View of stage, orchestra pit
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Taken on: April 22, 2010
Uploaded on: October 24, 2011
Exposure: 3 sec, f/9.0, ISO 200
Camera: NIKON CORPORATION NIKON D60
Software: Adobe Photoshop CS4 Windows
Size: 765 KB
Views: 1,819
Full EXIF: View all
Scene capture type: 0
Exposure bias value: 0
Subsec time digitized: 50
Custom rendered: 0
Software: Adobe Photoshop CS4 Windows
Gain control: 0
ISO speed ratings: 200
Max aperture value: 22/5
Saturation: 0
Exposure mode: 1
Date time: Mon Apr 26 13:08:43 -0700 2010
Sensing method: 2
Color space: 65535
Contrast: 1
Model: NIKON D60
White balance: 0
Exposure time: 3
Shutter speed value: -1584963/1000000
Make: NIKON CORPORATION
Sharpness: 0
Pixel X dimension: 1201
Metering mode: 5
Flash: 31
X resolution: 72
Digital zoom ratio: 1
Aperture value: 126797/20000
F number: 9
Subsec time: 50
Light source: 0
Date time original: Thu Apr 22 11:44:53 -0700 2010
Pixel Y dimension: 777
Y resolution: 72
Resolution unit: 2
Subsec time orginal: 50
Exposure program: 1
Focal length in 35mm film: 43
Date time digitized: Thu Apr 22 11:44:53 -0700 2010
Focal length: 29
Subject distance range: 0
A closer view of the stage and orchestra pit, with a better look at the iconic peacock murals which John Girvan of the Girvan Studios, Vancouver, BC, stated were his personal tribute to his own inspiration: John Eberson, founder of the atmospheric movement. Although the original murals were painted over in the 1950’s to “modernize” the look of the auditorium, sufficient evidence survived of the originals under that paint and through archival photos to accurately re-create the Girvan murals. Muralist Whitney LaFortune led the volunteer artists in the project, which took nearly 4 months of scaffolding work to repair and prep the plaster, then actually paint each panel.
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