Roxy Theatre 69 George Street, Parramatta, NSW - 1930

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Roxy Theatre 69 George Street, Parramatta, NSW Original Architects rendering of the entrance court in Spanish style - Dated 1930 ..

Designer/Maker: Moore & Dyer in association with Herbert & Wilson, architects

Physical description: Inter-War Spanish Mission purpose-built cinema building flanked on either side by loggias containing shops. The central arched entrance is richly decorated with stuccoed ornamentation. The Roxy is the best surviving example in Australia of the adaptation of this style of architecture to a large public building, making the most consistent use of the Spanish Mission style throughout. (Walker)

The building comprises a large ‘picture palace’ cinema in the Spanish Mission Style. The main, double height theatre block is set back from the street frontage behind an 80 ft X 40 ft (24.4m x 12.2m) forecourt lined along the sides by arcaded walkways which terminate in small shops on the street frontage.

The blocky massing of the front facade is symmetrical, centred on a large semi-circular arch over the main entrance. This features a scalloped Moorish soffit and enriched lable panel and mouldings. The arch is set in an ornate central tower with the entrance reached via a grand flight of steps. External walls are of stuccoed ornament emphasized by being picked out in (modern) multi-coloured scheme. The original name-sign at the top of the tower is part of the overall facade design.

The main foyer opens directly off the external staircase via a set of timber-framed and glazed doors and comprises a double-height space symmetrically laid out with stairs rising to either side of a central mezzanine/balcony. The foyer retains most of its original layout and character with stuccoed walls, arched openings and vaulted roof to the mezzanine and a ‘Spanish’ style ceiling of panelled and painted timber. The Spanish Mission style is continued in remaining original light fittings, furniture, joinery and floor tiles.

The original main auditorium features extensive plasterwork decoration including arched windows, false balconies and door case along the side walls and a large central dome in the ceiling. Smaller theatres have been fitted below the original stage reducing the overall size of the original auditorium and requiring removal of the proscenium arch. Remnants of original plaster work decoration, however, survive behind the present screen and the theatre retains its original seating.

The fabric of the theatre includes brick interior and exterior, terracotta floor and roof tiles, painted timber, wrought iron and moulded plaster decoration inside – Contributed by Greg Lynch –