is Manhattan! Yes, there are the many pizzerias and sandwich shops, BUT if you like Dominican or Spanish-style food – you WILL be in heaven! There’s one place next to “No Parking”, but if you go up and down Broadway, you’ll find plenty of restaurants and some bakeries/pastry/coffee shops.
I also want to inform you that the aforementioned bar is an, ahem, “alternative lifestyle” establishment, but don’t let that dissuade you from visiting â€" it is indeed an excellent stop for pre- (or post-) show cocktails. The place is a relaxed meeting spot for socializing and friends (definitely not “cruisyâ€), the staff and customers are polite and nice (and they do get a “mixed crowd†â€" all races, ethnicities and genders are welcome – mostly men, but also many of their women “friendsâ€), so you will not feel out of sorts. The music is superb – excellent DJs and mixes ranging from retro house to reggaeton (but sadly, no dancing â€" this is strictly a bar-lounge).
If you keep an open mind, you will really enjoy and appreciate its ultra-modern, sleek style and upscale lounge ambience (which is reflected in the pricey drinks, although there is never a cover charge). It just celebrated its first anniversary, and is probably the nicest and cleanest establishment in the area (and one of the few where most staff and customers speak English) – definitely more Chelsea than Washington Heights – but then again, what else would you expect? ;–)
Parking in the area surrounding the theatre can politely be described as “challenging†(under “normal†everyday conditions, day or night, weekday or weekend). During a theatre event, I would expect it to be damn near impossible â€" don’t expect to find any street parking unless you arrive there several hours in advance of the show.
I suggest that you utilize the nearby indoor pay parking garage located on Broadway between 176th & 177th Streets (on the east side of the street) â€" very secure and convenient for theatre patrons. The Washington Heights neighborhood, while not terrible, is not the most hospitable at night, and the nearby Port Authority GWB Bus Station attracts its share of vagrants and miscreants. If you park close by and don’t walk far, you should be OK.
As previously mentioned, it is very convenient to public transport:
NYC Subway: A train to 175th St-Ft. Washington Ave.
MTA Bus lines: M5 to 178th St, M100 to 179th St; Bx3-7-13-15-35-36 to 179th St.
NJ Transit/various bus lines: GWB Bus Station (B’way at 178th-179th St).
By car: accessible via the Geo Washington Bridge, Cross Bronx Expwy, Henry Hudson Pkwy (9A), Harlem River Drive and Broadway/local streets.
Garage: Parking Unlimited Broadway (4162 B’way at 176thâ€"177th St) – tel. 212-568-1001.
I know all of this because I’ve visited [on several occasions] a bar located just one block north of this theatre, nestled between the parking garage entrances – ironically, it is named “No Parkingâ€!
Yet another positive mention about CT and this theatre page on the New York Post blog site:
View link
Let’s all keep up the good work! Our contributions are getting noticed.
And speaking of “grindhouse†theatres, just below that item is another regarding the new movie of the same name and its distinct box office success in the NYC area: View link
Let others say what they may about us dyed-in-the-wool New Yorkers…deep down we are all “softies†– true sentimentalists at heart.
Since everyone seems to be waxing nostalgic lately about grindhouses and porn theaters…a brief yet hilarious feature article regarding this topic and this cinema, “House of Whacksâ€, just appeared in Time Out New York (issue 600) online â€" read it here: View link
If the Fair in Queens ends up going entirely “Bollywoodâ€, this place will indeed hold the dubious distinction of being the last remaining adult movie house within New York City limits.
Indian movies or porn? Love them or hate them…Why not both?
In my humble opinion, I feel that management could and should attempt to promote and operate this theatre as an Indian cinema in a last ditch effort to save it (after all, it IS a business) AND at the same time continue offering adult movies for a mature audience. How so, you ask?
The Fair is very coy about revealing its true identity as an adult establishment because it does not wish to be classified or perceived as such due to zoning laws and its proximity to a church. Therefore, it does not openly promote or present this fact to the public and relies on an “underground†following and word-of-mouth for business. This practice has actually worked quite well for it over the years and is probably the reason why the theatre still survives and is able to avoid more legal problems than it already has.
On the other hand, you don’t want the XXX cinema customers showing up when Indian movie audiences are in attendance â€"like oil and water, they would not mix well, resulting in some rather uncomfortable and tense situations for both, not to mention presenting the logistical problem of keeping them separate while at the same time sharing a common facility (box office, rest rooms, etc.). So how do you allow two disparate audiences into the same theatre, without one knowing that the other obviously exists?
My solution would be two-fold: openly promote and show Indian films, restricting them to clearly specified days and times, THEN at all other times continue to operate the theater as-is, anonymously as an venue for adult-only audiences. For example, posters, newspaper ads and the marquee could boldly advertise the Indian movies in such a way that the XXX customers could easily figure out which days are (or are not) open to them…for example:
ALL BOLLYWOOD CINEMA
ALL DAY – THU THRU SAT ONLY
NEW SHOWS EVERY WEEK
Indian movies would occupy the prime weekend time period, while a mix of adult and other movies could be shown the remainder of the week (including Sundays â€" one of their busiest days). This way, the theatre could draw income seven days per week, with the stronger business days “subsidizing†or compensating for the slower days. Depending upon which format excels (or flops), the option remains for expanding or terminating one or the other.
“They took the idols and smashed them…the Fairbankses, the Gilberts, the Valentinos! And who’ve we got now? Some nobodies!†— Norma Desmond
Help save and protect our old movie palaces!
On March 31st, 2007, I just may have experienced an epiphany at the Jersey Theatre.
If ever there was a movie that could exploit and showcase this movie palace’s musty charm and character, it is “Sunset Boulevardâ€. Normally, when I view a movie here, I am completely captivated by what is on the screen and my surroundings disappear. But on Saturday night, something remarkable happened – for the FIRST time, I felt drawn in to this theatre’s fabric, noticing every subtle nuance and detail in ornament and structure around me â€" the movie show and theatre became one and the same.
When Norma Desmond quips “I am big…it’s the pictures that got smallâ€, she might as well be describing the modern theater-going experience.
And the scene where her mansion’s living room becomes her private movie theatre â€" I was transported back in time – I felt like I was there â€" she could have been sitting next to me! I have never experienced anything like this at any movie theatre…ever.
Oh yes, the print they used was gorgeous (despite some short little pops and skips in the middle) – the picture’s presentation looked smooth and brilliant on that huge screen.
This movie should be shown every year without fail â€" I can think of no better way to introduce newcomers to this theatre and the classic movie-going experience.
Take some romance…drama…betrayal…tragedy…throw in a little bitchiness for good measure…shake and stir well, then serve at the Loew’s Jersey Theatre.
Fabulous.
Oops – now look what I started [with my previous comments] â€" I’m even being quoted in a New York Post article!
I drove by the theatre early Sunday morning (4/1) and saw no alterations made to the marquee or any other exterior clues indicating this latest programming change. It would be hasty of them to abandon showing adult movies altogether – I can’t believe that management would be foolish enough to desert a loyal following of customers (many of whom have been coming here for years). Still, given the ultimate fate of other nearby theatres that have gone this route, it does not bode well for adult theatre enthusiasts.
Suppose the switch to Indian films fails as a means of attracting a new and loyal audience â€" if there are no adult films showing, what will they have to fall back on? After all, there are other theatres nearby that already show Indian films, and the area can only support so many before the market becomes over-saturated (besides, how many first-run or new release movies could possibly be available in a specialty genre such as this – could they be shown simultaneously in several local theatres AND still attract and share a large-enough audience?). When the nearby Polk closed over a year ago, the Fair had a “lock†on the adult XXX theater-going audience in this area (and indeed in all of Queens).
I do believe that the increase in the admission price from $10 to $15 almost two years ago is a major reason why business has declined (although there are other factors that have collectively affected adult theatre establishments everywhere). Still, they do seem to get a decent crowd on weekends (although appearances can be deceiving). Perhaps the closure of the adjacent Italian restaurant (located there for many years) is an indicator that the financial situation is worse than it seems (during my occasional visits, it usually had few, if any, customers despite the decent food). The neighborhood and its population have changed â€" with this in mind, perhaps the programming switch is the theatre’s last-ditch effort to adapt to changing times and recognize (rather than operate in isolation from) its surrounding community.
I shall have to visit again to determine exactly what the Fair’s status is regarding its adult XXX offerings.
As if their programming and screening policy wasn’t confusing (or schizophrenic) enough…
I walked in last week and was taken by surprise – the interior was plastered with huge “coming attractionâ€-style posters for, of all things, Indian films – it looks like the main screen at the Fair will be going “Bollywoodâ€.
There was barely a square inch of wall space in the entry hall and lobby that wasn’t covered, and employees were still busy putting them up everywhere as I walked in. Looking around, I wondered if they were legitimate in their offerings or if they were hanging them there purely for decoration – the screen was still showing martial arts and slasher flicks, just as it has been for months, to an empty auditorium.
Which begs the question â€" why even bother? (I guess the manager must have gotten a good deal on free movie posters) The only South Asian audience that I can imagine wanting to see these films at this theatre are the Indian, Bengali and Sri Lankan staff that already work there.
Amen to that, Ed.
I would gladly sit through five years of an ABBA-inspired musical rather than face even one minute of the horrible alternative that you mentioned.
Hmm, let’s see…several hours confined to an opera house â€"OR- interrogation under a bright light with bamboo shoots shoved under my nails and electrodes attached to my nipples while seated in a tank of water full of sharks…tough choice.
I’ll bet that even the most hardened criminals would rather face the latter.
ABBA indeed!
“All About Eve” screening is being rescheduled (was originally March 23rd)…
new date and time to be determined (monitor the LJ Web site for updates).
One more ongoing gripe: the LJ website needs to be updated more often (they updated it just before I wrote this). It seems that in order to get advance notice about upcoming shows, you have no choice but to go to the theater (or attempt to contact them) and find out for yourself â€" it’s as if this is some type of “insider information†reserved only for those who are able to attend events at the theater on a regular basis. This info is always mentioned in programs and flyers distributed exclusively at the shows – based on these (and the updated website), I can tell you what future films they have planned (as of the time of this writing):
March 23…Special Showing:
“All About Eve†(1950) – with live appearance by Celeste Holm
March 30-31…Film Noir:
“Double Indemnity†(1944) — “Out of the Past†(1947) — “Sunset Boulevard†(1950)
April 27-28…Timeless Romances / Fantasy Romance:
“Portrait of Jennie†(1948) — “Wuthering Heights” (1939) — “Somewhere in Time†(1980)
May 11-12…Foreign Films and Their American Remakes:
“The Seven Samurai†(1954) — “The Magnificent Seven†(1960) — other titles TBA
June…TBA
In addition, on March 18th at 4:00 PM, the Girl Scouts of Greater Essex & Hudson Counties will be hosting and presenting a special screening of “Annie: The Movie Musical†(1982).
I attended the “Casablanca†screening on Saturday (Feb. 24th) and the presentation was well done (even though the print shown was scratchy at times and had some minor dropouts). As usual, the technical crew was on top of things, and this time the audio was at what I consider to be perfect volume level â€" pronounced and easy to hear (I usually find it to be on the soft side from where I normally sit – about midway back). The FOTL volunteer staff was cordial and attentive, making everyone feel welcome. There was also a nice audience turnout, with many in attendance appearing to be newcomers (they did not seem to be “regulars†such as myself) and while that’s good, there is also a downside.
I don’t want to sound like an old crab (which I’m not), but whatever happened to punctuality and manners? An annoying trend seems to be developing as of late at this theater. For the last few shows, the show times are largely being ignored, and the movies are starting much later that they should (Saturday night’s screening started almost 25 minutes late!). I am not sure why this is, but I consider this phenomenon to be a shared fault of both theater management and the audience. I understand that this theater is in need of an audience and always goes out of its way to accommodate the public, but if patrons are so rude as to come sauntering into the theater 25 minutes after the appointed show time, then quite frankly they DESERVE to miss the beginning of the film, and its start time should NOT be delayed to accommodate the few at the expense of the majority. I arrived 10 minutes early (pin a gold star on me) and did not appreciate sitting there for over 20 minutes staring at a blank screen when I made the effort to be on time. Management’s action of starting shows late, in effect, encourages and gives tacit approval to this annoying and distracting behavior. Even after the film started 25 minutes late, patrons were STILL walking in.
Folks, you need to realize that this is NOT some garden-variety multiplex theater where they show at least 30 minutes of commercials and previews prior to the main feature (I realize that many of you INTENTIONALLY arrive late to avoid sitting through these, but you need to drop your multiplex audience mentality and break this bad habit). When a feature film is presented at Loew’s Jersey, you see nothing BUT the movie, so BE SEATED ON TIME!
I particularly say all of this out of sympathy for those patrons who rely solely on mass transit to travel to and from the theater – they are beholden to fixed schedules and time constraints and have to plan accordingly. Late starts result in late endings – the idea of missing a crucial bus or train connection late at night due to an unnecessary delay is not an appealing proposition! Placing fellow patrons in the unsavory and precarious position of having to choose whether to miss the end of a movie or miss their ride is inconsiderate and unfair!
Actually, as of this writing, the LJ website is rather useless in answering YankeeMike’s question. It does NOT give SPECIFIC dates and start times for SPECIFIC movies – it doesn’t even mention the titles. All it says is “titles and times TBD”. This is the information that we would all like to know.
Yes, I thought I heard “Double Indemnity” mentioned as one of their offerings. Speaking of film noir…
Page E1 of today’s NY Times (1/29/07) features a big write-up on San Francisco’s Castro Theater and their wildly successful “Noir City†film festival, now in its fifth year and probably their biggest annual event.
Here’s another excellent example of a restored old-time movie palace, serving up great classic cinema, to a large contemporary audience of loyal, enthusiastic and appreciative movie-going fans.
As far as I know, NO theater of this type or size in the NYC area is offering screenings of this popular film genre on a regular basis. If they did, I’m sure they would become a major entertainment destination, perhaps rivaling such specialized movie havens as the Angelika or Tribeca cinemas.
Loew’s Jersey management: if you are reading this, are you thinking what I’m thinking?
The Times write-up spotlights their wildly successful “Noir City†film festival, now in its fifth year and probably their biggest annual event (now playing through February 4th).
Here’s another excellent example of a restored old-time movie palace, serving up great classic cinema, to a large contemporary audience of enthusiastic and appreciative movie-going fans.
Another great Saturday night show – the January 27th screening of “The African Queen”. The audience was, as always, in excellent form – great turnout too (I estimated over 500 – the orchestra level was about half-full). The audience’s average age was skewed slightly higher than at other shows I’ve attended, but still a wide variety (quite a few seniors, but I also noticed many in their 20s and 30s and did not see anyone under adult age).
Titles were announced for the upcoming “Audience Choice†February shows. Based on the suggestions submitted, the most popular were chosen as follows:
“Casablanca"
"Gone with the Wind"
"Back to the Future” (an exception â€" chosen as a sci-fi substitute for “Star Wars”, because no prints are available for the scheduled screening date).
Theater Director Colin Egan also mentioned March’s “Film Noir Seriesâ€, although I cannot recall what, if any, titles were mentioned. Does anyone know what they are?
I drove by this place on Saturday night (after visiting Loew’s Jersey) on my way up Broadway to 177th Street – it looks like a cross between a temple and a fortress, especially in the dark. Given its somewhat intimidating late-night surroundings, it seems a rather appropriate combination!
Divine â€"what better way to describe Dec. 9th’s screening of “The Sound of Musicâ€? The previous comments summarized it quite well. I was nervous when I saw toddlers and children being wheeled, carried and cajoled into the theater…but surprise: not one incident involving crying or screaming children – an amazing feat for a three-hour-long screening! A few restless ones, on two occasions running up and down an aisle unaccompanied â€" a very minor distraction, but still one that none-the-less could have been easily prevented with a proper adult escort. Thank goodness for the “built-in” intermission. Overall, adults comprised the vast majority of the audience.
As for the adults, one or two brief instances of conversation that were obvious simply because the theater was so utterly quiet â€" and a few audience members apparently weren’t going to have any part of it â€"these elicited almost immediate responses of “shhhh!†â€" I love it! You will be hard-pressed to find better audiences or movies than at this theater. There is clearly an unwritten code of silence in operation here. This place is like a church â€" for movie worship, that is.
I wonder if theater director Colin Egan reads these posts, because in his welcome and introductory comments to the audience, he remarked how many people have mentioned that this was the very first film that they can recall seeing as a child, in a movie theater! I agree that although it is not a “holiday movie†in the true sense (which may account for the lighter-than-I-expected attendance), seeing it has become an intergenerational tradition shared by members of many families (“The Wizard of Oz†and “The Ten Commandments†are others that I can think of). After all, the holiday season is about memories, families and tradition. Well-stated.
The owners continue to make improvements and freshen up the theater’s appearance. About three weeks ago, new carpeting was installed in all of the major public areas: the entry hall, lobby, auditorium aisles and two small video lounges – it is done up in a rather busy (if somewhat flamboyant) “swirly wreath” pattern featuring a rich contrasting color scheme of deep plum, dusty rose and ivory that complements the interior’s red, black and gold trim accents. Overall, the appearance and effect is surprisingly tasteful, dare I say even luxurious, and gives the place a vintage feel that compliments the theater’s style and heritage.
Even the outside received “the royal treatment”: permanent, all-weather red carpeting was laid in front of the entry doors, filling the large, recessed vestibule up to where the building’s facade meets the sidewalk. An employee goes outside and vacuums it every day!
However, with all of the illegal smoking going on about the place, how long will it maintain its appearance? Carpets and cigarettes are not a good match – lack of ashtrays will have indifferent patrons snuffing out lit butts and flicking ashes everywhere. It almost begs the question: why bother to make improvements if you’re going to allow them to be ruined?