Cineworld Cinema - High Wycombe

CF100 on August 2, 2018 at 10:21 pm

LARGE_screen_format:

As always, thanks for providing such detailed info, that is some great drilling down you’ve managed there! ;o)

You’re welcome! :–) I do my best, it’s always good to get positive feedback. ;–)

The four VIP boxes at the very back of the auditoria are not as great as they may sound

They sound like an incredibly stupid idea to me, actually. ;–)

The rear wall should be heavily acoustically damped; having large areas of glass to reflect sound (and, even if to a rather modest extent relatively, image) back is not good for those in the auditorium.

Each box has it’s own 5.1 surround sound system.

Interesting. I can’t imagine this works too well, since the speakers won’t be in the correct location spatially?

It also obliterates one of the major benefits a large auditorium has over a living room (well, unless your living room has dimensions exceeding, say, 50ft.+ ;–)—namely, freedom from low frequencies being dominated by room modes (resonances.)

But then again, I can’t imagine that anyone booking seats in the boxes is too interested in optimum seating locations… ;–)

it’s a shame that there’s no VIP seat option outside of the VIP boxes (2/3 the way back as in most Vue cinemas).

Talking of which, IME, the position of the VIP seats in the Vue Xtreme auditoria I’ve visited are altogether too far back.

I’ve posted estimates of relative seating positions to the screen width for Vue O2 Finchley Road, and certainly that auditorium hardly qualifies as “large format,” if the criteria is based on the basic “classic” IMAX geometry standards. I guess “caveat emptor” with screens marketed as “PLF”!

Incidentally, apparently these “old” screen width to seating position ratio standards were actually based on tests using 35mm film in the 1950s (!), being set so that the audience would be far enough away from the screen such that the artifacts of film and projection thereof—i.e. grain, weave, etc.—would not be overly perceptible! Whereas, the “classic” IMAX standards are, I think, based more around creating an immersive system given human physiology/perception, i.e. in a sense the system is built more from the perspective of achieving a quality immersive experience, rather than around the limitations of an existent—and in the theatrical world now more or less obsolete—format.

Don’t know what brand the rear array speakers are but I shall try to get a closer look or ask a member of staff the next time I watch a movie there which might be soon.

Thanks. :–) I think they’re QSC, actually; I was confused as my initial thought was that they might be JBL, but the relevant model was not available when the cinema was built—and I can’t imagine the sound system was upgraded, without otherwise an overall refurbishment of the auditorium occurring, and even then I’d be surprised if they bothered to replace the rears (unless, perhaps, if upgrading to Atmos?)

Not sure how well this cinema is doing compared to Empire, High Wycombe but I’ve rarely ever seen it busy or packed.
                

Seems to me the area is overscreened, certainly on the basis of multiplexes per capita in the UK and the population of High Wycombe per se?

I can imagine that in the earlier days of multiplexes that the CIC/UCI High Wycombe would draw in trade from a wide catchment as, if I’m not mistaken, there was very little in the way of local competition.

I guess the idea behind Eden was to create a regional retail/leisure facility, but there’s competition on that front, such as the “new” The Lexicon Bracknell, which of course is also home to a Cineworld.

On the M40/A40 corridor, the Odeon Uxbridge IMAX and the fairly recently opened Cineworld South Ruislip would obviate the need (or possible even draw in business from High Wycombe and environs in the case of the IMAX due to the brand?) to head out to High Wycombe for the purpose of a cinema trip.

Regarding parking costs, planning policy effectively “forced” new leisure development to predominantly be in city/town centres. You can probably guess my view on those policies from the last sentence, but I’ll avoid further comment here as this isn’t a site for “political” debates—but suffice to say, with cinema ticket prices as they are, in most locations (i.e. not Central London and environs—and if one were crazy enough to park off Leicester Square, it would cost just as much as a premium cinema ticket at West End prices!) paying for additional parking charges doesn’t seem reasonable.

Shame that you aren’t able to get the off-peak discounts that were previously available. :–(

I’d expect Cineworld, across their entire UK estate, to have done their homework though? (I think their priority is on their “Unlimited” card…)

CF100 on July 13, 2018 at 4:31 am

LARGE_screen_format:

Planning Application.

This planning application would appear to be relevant as the previous application was outline only and the summary descriptions of later variation applications do not mention any changes to Block M1 (in which the cinema is located.)

Plans for the cinema auditoria can be seen in the document “ZONE M1 – LEVEL 30 – THIRD FLOOR PLAN,” available under the “Documents” tab of the above linked page.

(Incidentally, although they aren’t credited on the drawing, the cinema parts of the drawing look suspiciously similar to other drawings by UNICK, with the same “CAD library” disabled bay seats used, for instance; albeit it wouldn’t be a big surprise if they were indeed responsible considering that they claim to have been involved in the development of over 1/3rds of new build multiplexes in the UK!)

The largest auditorium on this plan is Auditorium 1, and the screen width as drawn measures about 22m (~72ft.)

Auditorium 1 as shown on these plans is definitely on the large size—about 31.5mx22.9m (max. excluding the VIP boxes/booth) (~103x75ft.) That also puts the last (non-VIP box) seating row within about 1x screen distance away from the screen, and the front row is about 0.38x screen distance away from the screen, so in this respect it appears to be an “immersive” layout á la IMAX.

The sidewalls are splayed towards the screen, so it’s not a rectangular auditorium, either!

No licensing plans appear to be available.

Having a look at Cineworld’s booking pages, the 13:30 performance of “The Incredibles” is in Screen 12, and the seating diagram matches that of Auditorium 1 in the plans, as well as having a VIP box seating option; clearly Auditorium 1 was “renumbered” as Auditorium 12.

2015 Tripadvisor user photo.

Hmm, disappointing, I think, given that the space has so much potential? Time for a refurbishment plus Atmos, methinks…

Do you know what make the rear array speakers are? How is the picture/sound quality?