Cinema Village

m00se1111 on April 6, 2024 at 5:10 pm

what evidence to back up “ the theatre might be closing”?

ridethectrain on July 5, 2021 at 3:36 pm

Please update, theatre open October 5, 1964. Grand opening in photos

Comfortably Cool on March 5, 2021 at 8:50 am

Due to recent water damage, Cinema Village is closed until further notice, and will not be one of the NYC theatres re-opening today. Owner quoted in this article on some other cinemas not re-opening. Click here

Comfortably Cool on October 9, 2019 at 1:49 pm

An assortment of exterior and interior images of Cinema Village can be viewed here

Mike (saps) on June 19, 2019 at 12:19 am

It’s available for viewing on Amazon Prime…

Mike (saps) on June 28, 2018 at 12:14 am

I wonder if it meets the building code.

Al Alvarez on June 27, 2018 at 4:50 pm

I don’t think I have ever been in their men’s room.

Al Alvarez on June 27, 2018 at 9:51 am

In 1991-1992, this briefly became known as ‘Cinema 12th street’ as the ‘Cinema Village’ name moved to the Bijou. By 1993 they were know as the ‘Cinema Village’ and the ‘Cinema Village on 3rd Avenue’, respectively.

thehorror13 on November 12, 2017 at 1:41 am

Built in 1963 in the shell of a turn of the century fire station, Cinema Village is the oldest continuously operated cinema in Greenwich Village and one of the oldest continuously operated art cinemas in the city.

Through most of it’s first three decades of life Cinema Village was one of Manhattan’s several repertory cinemas. Showcasing a canon of vintage classics, cult and contemporary critical favorites on double bills that would usually change three times a week, this once essential programming format has now largely died out in commercial cinemas in the city and around the country. Before the video revolution, short of a private film collection, going to a repertory cinema was virtually the only way to see many films after their initial theatrical run. Rep houses like Cinema Village, the recently re-opened Thalia and the now long closed Bleeker Street, Carnegie Hall, 8th Street Playhouse and Regency were the autodidacts' film school and favorite haunts of cineastes for decades.

Undermined by home video, buy outs by major circuits and real estate development, commercial repertory cinema virtually disappeared in the city by the late 1980’s. Cinema Village only escaped closing and survived with a switch to limited engagements of highly alternative first run programming.

This resulted in an eclectic mix of slip through-the-cracks American indie sleepers (Red Rock West), the occasional revival (In the Realm of the Senses, Two Lane Blacktop, The Leopard), documentaries (Theremin, Waco: Rules of Engagement, Kurt & Courtney), festivals, animation compilations, Japanese cult cinema (Tokyo Decadence, Angel Dust, Ghost in the Shell) and heavy doses of Hong Kong cinema.

In the early nineties before Jackie Chan, John Woo, Michele Yeoh and their stunt coordinators went Hollywood, Cinema Village became known, through its annual festivals and other bookings, as the place to see the amazing Hong Kong films of what would soon to acknowledged as a filmmaking golden age. For filmgoers who never ventured to Chinatown or had only seen blurry bootleg videos, these films were a revelation and they would soon have a profound influence on international filmmaking styles. During this period we also had the privilege of playing host to personal appearances by talents such as Michele Yeoh, Chow Yun Fat, Wong Kar Wai and Peter Chan.

In 2000 our patron’s support was rewarded with a long deferred renovation and expansion of screens. When we reopened, we had transformed ourselves into a thoroughly modern three screen facility with state of the presentation. Our additional screens allow an even more diverse programming mix and permit us to extend runs of special films to extraordinary lengths (Mulholland Drive: 18 weeks; Yi Yi: 21 weeks; The Piano Teacher: 28 weeks).

In 2001 we quietly introduced digital video projection capabilities to accommodate the increasing reliance on digital video by independent productions. This now gives us the potential to play deserving features without the burden to distributors or filmmakers of an expensive conversion to celluloid.

Nearing its fourth decade, Cinema Village is proud of its longevity and thankful to have survived the pitfalls that have taken down so many other independent cinemas. Notwithstanding our resourcefulness, our ability to survive is testimony entirely to the New York City audience. We could probably only exist where we are: in the midst of most diverse, cosmopolitan and cine-aware of cities.

Auditoriums

Screen #1 Capacity: 155 seats Projection: DCP, QuickTime, Blue-ray, 35mm,16mm Sound: Dolby Digital

Screen #2 Capacity: 63 seats Projection: DCP, QuickTime, Blue-ray, 35mm Sound: Dolby Digital

Screen #3 Capacity: 69 seats Projection: DCP, QuickTime, Blue-ray Sound: Dolby Digital Accessibility

Theater 1 is wheelchair accessible.

Listening Devices Listening devices may be provided upon request

moviebuff82 on June 8, 2015 at 2:35 pm

This theater was featured in a story on “Last week Tonight” due to the fact that this theater was the only one in the NYC area to show the Fifa funded United Passions which bombed at the box office due to the scandal surrounding the soccer federation and it’s outgoing leader Sepp Blatter.

bigjoe59 on November 20, 2014 at 4:54 pm

Hello-

I always thought the Cinema Village which has been a beacon for film goers for at 50? years was built from the ground up as a movie theater. but I read it was actually built within the gutted skeletal structure of an 1890s firehouse. how much of the firehouse actually exists?

Al Alvarez on May 15, 2012 at 2:57 pm

After DEEP THROAT opened in 1972 the market changed drastically for art houses and direction the theatre operator took was more distinct between those who programmed European art films and those who programmed sexploitation or hard core and advertised it as art product.