Comments from neonitenick

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neonitenick
neonitenick commented about Cinerama Hollywood on Oct 17, 2007 at 11:13 pm

Thanks William. When the change occured the grosses were phenomenal and still breaking b/o records. The film played for a year and 5 months. The Palace was the first in town to convert to CinemasScope in ‘53 opening with “The Robe” in stereophonic sound, so it may be that the upstairs booth still contained the mag penthouse. But apparently they didn’t utilize it when they went upstairs with the SOM print as the soundtrack reproduction was no longer in stereo. Unless the unit was not operational? I think you offered the best explanation: the studio probably pulled the Mag print for another engagement and exchanged it for an optical print.

neonitenick
neonitenick commented about Cinerama Hollywood on Oct 16, 2007 at 11:36 pm

Thanks William. That’s amazing! Had no idea there was so much more involved regarding licensing fee/screen size/print exhibition. I think your explanation may clear up a mystery I’ve been wondering about since 1965 when “The Sound of Music” first opened.

They projected the print (I’m assuming it was 35mm ) from the Cinerama booth on the main level. The screen was masked at the top and sides for 35mm Scope, and I recall changeovers being made. I’m guessing the three Cinerama projectors had already been stripped out, and the print was being projected on the recently installed 35/70mm projectors. I do recall the soundtrack being in stereo.

Now here’s the mystery: after the first few weeks of showings they suddenly switched from the downstairs booth to the old upstairs 35mm booth. There was no change in screen size, and the only noticable difference was the sound…it was no longer in stereo.

My guess is that a print with a stereo soundtrack was more expensive to lease so once they got the crowds in and were assured of an extended long run, the decision was made to save some dollars and exchange the stereo print for a monural print. As such there was no longer any reason to project print from the 35/70mm booth. That’s my take on the switch. Sound plausible?

neonitenick
neonitenick commented about Cinerama Hollywood on Oct 16, 2007 at 7:59 pm

Bill and Roadshow:
Your 2001 Cinerama postings brings to mind a big dissapointment. When 2001 opened in ‘68 it played at the PALACE here in Tampa in 70mm Cinerama, and it was breathtaking to see AND hear. The film was brought back at least two additional times in 70mm within 2 years after the initial roadshow engagement. By now the Cinerama logo had been replaced by Super Panavision.

The last time the film played it was part of “MGM’s Fabulous Four” series (Gone with the Wind, Dr. Zhivago, Ryan’s Daughter, and 2001.) Knowing these films had played in 70mm in years past I was anxiously chomping at the bit in anticipation of seeing 2001 once again on the big screen, although there was no mention of 70mm in the ads.

I remember thinking, “surely they can’t run 2001 in 35mm in a Cinerama theater when they have 70mm capability not to mention the big Cinerama screen!” What a rude awakening it was when the curtain parted revealing the screen had been masked down for 35mm presentation…one of the biggest letdowns for me ever in a theater. Seeing 2001 in 35mm on the same screen where it had been shown many times in 70mm was a total downer to say the least :–(