Added an aerial photo to this listing of downtown Atlanta taken in 1925. The Hurt Building is the large building at lower center, and the Atlanta theatre, identifiable with its double-height stagehouse wing and balcony fire escapes on the south side, is located across the Hurt Plaza SE street to the lower left of the Hurt Building.
Sorry - will try post the link again. (or just google 23 S 52nd St Philadelphia). This address is actually across(?) the street from the original address.
https://www.google.com/maps/Shea’s Performing Arts Center.9591798,-75.22504,3a,75y,254.98h,95.39t/data=!3m6!1e1!3m4!1s0fS_K0QgA56L1vxlPMpWsQ!2e0!7i16384!8i8192
How is this building at the same address (and labeled Nixon Building at the top) related to the original theatre which is listed at Demolished?
https://www.google.com/maps/Shea’s Performing Arts Center.9591798,-75.22504,3a,75y,244.79h,99.01t/data=!3m6!1e1!3m4!1s0fS_K0QgA56L1vxlPMpWsQ!2e0!7i16384!8i8192
According to the local paper, the building was torn down after a partial collapse. https://www.loganbanner.com/news/demolition-of-sayer-building-begins-in-downtown-logan/article_27cbcfa1-8c7e-5d41-b1bf-85b894b16942.html?fbclid=IwAR1Dn5aS7kL5v6j-WSy7Bx9B8Wsh66oSPf6S5vLonzalUGLEMhx5_YYQZDg
Really TERRIFIC article about the plan and technology being used to raise the Palace. The theatre will also receive a good deal of long overdue maintenance and technology upgrades in the process. Long and comprehensive article, but it contains lots of photos and illustrations. Quite an amazing project!
David – you are correct. The balcony risers and steps, which you can see in the top half of photo #11 under the projection booth windows, were converted to studio audience seating when the theatre was made over for television in the 1950s, and were placed behind large “sound proofing” windows, which can be seen along the left wall in photo #9.
By the 1990s, the window glass had been removed and replace with a wall, which Tony and Bryan reference in the YouTube video. Just this past week on The Weather Channel, during coverage of Hurricane Harvey, Bryan showed an extended video of their move to shelter in the Capitol Theatre/WTVJ Studio A in 1992.
The impoverished and crime-ridden Hell’s Kitchen neighborhood encompassed the area from approximately 34th street to 59th, and from Eighth Avenue to the Hudson River in the 19th century. Many of the dilapidated buildings were wooden, like the three-story “dwelling and store” at No. 771 Ninth Avenue, just off the corner of 52nd Street.
On May 13, 1878 Charles Ruf sold the property which included a four-story brick tenement in the rear to Mary Kempf for $10,550. Mary was apparently spreading her finances thin—she took out a mortgage of $9,000 to pay for the property.
The Kempf family lived above the store into the 1890s. In the 1880s George Semerling’s butcher shop was at street level; but by 1892 A. Klein had converted it to his saloon. The saloon was replaced by the hardware store of Shipman & Portal by 1906.
Julius Shipman and Harry Portal left Ninth Avenue shortly afterward. In June the American Druggist and Pharmaceutical Record reported that John Milerick, who had recently graduated from New York College, had opened Milerick’s Pharmacy in the space. “The neighborhood is tenanted by numerous families and the venture should prove a successful one,” said the article.
John Milerick’s drugstore fell victim to the new motion picture craze in 1921. Harris Theatrical Enterprises demolished the old building to erect the Central Theatre. The unpretentious brick structure was dominated by the arched central entrance. Little expense was wasted on the decoration expected in the elaborate theaters of more affluent neighborhoods; although the pretty brick corbel table at the roofline was a delightful touch.
The choice of names was perplexing and, no doubt, confusing to theater-goers. The well-known Central Theatre on West 47th Street had been operating for years at the time, and often advertisements for either did not mention the address.
The Central screened silent films like the Lady Godiva. The Evening World said on May 8, 1922 it was “well worth seeing” and noted “Although much has been made of the famous ride of this devoted woman, it is not the picturization of a flapperish exploit, but a beautiful picture of a beautiful poem.”
Movie goers were treated to occasional live entertainment as well. In June that year The Evening World noted “In addition to Mae Murray in ‘The Delicious Little Devil’ will be Alla Axiom, crystal gazer.”
The motion picture theater lasted a relatively short time in the down-and-out neighborhood. On November 22, 1928 The New York Times reported on the sale of the property to E. W. White. The investor resold the building to Harry Wolf.
Wolf, who had organized the 771 Ninth Avenue Corporation for the deal, erased out all traces of the theater. S. Wolf’s Sons had been in business since the end of the Civil War. Harry Wolf now established the family’s wholesale and retail paint store in the old motion picture theater. Later Wolf Paints and Wallpapers broke through the back wall and expanded into No. 406 West 52nd Street.
The original Capitol Theater building which was converted in 1946 to serve as the home of WTVJ-TV4 (the main studio was created out of the theater house and stage areas and was approx 90' x 90' x 35'h, with a single-purchase counter-weight fly system running the length of the studio) was demolished in 2000, along with other buildings on the west side of the theater containing film labs and support services, and was replaced by the US District Court building.
Added an aerial photo to this listing of downtown Atlanta taken in 1925. The Hurt Building is the large building at lower center, and the Atlanta theatre, identifiable with its double-height stagehouse wing and balcony fire escapes on the south side, is located across the Hurt Plaza SE street to the lower left of the Hurt Building.
RFO (Request of Operator) offering for theatre - https://acrobat.adobe.com/link/review?uri=urn:aaid:scds:US:a9e0d3dd-5eb1-3240-b605-bdd0e18fcd47
Sorry - will try post the link again. (or just google 23 S 52nd St Philadelphia). This address is actually across(?) the street from the original address.
https://www.google.com/maps/Shea’s Performing Arts Center.9591798,-75.22504,3a,75y,254.98h,95.39t/data=!3m6!1e1!3m4!1s0fS_K0QgA56L1vxlPMpWsQ!2e0!7i16384!8i8192
How is this building at the same address (and labeled Nixon Building at the top) related to the original theatre which is listed at Demolished?
https://www.google.com/maps/Shea’s Performing Arts Center.9591798,-75.22504,3a,75y,244.79h,99.01t/data=!3m6!1e1!3m4!1s0fS_K0QgA56L1vxlPMpWsQ!2e0!7i16384!8i8192
Interesting site about the history and renovation plans for the theatre: https://www.rehabhate.com/theater.html
According to the local paper, the building was torn down after a partial collapse. https://www.loganbanner.com/news/demolition-of-sayer-building-begins-in-downtown-logan/article_27cbcfa1-8c7e-5d41-b1bf-85b894b16942.html?fbclid=IwAR1Dn5aS7kL5v6j-WSy7Bx9B8Wsh66oSPf6S5vLonzalUGLEMhx5_YYQZDg
Really TERRIFIC article about the plan and technology being used to raise the Palace. The theatre will also receive a good deal of long overdue maintenance and technology upgrades in the process. Long and comprehensive article, but it contains lots of photos and illustrations. Quite an amazing project!
https://newyorkyimby.com/2015/11/palace-theater-to-be-lifted-29-feet-for-expanded-facilities-and-retail.html
David – you are correct. The balcony risers and steps, which you can see in the top half of photo #11 under the projection booth windows, were converted to studio audience seating when the theatre was made over for television in the 1950s, and were placed behind large “sound proofing” windows, which can be seen along the left wall in photo #9.
By the 1990s, the window glass had been removed and replace with a wall, which Tony and Bryan reference in the YouTube video. Just this past week on The Weather Channel, during coverage of Hurricane Harvey, Bryan showed an extended video of their move to shelter in the Capitol Theatre/WTVJ Studio A in 1992.
From DaytonianInManhattan:
The impoverished and crime-ridden Hell’s Kitchen neighborhood encompassed the area from approximately 34th street to 59th, and from Eighth Avenue to the Hudson River in the 19th century. Many of the dilapidated buildings were wooden, like the three-story “dwelling and store” at No. 771 Ninth Avenue, just off the corner of 52nd Street.
On May 13, 1878 Charles Ruf sold the property which included a four-story brick tenement in the rear to Mary Kempf for $10,550. Mary was apparently spreading her finances thin—she took out a mortgage of $9,000 to pay for the property.
The Kempf family lived above the store into the 1890s. In the 1880s George Semerling’s butcher shop was at street level; but by 1892 A. Klein had converted it to his saloon. The saloon was replaced by the hardware store of Shipman & Portal by 1906.
Julius Shipman and Harry Portal left Ninth Avenue shortly afterward. In June the American Druggist and Pharmaceutical Record reported that John Milerick, who had recently graduated from New York College, had opened Milerick’s Pharmacy in the space. “The neighborhood is tenanted by numerous families and the venture should prove a successful one,” said the article.
John Milerick’s drugstore fell victim to the new motion picture craze in 1921. Harris Theatrical Enterprises demolished the old building to erect the Central Theatre. The unpretentious brick structure was dominated by the arched central entrance. Little expense was wasted on the decoration expected in the elaborate theaters of more affluent neighborhoods; although the pretty brick corbel table at the roofline was a delightful touch.
The choice of names was perplexing and, no doubt, confusing to theater-goers. The well-known Central Theatre on West 47th Street had been operating for years at the time, and often advertisements for either did not mention the address.
The Central screened silent films like the Lady Godiva. The Evening World said on May 8, 1922 it was “well worth seeing” and noted “Although much has been made of the famous ride of this devoted woman, it is not the picturization of a flapperish exploit, but a beautiful picture of a beautiful poem.”
Movie goers were treated to occasional live entertainment as well. In June that year The Evening World noted “In addition to Mae Murray in ‘The Delicious Little Devil’ will be Alla Axiom, crystal gazer.”
The motion picture theater lasted a relatively short time in the down-and-out neighborhood. On November 22, 1928 The New York Times reported on the sale of the property to E. W. White. The investor resold the building to Harry Wolf.
Wolf, who had organized the 771 Ninth Avenue Corporation for the deal, erased out all traces of the theater. S. Wolf’s Sons had been in business since the end of the Civil War. Harry Wolf now established the family’s wholesale and retail paint store in the old motion picture theater. Later Wolf Paints and Wallpapers broke through the back wall and expanded into No. 406 West 52nd Street.
http://daytoninmanhattan.blogspot.com/2017/03/the-central-theatre-no-771-9th-avenue.html
The original Capitol Theater building which was converted in 1946 to serve as the home of WTVJ-TV4 (the main studio was created out of the theater house and stage areas and was approx 90' x 90' x 35'h, with a single-purchase counter-weight fly system running the length of the studio) was demolished in 2000, along with other buildings on the west side of the theater containing film labs and support services, and was replaced by the US District Court building.