I checked the L.A. public library data base, and there is a card referencing a 1990 issue of Southern California Quarterly (the publication of The Southern California Historical Society) which mentions an Empress Theater in Los Angeles, but the card gives no indication of where exactly it was, or when it existed, or if it was an earlier name of some theater already listed here. The magazine itself is undoubtedly available at many L.A. area libraries, though. I think Alhambra’s library used to have a subscription to it, back in the days when I often went there.
The L.A. library database also has a card for a book about Covina which mentions an Empress Theater opening in that city in September, 1911.
Don S: The Belasco never ran movies. That’s why it isn’t even listed on this site. You’re right that the Mayan is still standing, but being below Olympic Boulevard, it’s kind of out-of-the-way for a major downtown theatre. That’s probably why William didn’t mention it. Its days of showing English language movies are so far in the past that I don’t even remember them. By the time I first saw the place, shortly after 1960, it had already become a Spanish language house.
Here is another theater that one could wish might at least have been saved by being converted to a church. But then perhaps the modest religious folk would have found the ornate, pagan-inspired decoration too lavish and strange a setting for their services- not to mention too costly to maintain.
But the description of this exotic architectural fantasy brings me astonishment, knowing that it was a mere neighborhood theater. There were certainly no theaters this splendid in the suburban Los Angeles neighborhood in which I grew up, despite the fact that several of our local houses were of the same era as the Egyptian. Suddenly, I feel retroactively deprived.
It would be interesting to snoop around in their storage rooms and such, to see if some evidence of former use remains, though after such a long time, it’s likely that there have been many remodelings done. If anything does remain, it’s likely to be buried under other layers. It would be like digging for Troy.
At one time there were at least two colleges in downtown Los Angeles. One of them, St. Vincent’s, was probably gone by the time this theatre opened. It was located on the block of 7th Street between Broadway and Hill, where Bullock’s Department store was later built in 1905 or 1906. The college left its name to the alley that ran between Bullock’s two buildings, St. Vincent’s Court.
The other college might have still been downtown, though. This was one of the California State Normal Schools (teacher’s colleges) and was originally located on the block where the central library was later built. I’m not sure when it moved, but it was relocated to the Vermont Avenue site that is now the campus of Los Angeles City College. The State Normal School became Los Angeles State College, and the two schools shared the Vermont Avenue Campus until the state college moved again, to its current site adjacent to the Long Beach and San Bernardino Freeways, where it was eventually renamed California State University at Los Angeles.
re stevebob’s observation: That is odd, and I hadn’t noticed it. But the Susan Hayward remake of “Back Street” did indeed come out in 1961, and the cars in the photo are certainly of that era. I visited Hollywood Boulevard a few times in those days, but never noticed the change in the Warner’s marquee. Maybe they had some sort of modular system, to make the changeout easier.
Bond was a national chain of moderately-priced clothing stores. This store was still operated by the Bond company in the 1960s, and I went in there once or twice. One thing I do recall about it (aside from the fact that their merchandise was amazingly stodgy, and the premises rather worn and outdated) is that the store had an unusually high ceiling for a retail shop. That might be an indication that it was originally a theatre.
My earliest memory of the ornate building on this site is from the early 1960s. At that time, it was a cafeteria, though I don’t remember the name, and I never went inside. I had always assumed that it was built as a cafeteria, as they were very big business in Los Angeles in the 1920s and were frequently housed in elaborate structures. But now that I think of it, the interior I remember seeing through the big front windows did seem to be much more modern than the exterior, and might have been installed as early as the 1940s. It’s possible that this building was erected as a theatre.
I definitely recall seeing the Galway listed in the theatre guide in the Los Angeles Times, at least as recently as the late 1950s, maybe the early 1960s. Although I walked along that part of Main Street once in 1960, and quite a few other times begining in 1962, I don’t remember seeing the Galway. It may have been another of those theatres that lacked a big, noticeable marquee.
Also, we are still missing Main Street’s Admiral Theatre, unless it is listed under another name. I wish I could find my 1963 issue of the L.A. Sunday Times Calendar section. It might have the address listed.
I’ve checked my copy of the L.A. Times theatre guide from August 24th, 1986, and this theatre was still listed as the La Mirada Drive-In. That week, they were showing a double feature of “Armed and Dangerous” and “Manhunter.” Given the theatre’s large capacity, I’m surprised they never added additional screens to it.
I think you’ll find the earlier name of this theater to have been La Mirada, not La Miranda. The drive-in was built about half a mile southwest of the Santa Fe Railroad’s old La Mirada station, which was on Stage Road near Excelsior Drive.
The then-unincorporated town of Santa Fe Springs (named decades earlier, when the railroad built a line through the area and developed a small townsite) was a few miles northwest of the drive-in’s Alondra Boulevard site. How the name got shifted to a theater so far south, I don’t know. The place must have done some ambitious annexation after it incorporated as a city.
In fact I do remember the name Galway, but I don’t recall the location, and I can’t picture the theater in my mind. I hadn’t thought of that place in years. I have a vague recollection of having seen it listed in the newspaper theater guides, though. I think it may have been one of several houses on Main Street that ran what were then called “nudie cutie” movies.
Is that the Grand Theater at 125 South Main? My source for the closing date of 1936 was the text accompanying a photograph of the theater at the L.A. public library’s online photo collection (search on “Childs Opera House”.) It’s apparently a paraphrase of the newspaper article that accompanied the picture at the time it was published (in either the Examiner or the Herald), which announced the impending demolition of the theater. (It also says that the theater had been known as El Teatro Mexico for the previous decade, which information I failed to include in my submission of the theater.)
I remember this theater being called the New Follies in the early 1960s, and I believe it was a live burlesque house at the time, like the Burbank. The bus I took home from downtown ran up Main Street, so I passed the theater hundreds of times, but never went there.
The history section of the Fountain’s web site says that it is the “…only continuously-operating movie theatre in the state” of New Mexico. (I wonder if they meant to say “oldest” rather than “only?”) If so, then, as this theatre has been operating since 1905, it would almost certainly be the oldest continuously operating movie theatre in the United States.
In 1931, United Artists announced plans to construct nearly a dozen new theaters in California, all to be designed by the firm of Walker & Eisen, with Clifford A. Balch associated. This theater in Pasadena was one of several of these, mostly in Southern California, which were actually built.
The United Artists theaters in El Centro, Inglewood, East Los Angeles and Berkeley, as well as the Four Star Theater in Los Angeles, were also succesful products of this colaboration, but several of the planned theaters remained unbuilt, including those designed for Ventura, Oakland, Palo Alto, San Jose and Vallejo.
Copies of old lists of the AIA’s membership would be handy to have in circumstances like this. Some large public library somewhere must have them. Copies of regional versions of “Who’s Who” would be useful, too. I don’t think any of them are online yet, but public libraries usually have them for their area. It should be easy enough for somebody in Chicago to double check this.
The Majestic Theater opened on December 12th, 1911, as a live theater and opera house. The architect was Henry C. Hollwedel.
The Spanish colonial revival style of the theatre’s current facade was very rare prior to its popularization by architect Bertram Goodhue, who used it for many of the buildings (some still extant) at the California Pacific Exposition of 1915 in San Diego’s Balboa Park. I suspect that the Mayfair’s facade may be the result of a later remodeling, perhaps done at the time it was converted into a movie house.
The Fox Belmont Theatre in Los Angeles was damaged by a fire in 1973 (and subsequently demolished), and some of the surviving movable decorations of that theater were used by Milt Larsen when he renovated the Majestic and converted it into the Mayfair Music Hall that same year.
The Belmont Theatre was demolished following a fire which damaged the building in 1973. Some of the surviving movable decor of the Belmont was used by Milt Larsen in his renovation of Santa Monica’s old Majestic Theater into the Mayfair Music Hall that same year.
This theatre was renamed the Columbia sometime before April of 1931. The April 17th, 1931 issue of Southwest Builder and Contractor tells of a remodeling of the Columbia Theatre in Santa Paula, which had just been purchased by a Mr. J. Leslie Asher. New drapes, seats, projection and sound equipment were to be installed.
Centinella and La Tijera is only a block west of the Inglewood city limits, and less than two miles from all those theaters that used to be on Market Street. That’s probably why it didn’t last very long- too much competition from theaters in Inglewood and Westchester.
Also, when it was built, the Baldwin Hills were still mostly undeveloped, except for Ladera Heights. There was only a very small population there for the theater to draw on. It makes me wonder why they built it there to begin with, unless they were expecting the Baldwin Hills area to build up faster than it ended up doing.
This is actually a fairly old theater. I have an old newspaper article about it, but I can’t find it at the moment. If I recall correctly, the El Rey was opened in 1926 as the National Theatre, was owned by the Valley Empire Theatres Company, and was designed by the firm of Stark and Flanders.
I believe this to be the last big, single screen theater in the northern Sacramento Valley still operating as a movie house. It has survived this long largely due to its location almost next door to the campus of California State University at Chico.
That’s right. I forgot about the porn era.
I checked the L.A. public library data base, and there is a card referencing a 1990 issue of Southern California Quarterly (the publication of The Southern California Historical Society) which mentions an Empress Theater in Los Angeles, but the card gives no indication of where exactly it was, or when it existed, or if it was an earlier name of some theater already listed here. The magazine itself is undoubtedly available at many L.A. area libraries, though. I think Alhambra’s library used to have a subscription to it, back in the days when I often went there.
The L.A. library database also has a card for a book about Covina which mentions an Empress Theater opening in that city in September, 1911.
Don S: The Belasco never ran movies. That’s why it isn’t even listed on this site. You’re right that the Mayan is still standing, but being below Olympic Boulevard, it’s kind of out-of-the-way for a major downtown theatre. That’s probably why William didn’t mention it. Its days of showing English language movies are so far in the past that I don’t even remember them. By the time I first saw the place, shortly after 1960, it had already become a Spanish language house.
Here is another theater that one could wish might at least have been saved by being converted to a church. But then perhaps the modest religious folk would have found the ornate, pagan-inspired decoration too lavish and strange a setting for their services- not to mention too costly to maintain.
But the description of this exotic architectural fantasy brings me astonishment, knowing that it was a mere neighborhood theater. There were certainly no theaters this splendid in the suburban Los Angeles neighborhood in which I grew up, despite the fact that several of our local houses were of the same era as the Egyptian. Suddenly, I feel retroactively deprived.
It would be interesting to snoop around in their storage rooms and such, to see if some evidence of former use remains, though after such a long time, it’s likely that there have been many remodelings done. If anything does remain, it’s likely to be buried under other layers. It would be like digging for Troy.
At one time there were at least two colleges in downtown Los Angeles. One of them, St. Vincent’s, was probably gone by the time this theatre opened. It was located on the block of 7th Street between Broadway and Hill, where Bullock’s Department store was later built in 1905 or 1906. The college left its name to the alley that ran between Bullock’s two buildings, St. Vincent’s Court.
The other college might have still been downtown, though. This was one of the California State Normal Schools (teacher’s colleges) and was originally located on the block where the central library was later built. I’m not sure when it moved, but it was relocated to the Vermont Avenue site that is now the campus of Los Angeles City College. The State Normal School became Los Angeles State College, and the two schools shared the Vermont Avenue Campus until the state college moved again, to its current site adjacent to the Long Beach and San Bernardino Freeways, where it was eventually renamed California State University at Los Angeles.
re stevebob’s observation: That is odd, and I hadn’t noticed it. But the Susan Hayward remake of “Back Street” did indeed come out in 1961, and the cars in the photo are certainly of that era. I visited Hollywood Boulevard a few times in those days, but never noticed the change in the Warner’s marquee. Maybe they had some sort of modular system, to make the changeout easier.
Bond was a national chain of moderately-priced clothing stores. This store was still operated by the Bond company in the 1960s, and I went in there once or twice. One thing I do recall about it (aside from the fact that their merchandise was amazingly stodgy, and the premises rather worn and outdated) is that the store had an unusually high ceiling for a retail shop. That might be an indication that it was originally a theatre.
My earliest memory of the ornate building on this site is from the early 1960s. At that time, it was a cafeteria, though I don’t remember the name, and I never went inside. I had always assumed that it was built as a cafeteria, as they were very big business in Los Angeles in the 1920s and were frequently housed in elaborate structures. But now that I think of it, the interior I remember seeing through the big front windows did seem to be much more modern than the exterior, and might have been installed as early as the 1940s. It’s possible that this building was erected as a theatre.
I definitely recall seeing the Galway listed in the theatre guide in the Los Angeles Times, at least as recently as the late 1950s, maybe the early 1960s. Although I walked along that part of Main Street once in 1960, and quite a few other times begining in 1962, I don’t remember seeing the Galway. It may have been another of those theatres that lacked a big, noticeable marquee.
Also, we are still missing Main Street’s Admiral Theatre, unless it is listed under another name. I wish I could find my 1963 issue of the L.A. Sunday Times Calendar section. It might have the address listed.
I’ve checked my copy of the L.A. Times theatre guide from August 24th, 1986, and this theatre was still listed as the La Mirada Drive-In. That week, they were showing a double feature of “Armed and Dangerous” and “Manhunter.” Given the theatre’s large capacity, I’m surprised they never added additional screens to it.
I think you’ll find the earlier name of this theater to have been La Mirada, not La Miranda. The drive-in was built about half a mile southwest of the Santa Fe Railroad’s old La Mirada station, which was on Stage Road near Excelsior Drive.
The then-unincorporated town of Santa Fe Springs (named decades earlier, when the railroad built a line through the area and developed a small townsite) was a few miles northwest of the drive-in’s Alondra Boulevard site. How the name got shifted to a theater so far south, I don’t know. The place must have done some ambitious annexation after it incorporated as a city.
ML: The Capri, which was at the southeast corner of 2nd and Main, is listed here under its original name, the Granada Theater:
/theaters/2401/
In fact I do remember the name Galway, but I don’t recall the location, and I can’t picture the theater in my mind. I hadn’t thought of that place in years. I have a vague recollection of having seen it listed in the newspaper theater guides, though. I think it may have been one of several houses on Main Street that ran what were then called “nudie cutie” movies.
Rats! I typed 125 South Main again, which is the wrong address. It’s 110 South Main.
Ken:
Is that the Grand Theater at 125 South Main? My source for the closing date of 1936 was the text accompanying a photograph of the theater at the L.A. public library’s online photo collection (search on “Childs Opera House”.) It’s apparently a paraphrase of the newspaper article that accompanied the picture at the time it was published (in either the Examiner or the Herald), which announced the impending demolition of the theater. (It also says that the theater had been known as El Teatro Mexico for the previous decade, which information I failed to include in my submission of the theater.)
Ken:
I remember this theater being called the New Follies in the early 1960s, and I believe it was a live burlesque house at the time, like the Burbank. The bus I took home from downtown ran up Main Street, so I passed the theater hundreds of times, but never went there.
The history section of the Fountain’s web site says that it is the “…only continuously-operating movie theatre in the state” of New Mexico. (I wonder if they meant to say “oldest” rather than “only?”) If so, then, as this theatre has been operating since 1905, it would almost certainly be the oldest continuously operating movie theatre in the United States.
In 1931, United Artists announced plans to construct nearly a dozen new theaters in California, all to be designed by the firm of Walker & Eisen, with Clifford A. Balch associated. This theater in Pasadena was one of several of these, mostly in Southern California, which were actually built.
The United Artists theaters in El Centro, Inglewood, East Los Angeles and Berkeley, as well as the Four Star Theater in Los Angeles, were also succesful products of this colaboration, but several of the planned theaters remained unbuilt, including those designed for Ventura, Oakland, Palo Alto, San Jose and Vallejo.
Copies of old lists of the AIA’s membership would be handy to have in circumstances like this. Some large public library somewhere must have them. Copies of regional versions of “Who’s Who” would be useful, too. I don’t think any of them are online yet, but public libraries usually have them for their area. It should be easy enough for somebody in Chicago to double check this.
According to the index at the Chicago Art Institute, the name of the architect is Eichenbaum, not Eichenberg.
The Majestic Theater opened on December 12th, 1911, as a live theater and opera house. The architect was Henry C. Hollwedel.
The Spanish colonial revival style of the theatre’s current facade was very rare prior to its popularization by architect Bertram Goodhue, who used it for many of the buildings (some still extant) at the California Pacific Exposition of 1915 in San Diego’s Balboa Park. I suspect that the Mayfair’s facade may be the result of a later remodeling, perhaps done at the time it was converted into a movie house.
The Fox Belmont Theatre in Los Angeles was damaged by a fire in 1973 (and subsequently demolished), and some of the surviving movable decorations of that theater were used by Milt Larsen when he renovated the Majestic and converted it into the Mayfair Music Hall that same year.
The Belmont Theatre was demolished following a fire which damaged the building in 1973. Some of the surviving movable decor of the Belmont was used by Milt Larsen in his renovation of Santa Monica’s old Majestic Theater into the Mayfair Music Hall that same year.
This theatre was renamed the Columbia sometime before April of 1931. The April 17th, 1931 issue of Southwest Builder and Contractor tells of a remodeling of the Columbia Theatre in Santa Paula, which had just been purchased by a Mr. J. Leslie Asher. New drapes, seats, projection and sound equipment were to be installed.
Centinella and La Tijera is only a block west of the Inglewood city limits, and less than two miles from all those theaters that used to be on Market Street. That’s probably why it didn’t last very long- too much competition from theaters in Inglewood and Westchester.
Also, when it was built, the Baldwin Hills were still mostly undeveloped, except for Ladera Heights. There was only a very small population there for the theater to draw on. It makes me wonder why they built it there to begin with, unless they were expecting the Baldwin Hills area to build up faster than it ended up doing.
This is actually a fairly old theater. I have an old newspaper article about it, but I can’t find it at the moment. If I recall correctly, the El Rey was opened in 1926 as the National Theatre, was owned by the Valley Empire Theatres Company, and was designed by the firm of Stark and Flanders.
I believe this to be the last big, single screen theater in the northern Sacramento Valley still operating as a movie house. It has survived this long largely due to its location almost next door to the campus of California State University at Chico.