Of course it still stands, and retains an intact exterior which is better than many old theatres. Not every theatre can be reused as a movie palace, but if they can be reused and retain there look, that is a plus. Otherwise it will end up like the Uptown Theatre at 42nd and College which was demolished after it artially collapsed or the Ritz on Illinois which sits empty and is ready to collapse.
Thankfully the ballroom is still intact and lovely as ever. It has a spanish courtyard feel with stars and clouds moving across the sky(ceiling). The dance floor is built on springs to reduce fatigue on the legs.
This information is from the Hilbert Circle Theatre website.
Constructed in 1916 in the style of the mid-18th century English architect Robert Adam and originally named the Circle Theatre, the Hilbert Circle Theatre in downtown Indianapolis was one of the first motion picture palaces west of New York built especially for the purpose of showing feature-length photoplays. It was a “presentation” house of the grandest order, rivaled only by New York’s famed Strand Theatre. From 1916 to 1981 its repertoire ranged from world premiere features, classical concerts and live stage shows to motion pictures.
From its opening days, productions at the Hilbert Circle Theatre were billed as Cinema-Symphonic Spectaculars, for the music was as integral a part of the performance as were the film presentations. Photoplays were of the silent variety, enhanced dramatically by live performances of both the Circle Theatre Orchestra and two theatre organs. Many of the musicians who performed in this orchestra joined Ferdinand Schaefer in 1930 to form the Indianapolis Symphony Orchestra.
The historic Theatre also featured many of the leading entertainers of their eras, including Tommy Dorsey, Spike Jones, Frank Sinatra, Rudy Vallee, Tex Ritter, Glenn Miller, Erroll Garner, Dizzy Gillespie and Stan Getz, Paul Whiteman, Fred Waring and his Pennsylvanians, and Beverly Sills, among others. The master of ceremonies at the Theatre was Dick Powell, who later moved to Hollywood to become a star in the Golden Age of Hollywood. In 1961, the Indianapolis Symphony Orchestra performed a benefit concert with Jack Benny at the Theatre, which 23 years later would become its permanent home.
The Theatre fell into disrepair in the 1970s with the advent of suburban multi-theater movie houses and faced possible demolition before the combined efforts of the Historic Landmarks Foundation of Indianapolis, the Commission for Downtown and the Theatre’s next door neighbor, Indianapolis Power and Light, succeeded in placing the Theatre on the National Register of Historic Places.
The restoration of the Theatre started in 1982. The exterior restoration included repair of the original white terra cotta facade; replacement of storefronts, entrance doors and playbill cases; restoration of the second floor windows overlooking Monument Circle; and replication of the elegant 1916 marquee with its classical ornamental friezes and row lights.
Interior restoration included repair of the original wall and ceiling detail, replication of the two side box seat balconies and repair of the mirror panels and decorative motifs which flank the stage. The seats were restored and the original lighting fixtures were repaired, rewired and a missing one replaced. The original interior colors of ivory, warm gray and delicate rose are used throughout the Theatre.
The stage area was enlarged with a fixed orchestra shell and permanent seating onstage for the chorus or audience. The audience seating areas were redesigned to allow for more space and comfort, and the main lobby was expanded to accommodate patrons at intermission.
After the $6.8 million renovation-conversion project, the Indianapolis Symphony Orchestra opened its 1984 season in the newly converted concert hall where it has performed ever since. In 1990, the Theatre became the property of the Orchestra when it purchased the venue from Indianapolis Power and Light. In addition to live performances, the Orchestra also uses the Hilbert Circle Theatre’s superb acoustics for broadcasting and recording.
The historic Theatre’s intimate size (1,781 seats) and customized stage area suited to an 87-member ensemble create a superb venue for live performances. After his 1984 visit to the Hilbert Circle Theatre, Harold Schonberg of The New York Times wrote, “The acoustics were clear and well defined, with a good deal of presence, a solid bass and excellent definition…the (Hilbert) Circle Theatre has provided the city with a superior concert hall.” Echoing this assessment, The Dayton Daily News wrote, “It is clear that this hall is a virtual showcase for the Orchestra…the acoustics are particularly lively without being unduly bright,” and The Cincinnati Enquirer wrote, “The (Hilbert) Circle Theatre has a clear, pleasant, fairly dry sound to it…it has been turned into an attractive symphonic space.”
On September 15, 1991, the Indianapolis Symphony Orchestra celebrated the 75th Anniversary of the Hilbert Circle Theatre with a Gala Opening Night concert featuring Beverly Sills as hostess reviving the Theatre’s illustrious history.
In December 1996 the Orchestra received a $10 million gift from Mr. & Mrs. Stephen Hilbert, the largest single contribution from a living person in the Orchestra’s history. In recognition of that gift, (the major share of which serves as an endowment to fund to maintain the facility) the venue was renamed Hilbert Circle Theatre.
In May 2002, the Orchestra began a four-month $2.75 million renovation of the Hilbert Circle Theatre stage that was initiated to provide more performance space and to improve the on-stage acoustics for the musicians. The renovation included new acoustical clouds that can be adjusted for performance as well as new walls, flooring, fly space rigging and reverberation chambers above the stage to enhance the already superb acoustics of the hall. The project was completed on time and within budget and was unveiled on September 8, 2002, at the Orchestra’s Gala Opening Night concert to begin the 2002-2003 season.
The Hilbert Circle Theatre is one of the few prominent early 20th century movie palaces that remains active and in operation today, and its storied history was the subject of a cable television profile by the American Movie Classics cable television network, hosted by Robert Doran.
Of course it still stands, and retains an intact exterior which is better than many old theatres. Not every theatre can be reused as a movie palace, but if they can be reused and retain there look, that is a plus. Otherwise it will end up like the Uptown Theatre at 42nd and College which was demolished after it artially collapsed or the Ritz on Illinois which sits empty and is ready to collapse.
Thankfully the ballroom is still intact and lovely as ever. It has a spanish courtyard feel with stars and clouds moving across the sky(ceiling). The dance floor is built on springs to reduce fatigue on the legs.
It is definitely not a loss to have this torn down. It makes a better parking lot then it ever was as a theatre.
This information is from the Hilbert Circle Theatre website.
Constructed in 1916 in the style of the mid-18th century English architect Robert Adam and originally named the Circle Theatre, the Hilbert Circle Theatre in downtown Indianapolis was one of the first motion picture palaces west of New York built especially for the purpose of showing feature-length photoplays. It was a “presentation” house of the grandest order, rivaled only by New York’s famed Strand Theatre. From 1916 to 1981 its repertoire ranged from world premiere features, classical concerts and live stage shows to motion pictures.
From its opening days, productions at the Hilbert Circle Theatre were billed as Cinema-Symphonic Spectaculars, for the music was as integral a part of the performance as were the film presentations. Photoplays were of the silent variety, enhanced dramatically by live performances of both the Circle Theatre Orchestra and two theatre organs. Many of the musicians who performed in this orchestra joined Ferdinand Schaefer in 1930 to form the Indianapolis Symphony Orchestra.
The historic Theatre also featured many of the leading entertainers of their eras, including Tommy Dorsey, Spike Jones, Frank Sinatra, Rudy Vallee, Tex Ritter, Glenn Miller, Erroll Garner, Dizzy Gillespie and Stan Getz, Paul Whiteman, Fred Waring and his Pennsylvanians, and Beverly Sills, among others. The master of ceremonies at the Theatre was Dick Powell, who later moved to Hollywood to become a star in the Golden Age of Hollywood. In 1961, the Indianapolis Symphony Orchestra performed a benefit concert with Jack Benny at the Theatre, which 23 years later would become its permanent home.
The Theatre fell into disrepair in the 1970s with the advent of suburban multi-theater movie houses and faced possible demolition before the combined efforts of the Historic Landmarks Foundation of Indianapolis, the Commission for Downtown and the Theatre’s next door neighbor, Indianapolis Power and Light, succeeded in placing the Theatre on the National Register of Historic Places.
The restoration of the Theatre started in 1982. The exterior restoration included repair of the original white terra cotta facade; replacement of storefronts, entrance doors and playbill cases; restoration of the second floor windows overlooking Monument Circle; and replication of the elegant 1916 marquee with its classical ornamental friezes and row lights.
Interior restoration included repair of the original wall and ceiling detail, replication of the two side box seat balconies and repair of the mirror panels and decorative motifs which flank the stage. The seats were restored and the original lighting fixtures were repaired, rewired and a missing one replaced. The original interior colors of ivory, warm gray and delicate rose are used throughout the Theatre.
The stage area was enlarged with a fixed orchestra shell and permanent seating onstage for the chorus or audience. The audience seating areas were redesigned to allow for more space and comfort, and the main lobby was expanded to accommodate patrons at intermission.
After the $6.8 million renovation-conversion project, the Indianapolis Symphony Orchestra opened its 1984 season in the newly converted concert hall where it has performed ever since. In 1990, the Theatre became the property of the Orchestra when it purchased the venue from Indianapolis Power and Light. In addition to live performances, the Orchestra also uses the Hilbert Circle Theatre’s superb acoustics for broadcasting and recording.
The historic Theatre’s intimate size (1,781 seats) and customized stage area suited to an 87-member ensemble create a superb venue for live performances. After his 1984 visit to the Hilbert Circle Theatre, Harold Schonberg of The New York Times wrote, “The acoustics were clear and well defined, with a good deal of presence, a solid bass and excellent definition…the (Hilbert) Circle Theatre has provided the city with a superior concert hall.” Echoing this assessment, The Dayton Daily News wrote, “It is clear that this hall is a virtual showcase for the Orchestra…the acoustics are particularly lively without being unduly bright,” and The Cincinnati Enquirer wrote, “The (Hilbert) Circle Theatre has a clear, pleasant, fairly dry sound to it…it has been turned into an attractive symphonic space.”
On September 15, 1991, the Indianapolis Symphony Orchestra celebrated the 75th Anniversary of the Hilbert Circle Theatre with a Gala Opening Night concert featuring Beverly Sills as hostess reviving the Theatre’s illustrious history.
In December 1996 the Orchestra received a $10 million gift from Mr. & Mrs. Stephen Hilbert, the largest single contribution from a living person in the Orchestra’s history. In recognition of that gift, (the major share of which serves as an endowment to fund to maintain the facility) the venue was renamed Hilbert Circle Theatre.
In May 2002, the Orchestra began a four-month $2.75 million renovation of the Hilbert Circle Theatre stage that was initiated to provide more performance space and to improve the on-stage acoustics for the musicians. The renovation included new acoustical clouds that can be adjusted for performance as well as new walls, flooring, fly space rigging and reverberation chambers above the stage to enhance the already superb acoustics of the hall. The project was completed on time and within budget and was unveiled on September 8, 2002, at the Orchestra’s Gala Opening Night concert to begin the 2002-2003 season.
The Hilbert Circle Theatre is one of the few prominent early 20th century movie palaces that remains active and in operation today, and its storied history was the subject of a cable television profile by the American Movie Classics cable television network, hosted by Robert Doran.