“Foxiest Girl in Paris” is “Nathalie”, 1957, Christian-Jaque. “Port of Shame” is “Les Amants du Tage,” 1954, Henri Verneuil, also called “Lovers of Lisbon,” “Lovers' Net,” “Forbidden Desire.”
Marcel Pagnol (1895-1974) resides in the Pantheon of great French filmmakers, playwrights, and auteurs. So perfect to name a cinema after him, as with Jean Cocteau or Jean Renoir.
Norwich (CT) Bulletin.
Norwich (CT) Bulletin.
From the Norwich (CT) Bulletin.
It had played here two years before under the original title “Los Olvidados.”
I just watched this yesterday on YouTube. It’s quite good.
Ingrid Bergman, “Spellbound,” a 1945 Hitchcock film.
Apollo marquee up the street.
“Forbidden Desire” was “Les Amants du Tage,” 1954, also called “Port of Shame.”
“Foxiest Girl in Paris” is “Nathalie”, 1957, Christian-Jaque. “Port of Shame” is “Les Amants du Tage,” 1954, Henri Verneuil, also called “Lovers of Lisbon,” “Lovers' Net,” “Forbidden Desire.”
“The Shocking Set” was, it seems, a group of shorts featuring nudity. “No Morals” was a 1955 French film “M'Sieur la Caille.”
“Over the Hill to the Poorhouse” (1920) would be remade as a sound film, “Over the Hill,” in 1931.
“Over the Hill to the Poorhouse” (1920) would be remade as a sound film, “Over the Hill,” in 1931.
“Over the Hill to the Poorhouse” (1920) would be remade as a sound film, “Over the Hill,” in 1931.
“Over the Hill to the Poorhouse” (1920) would be remade as a sound film, “Over the Hill,” in 1931.
“Working Girls” and “Eat the Peach” were both 1986 films.
“Stop that Man” was a 1928 film release.
“Over the Hill to the Poorhouse” was a 1920 film shot in Fort Lee, New Jersey.
In the 1980s, before the current Film Forum on West Houston.
In 1938.
In 1957.
Add previous name: Pix Theatre.
1948, actually.
The film on the marquee is the 1952 “Son of Ali Baba” with Tony Curtis and Piper Laurie.
Marcel Pagnol (1895-1974) resides in the Pantheon of great French filmmakers, playwrights, and auteurs. So perfect to name a cinema after him, as with Jean Cocteau or Jean Renoir.
Remade in 1962 by Yves Robert as “The War of the Buttons.” There are at least a couple of other versions as well.