My twin and I [commonly referred to as “The Twins” or “The Rose Boys] were the brawn and dim-witted backbone that helped Alene revive the Egyptian after the abysmal tenants [Kerasotas] left the property back in the ‘81-'82 season.
Though the initial entry is very consistant in accuracy, one point of contention for Alene was that the “property” of The Egyptian had not been sold outright to Kerasotas Inc but was [more-or-less] a lease-to-own arrangement that entailed the equipment and accoutremont of the theater itself, but not the land. Kerasotas claimed- though fiscally correct- that the venture for them was “not profitable” but it was the abomanable business practices and last-ditch-effort as a porno palace that sealed their fate back then and had the property rescended to Alene.
The love, desire and commitment to the theater, to her good name, and to the reciprocal love and loyalty of her friends/staff [“The Rose Boys] Alene and The Egyptian saw great strides for the decade of the 80s and I proudly stand as a huge part of that.
My twin and I have extensive files, photos and stories to tell of the resurgence of Alene’s theater from [roughly] 1983 to 1989. Though a name or two may escape me, there are many stories to be told- both beautiful as well as taudry.
For the definitive information concerning the 1980s Pheonix rise of The Egyptian, feel free to contact me.
My twin and I [commonly referred to as “The Twins” or “The Rose Boys] were the brawn and dim-witted backbone that helped Alene revive the Egyptian after the abysmal tenants [Kerasotas] left the property back in the ‘81-'82 season.
Though the initial entry is very consistant in accuracy, one point of contention for Alene was that the “property” of The Egyptian had not been sold outright to Kerasotas Inc but was [more-or-less] a lease-to-own arrangement that entailed the equipment and accoutremont of the theater itself, but not the land. Kerasotas claimed- though fiscally correct- that the venture for them was “not profitable” but it was the abomanable business practices and last-ditch-effort as a porno palace that sealed their fate back then and had the property rescended to Alene.
The love, desire and commitment to the theater, to her good name, and to the reciprocal love and loyalty of her friends/staff [“The Rose Boys] Alene and The Egyptian saw great strides for the decade of the 80s and I proudly stand as a huge part of that.
My twin and I have extensive files, photos and stories to tell of the resurgence of Alene’s theater from [roughly] 1983 to 1989. Though a name or two may escape me, there are many stories to be told- both beautiful as well as taudry.
For the definitive information concerning the 1980s Pheonix rise of The Egyptian, feel free to contact me.