The “cavernous” cinema shown in “Goodbye, Dragon Inn,” recently reviewed in The New York Times and The New Yorker, apparently has no listing at this website. NYT link here
To meet the demand in the New York area, three more theatres were added after the announcement: the midtown Victoria and Loew’s Orpheum in Manhattan, and Loew’s State in White Plains.
Philip J. Smith, who entered showbiz as a teen-aged usher at the RKO Orpheum and eventually became chairman of the Shubert Organization, has died at 89 from complications of Covid-19. Obituary can be viewed here
Loew’s acquired the theatre in the summer of 1926, along with Frank Keeney’s Bedford and Bay Ridge Theatres, but kept the downtown Brooklyn site running as Keeney’s and marketed separately from the Loew’s circuit until a new policy could be decided for that increasingly competitive area. In the meantime, more than $100,000 was spent for interior and exterior changes…Contrary to a claim in the overview, the theatre never operated as Loew’s Livingston, though that name and also Loew’s Hanover were considered before Melba was finally chosen.
The black-tie gala raised funds for The New York Medical College, but did not include the ice-skating revue that was now part of Roxy policy and would support “Carousel” starting the next day. The Todd-AO version of R&H’s “Oklahoma!” was still in its roadshow engagement at the nearby Rivoli Theatre.
This was the third film to occupy the Music Hall’s screen that year, which started with a brief hold-over of the Christmas holiday show with “Kismet,” followed by “I’ll Cry Tomorrow.”
“The Young In Heart” had previously played at Radio City Music Hall (with stage revue)…Some Loew’s that had later-run programs for their areas are not listed in this ad.
Enhanced copy of a much darker photo by Hiroshi Sugimoto published by the NYT’s Sunday Magazine on 12/27/20 as part of a memorial issue to victims of Covid-19, in this case honoring film critic and historian James Harvey (1929-2020).
On the day that Loew’s opened the American, the circuit’s newest theatre in the Bronx, the Paradise offered “The Thief of Bagdad” & Dulcy,“ first-run and exclusive for the borough. That combo would reach the American two weeks later.
Excerpted from a complete Loew’s circuit ad that was the entire length of a New York Times page…Until Showcase distribution began in the NYC area in 1962, bookings at Loew’s American were usually two weeks behind Loew’s Paradise, which was exclusive first-run for the Bronx.
The cartoon feature was the inaugural attraction on both screens…The Disney Organization never missed an opportunity to plug other ventures, in this case the opening of Walt Disney World in Florida in October of the coming year.
To combat the pre-Christmas doldrums, RKO brought back 56 popular features on a Monday-Tuesday, always the least attended days of the week. Keith’s Flushing paired “Indiscreet” with “Marjorie Morningstar,”
both of which had originally debuted in NYC at Radio City Music Hall.
The Alhambra was the final stop for the Three Stooges tour that night.
The CEO of AMC Entertainment discussed the grim future of movie theatres in a recent New York Times article viewable here
The “cavernous” cinema shown in “Goodbye, Dragon Inn,” recently reviewed in The New York Times and The New Yorker, apparently has no listing at this website. NYT link here
Nearest RKO to the Kings was the Kenmore, with “The Female Animal” & “Man in the Shadow,” both in B&W CinemaScope.
Building a reputation as the “Thrill Theatre at Times Square.”
To meet the demand in the New York area, three more theatres were added after the announcement: the midtown Victoria and Loew’s Orpheum in Manhattan, and Loew’s State in White Plains.
Philip J. Smith, who entered showbiz as a teen-aged usher at the RKO Orpheum and eventually became chairman of the Shubert Organization, has died at 89 from complications of Covid-19. Obituary can be viewed here
Loew’s acquired the theatre in the summer of 1926, along with Frank Keeney’s Bedford and Bay Ridge Theatres, but kept the downtown Brooklyn site running as Keeney’s and marketed separately from the Loew’s circuit until a new policy could be decided for that increasingly competitive area. In the meantime, more than $100,000 was spent for interior and exterior changes…Contrary to a claim in the overview, the theatre never operated as Loew’s Livingston, though that name and also Loew’s Hanover were considered before Melba was finally chosen.
The black-tie gala raised funds for The New York Medical College, but did not include the ice-skating revue that was now part of Roxy policy and would support “Carousel” starting the next day. The Todd-AO version of R&H’s “Oklahoma!” was still in its roadshow engagement at the nearby Rivoli Theatre.
Filming took place in the early morning hours of September 15th, 1954, after the Trans-Lux 52nd Street had closed down for the night.
This was the third film to occupy the Music Hall’s screen that year, which started with a brief hold-over of the Christmas holiday show with “Kismet,” followed by “I’ll Cry Tomorrow.”
How can an event be considered “unique” if it has been repeated many times over the years? Just asking.
Exterior photo taken just before Christmas of 2020 can be viewed here at the Forgotten New York website
Sister Mae’s smash hit, “I’m No Angel,” had recently played at the Uptown, and was current at other cinemas around Chicagoland.
“The Young In Heart” had previously played at Radio City Music Hall (with stage revue)…Some Loew’s that had later-run programs for their areas are not listed in this ad.
Enhanced copy of a much darker photo by Hiroshi Sugimoto published by the NYT’s Sunday Magazine on 12/27/20 as part of a memorial issue to victims of Covid-19, in this case honoring film critic and historian James Harvey (1929-2020).
Complete ad for the Loew’s circuit in the NYC area on that day can be viewed at the CT listing for the Paradise Theatre. Click here
On the day that Loew’s opened the American, the circuit’s newest theatre in the Bronx, the Paradise offered “The Thief of Bagdad” & Dulcy,“ first-run and exclusive for the borough. That combo would reach the American two weeks later.
Excerpted from a complete Loew’s circuit ad that was the entire length of a New York Times page…Until Showcase distribution began in the NYC area in 1962, bookings at Loew’s American were usually two weeks behind Loew’s Paradise, which was exclusive first-run for the Bronx.
The cartoon feature was the inaugural attraction on both screens…The Disney Organization never missed an opportunity to plug other ventures, in this case the opening of Walt Disney World in Florida in October of the coming year.
Mike, what does “(saps)” after the name mean or signify?
This was the first Christmas holiday season since the Music Hall switched to a screen/stage policy in January of that year.
Two exterior photos at the start of a “Forgotten New York” article on crosstown Third Street can be viewed here
Town & Country Magazine article and color photo of the stars in 2020 can be viewed here
To combat the pre-Christmas doldrums, RKO brought back 56 popular features on a Monday-Tuesday, always the least attended days of the week. Keith’s Flushing paired “Indiscreet” with “Marjorie Morningstar,” both of which had originally debuted in NYC at Radio City Music Hall.