Everyman Baker Street

96-98 Baker Street,
London, W1U 6TJ

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rivest266
rivest266 on May 19, 2021 at 9:45 pm

Grand opening ad posted

PhilipWW
PhilipWW on April 16, 2018 at 6:14 am

I went into Screen 1. It’s fairly small, just 7 rows of seats.

I sat in Row 4, just halfway. For its size the screen is quite impressive when out in Scope. It is full wall-to-wall with movable side masking. If you choose a seat well, it is a good place to see a film in.

ProjectionistKevin
ProjectionistKevin on April 19, 2017 at 2:19 pm

I was a projectionist there when it was a Classic

Koistinen
Koistinen on September 20, 2015 at 8:56 am

Exterior and lobby photos from February 2015.

woody
woody on January 25, 2010 at 6:23 pm

The cinema has now been rebranded Everyman Baker Street with new signage on the marquee
http://www.flickr.com/photos/woody1969/4301160793/

Ian
Ian on January 19, 2007 at 2:40 am

This is another recent photo of the Screen:–

http://flickr.com/photos/12494104@N00/218471943/

Ken Roe
Ken Roe on January 15, 2007 at 5:47 pm

Built on the site of the Classic Cinema 1937-1973 (which was also the head offices of Classic Repertory Cinemas), this replacement cinema opened on 2nd March 1978 as the Sherlock Holmes Centa 1 & 2 and is located in the basement of the new building. It was operated by the CineCenta group of art house cinemas. Originally the seating capacities were for 123 & 117. From December 1979 it was operated by Star Cinemas and it closed on 7th September 1983 with Ben Kingsley in “Ghandi” and Dustin Hoffman in “Tootsie”.

It was taken over by independent exhibitor Romaine Hart and added to her ‘Screen on….'cinemas after being gutted and redesigned. It re-opened as the Screen on Baker Street on 3rd February 1984 with Linda Griffiths in “Lianna” in the 95 seat Number 1 cinema and “James Stewart in "Rear Window” in the 100 seat number 2 screen.