Baywood Theater

The Baywood had a wonderful exterior. Art Deco meets Art Moderne and the marquee great too. Bad taste to tear it down and gut it. History means nothing to this world.

August 20, 1931 grand opening ad in photo section

ken mc

Yes, this is the old Baywood Theatre. Located on B St. between 3rd and 4th St. See my earlier post above in regard to location.

Would this be the theater building? On B Street between 3rd and 4th.
http://tinyurl.com/232glbp

Is the address listed above correct? I thought this theatre was downtown, not on El Camino.

To answer Larry Goldsmith above: When I went in the remains of the Baywood in September ‘09, the building was almost totally vacant, save for a very nice used book store operating in the forward left portion of the former Thrifty’s space on the ground floor. The rest of downstairs still looks like a stripped 1950s Thrifty interior. The “Thrifty Cut Rate Drug Stores” terrazzo is still in the entrance. It is via a stairway at the back, dating from the Thrifty remodel, that you go up through the area where the proscenium used to be, and find yourself in the nearly gutted remains of the upper half of the auditorium.

In the American Classic Images vintage photo from 1942 put up by Lost Memory, something very interesting can be seen. This theatre was designed by S. Charles Lee. He remodeled the Coliseum Theatre in San Francisco around the same time, and the marquee he put on it is virtually identical to that of the built-from-scratch Baywood. The Lee-designed marquee remained on the Coliseum until its turn-of-the-millenium conversion to a Walgreens and condos. Over the years, the sunburst element was removed, along with much of the neon, and the reader boards were changed to plastic, but aside from that, the “Col”’s marquee survived the decades remarkably intact.
As for the Baywood’s interior, I have finally seen for myself what’s above the old Thrifty ceiling. Lengthy inspection revealed that there was even a third floor retrofitted into the converted building at one time, as some studs, walls, and outlines of even more walls and the third floor remain throughout. By and large though, it’s a big empty shell. Scraps of theatre structure do still remain, enough to have made the look-see well worthwhile. The steel beams of the balcony structure are mostly extant, sticking out into the space. Two sets of balcony fire escape doors (the lower still functional and the upper converted to windows in the 50s) survive, with indented boxes in the concrete walls where EXIT signs used to be, three porcelain bulb sockets still visible. The proscenium is completely gone, as are all vestiges of the entire auditorium ceiling. The walls are, however, a different story: Much acoustical plaster remains. Depending on whether a particular section of wall was visible to the public when there were businesses in the upper part of the converted space, sections of the walls are either painted over in beige, silvery grey, or…they still have mural painting preserved. Careful examination of the walls revealed that the most visible muralwork—flowers, trees, plants—is the result of a later, perhaps immediate Postwar, redecoration. Through these paintings, the oxidized outlines of the original “High Deco” geometric stripes, waves, sunrays, scrolls, and stylized leaf shapes bleed through. On some of the wall surfaces that were painted out after the theatre closed, oxidized paint patterns from both decorative schemes show though in varying degrees. Among these, three lifesize human figures can be discerned. One seems to be a toga-clad man standing in a boat, another appears to be a woman with one arm outstretched, and a third is so vague that all I could tell was that the figure was standing. There is some ornamental plaster extant. Large stepped ribs which ran along the uppermost areas of the sidewalls survive. Each terminated in a cast plaster Deco scroll, like a giant geometric snail shell. Two remain intact on the South wall of the auditorium, and one remains intact on the North Wall. On the North wall also, a series of stepped, quarter-circle ribs which swooped down to join the now-vanished walls which angled-in toward the proscenium can still be seen.
Back to the ghostly human figures showing through later paint, it was impossible for me to ascertain whether these figures belong to the first Deco scheme or the later, softer “Foliate Moderne” scheme. My hunch would be the latter. However, the fact that I have once seen a photo of the original proscenium, and there were niches with Greco-Deco statues in them might be a clue that the human figures on the walls were there to harmonize with the statues. More research into the UCLA files of S. Charles Lee theatre photos may solve this.

the baywood theatre was not on el camino real, it was located on baywood ave between 3rd & 4th san mateo last manager there, before it closed was scrappy and beverly. theatre then became a thrifty drug bev and scrappy then moved to the fox san mateo until it closed then to the fox burlingame, until it closed , then to the fox town&country in san jose. scrappy fell off a ladder in the candy room and died poor beverly found him late that night. that had a horrible effect on her for many years ( those 2 worked together for at least 30 years) what ever happened to beverly brehmer??? larry goldsmith

You state that the interior has been only partially gutted. I have heard this before. What remains, and is it viewable? I have seen old photos of the stupendously decorated auditorium, and it would be interesting to see if any of that survives.