Todd-AO was a 70mm process. While a film may have been shot in 70mm, they made both 35mm and 70mm prints out of it.
So even if Hello Dolly played there, it wouldn’t have required 70mm equipment.
When the Severance was a single theater it had Simplex XL 35mm projectors. The same projectors were used when it became a twin theater. Christie xenon lamps and platters were added at this time. They never had 70mm equipment. Also, the 5-plex theater described here actually was a 6-plex.
Todd-AO was a 70mm process. While a film may have been shot in 70mm, they made both 35mm and 70mm prints out of it.
So even if Hello Dolly played there, it wouldn’t have required 70mm equipment.
When the Severance was a single theater it had Simplex XL 35mm projectors. The same projectors were used when it became a twin theater. Christie xenon lamps and platters were added at this time. They never had 70mm equipment. Also, the 5-plex theater described here actually was a 6-plex.