A major development on the block southeast of Hollywood and Vine has been part of the Metro plan from the beginning. The specific nature of the project has changed (in 1991, for example, the leading proposal was for a development dominated by hotels and theatres), but the site has been targeted for intensive use for more than two decades. The redesign of the transit plaza underway now is intended to better integrate the station into the final form of the project, which got underway early in 2007.
J.F.: If you’re referring to the long link you just posted at 3:49pm, when I clicked it, it returned a photo card with printed caption reading “Hyde and Behman’s Theatre on Adams Street”. There’s another line to the caption, above the theatre name, but I can’t make it out because too many of its letters are obscured by a “Brooklyn Public Library” stamp.
The L.A. Library has provided a larger version of the photo I linked to back in 2005, in the first comment on this page. Here’s the new version of Huntington Drive on November 7, 1937.
I’ve still been unable to pin down an exact address for the Arcadia Theatre, but I’ve found that the “Arcadia” sign strung across the street down the block in this photo was at First Avenue, and since the street numbers in Arcadia Start from Santa Anita Avenue (behind the camera’s position) with single digit numbers, the theatre was most likely somewhere from 30 to 40 E. Huntington Drive.
If they’ve altered signage while the place is closed, that suggests a possible re-opening, doesn’t it? Otherwise, why bother making the change?
The county assessor’s office treats this as 6524 S.Pacific, but it’s definitely the same property. The year of construction was 1925, which matches with the item in Southwest Builder & Contractor issue of January 4, 1924, which said that architects Arthur George Lindley and Charles R. Selkirk were preparing plans for the theatre.
The architect was Vincent G. Raney, who designed all the theaters built by the Syufy brothers' Century Theatres chain from 1964 into the early 1990s. Their Reno theatre opened in 1966. The original name (as brucec noted above) was Century 21 Theatre, which was the standard name with which most of the Syufy domed theatres of that era opened.
The style, though, was not Atmospheric. All the Century 21 domed houses looked pretty much the same inside as the prototype in San Jose.
If this complex was built by the Syufy brothers Century chain, then the architect was certainly Vincent G. Raney, who designed all the theatres built by Century from 1964 into the early 1990s.
The URLs of the photos in UCLA’s Times collection got changed. That’s the problem with linking to other sites. I’ve got orphaned links all over the place.
Ken, that photo, being from 1949, actually shows the earlier Main Street Gym, across Main Street from the Hip in the former Turner Hall, which was for a time the Regal Theatre. That’s the building that was destroyed in the 1951 fire, after which the gym moved into the former dance hall space above the Hippodrome’s entrance.
Photos showing the Strand are hard to find, so even though the theatre barely shows in this one, it’s the best I’ve yet seen. It’s a view of Colorado Street east of Marengo, with the new Post Office under construction on the near corner of Garfield Avenue in the foreground. The large white building beyond that is the Hotel Maryland,which was at the northwest corner of Colorado and Los Robles.
The front of the Strand can be glimpsed at far right, with its side wall displaying the theatre’s name. The Post Office was completed in 1915, so this dates the photo to about the time the Strand opened. Every nearby building in this photograph, excepting only the Post Office, is now gone.
Ken is right. The facade’s style is a sort of Renaissance Revival-Baroque-Romanesque Revival pastiche, I’d say. Certainly not Art Deco. All the elements have clear historic roots in European classicism. Art Deco, even in its nascent form, was full of elements borrowed or abstracted from non-European styles and/or modern industrial technology.
One of the organists at the Strand Theatre was Bob Mitchell (best known as the founder of The Robert Mitchell Boys Choir), who has been the organist at the Silent Movie Theatre in Los Angeles since 1990. Late in 1924, the twelve year old Mitchell was hired to play Christmas music between movies at the Strand, and this holiday engagement led to four years providing music to accompany silent movies at the theatre.
Here’s a brief video clip from YouTube showing Bob Mitchell playing the organ at the Silent Movie Theatre. Bob Mitchell’s career as an organist began when, at the age of twelve, he was hired to play Christmas carols between movies during the holiday season at the Strand Theatre in Pasadena, California. Soon he was accompanying the movies themselves, and his temporary holiday engagement stretched into a four year tenure as the Strand’s organist.
He has been playing the organ at the Silent Movie Theatre since 1990.
Henry Warner’s later and larger Pasadena house, the Warner Egyptian Theatre, is listed at Cinema Treasures under the name it had been using for decades by the time it showed its last movie in 1986, the Uptown Theatre.
In the February 10, 1971, issue of the Los Angeles Times, this twin theatre was going by the names Adam Theatre and Eve Theatre. In the Independent Theatre listings (the two names were listed individually in the alphabetically arranged Hollywood section, even though they shared both one address and one telephone number), the Adam’s entry says “Latest Adult Sound Films” and the Eve’s says “Adults Movies”, but the same issue of the paper contains a good-sized display ad (two columns and two inches) for the Eve Theatre which gives its current attraction as West Side Story, and the ad is complete with Oscar icon and that movie’s famous fire-escape-motif logo. I’ve searched the theatre section of that issue of The Times for a display ad for the Adam, but found none. Apparently, they did actually run West Side Story on one screen and some ‘70s porn flick on the other.
The assessor’s office says that the 6750 sq. ft. building at 2118 W. 7th Street was erected in 1923. That’s definitely old. I passed by the Lake many times and looked right at it, but I can’t get a clear picture of it in my mind. There’s just a vague impression of a small marquee and the name in slightly rounded letters. I think it was still open into the 1980s and was showing Spanish language movies. I can’t find it listed in either the 1971 or the 1986 papers I have, though.
In the Google Maps satellite view, this location (at least as Google marks it with its little green arrow) is a parking lot now, and one that looks as though it’s been there a long time and hasn’t been paved in years. Furthermore, TerraServer provides an aerial photo from 2000, and it too shows 615 Garrison as a parking lot. Are both websites mis-marking the location? Joe Wasson reported the building being vacant when he added the Sebastian to the database. That must have been later than 2000, since CT hasn’t been around that long. Is the listed address wrong? Where’s the Sebastian?
The January 26, 1940 issue of Southwest Builder & Contractor contained an announcement that Clifford Balch had prepared plans for remodeling both the Glen City and Lynn Theatres in Santa Paula.
According to this 2007 post in the Santa Paula blog, the seats were removed from the Tower and the floor leveled sometime around 1993. The building is owned by the city of Santa Paula and the city’s plan is to have a retail shop or a restaurant in the building.
In a July, 2007 article in the Ventura County Star, City Manager Wally Bobkiewicz was quoted as saying of the 1926 structure that “It’s not a historic building and it can’t be used as a theatre anymore.” He added “The only use it’s had is the 1950s neon marquee, where we put holiday messages at Christmas.” Maybe that signals an intent by the city to save the marquee. But the last I heard the building is still vacant.
William B. David was a very busy man, having had careers as theatre operator, unlicensed architect, and movie producer. There’s a brief biography of him on the Friends of the Cerrito Theatre web page. As David’s company operated the Altos, it seems a distinct possibility that he could have designed it as well.
Incidentally, two of the movies David produced in the 1940s are available as free downloads from the Internet Archive.
I’ve only just come across a card in the California Index which cites a Los Angeles Times article of August 11th, 1929, which announced plans for a theatre to be built at 114 E. Colorado in Pasadena. That must have been the Tower. The card is headed HORTON, B.G. I don’t know if that was the name of the architect, the builder, the owner, or what. I find no other references to a B.G. Horton in the Index. A mystery for someone to unravel, then.
The Oaks Theatre was not only built quite a bit earlier than the 1930s, it was built before 1925 when that Wurlitzer organ was installed. It was called the Savoy Theatre at one time, and was the first home of Gilmore Brown’s Pasadena Community Playhouse (founded 1917, though I don’t know whether or not that was the year it moved into this house.)
When the Playhouse company moved to their new theatre on El Molino Avenue in 1925, the house was extensively remodeled to plans by Pasadena architect Walter C. Folland, according to Southwest Builder & Contractor issue of April 10, 1925. Alterations mentioned included a new front, floors, marquee, seats and interior decoration. Presumably, as it was being converted into a movie house, it got a screen and projection booth as well.
I’ve been unable to establish whether the theatre was called the Savoy before, or during, the time it was the home of Brown’s playhouse group. I don’t know if it was actually built for the community playhouse, or was an existing theatre that Brown had remodeled. What can be established by an article in the Pasadena Star News of May 19th, 1925, is that the name became Fair Oaks Theatre at this time. The Star News referred to the new picture house as “…a family theatre with fine equipment.”
At any rate, the Oaks turns out to have been considerably more significant historically than I had ever imagined.
The L.A. library’s California Index contains a 2MB PDF file of a brochure published by architect Walter C. Folland, which contains a small drawing of his design for the facade of the Fair Oaks, which was quite different than the plain facade I recall from the 1960s. Download the PDF file here.
I’ve seen that mis-captioned photo before, and notified them of the error, but they’ve never fixed it. At least the USC archive has fewer mis-captioned photos than the L.A. library does.
As can be seen from the full version of the photograph above, this was called Edwards San Gabriel Drive-In Theatre. It was one of several San Gabriel Valley drive-ins in which Pacific Theatres and the Edwards circuit were partners.
I remember watching this place being built, but I can’t remember exactly what year that was. I think it was no later than 1956, and certainly was not very much earlier.
A major development on the block southeast of Hollywood and Vine has been part of the Metro plan from the beginning. The specific nature of the project has changed (in 1991, for example, the leading proposal was for a development dominated by hotels and theatres), but the site has been targeted for intensive use for more than two decades. The redesign of the transit plaza underway now is intended to better integrate the station into the final form of the project, which got underway early in 2007.
J.F.: If you’re referring to the long link you just posted at 3:49pm, when I clicked it, it returned a photo card with printed caption reading “Hyde and Behman’s Theatre on Adams Street”. There’s another line to the caption, above the theatre name, but I can’t make it out because too many of its letters are obscured by a “Brooklyn Public Library” stamp.
This URL from my own search of the site fetches the same photo.
The L.A. Library has provided a larger version of the photo I linked to back in 2005, in the first comment on this page. Here’s the new version of Huntington Drive on November 7, 1937.
I’ve still been unable to pin down an exact address for the Arcadia Theatre, but I’ve found that the “Arcadia” sign strung across the street down the block in this photo was at First Avenue, and since the street numbers in Arcadia Start from Santa Anita Avenue (behind the camera’s position) with single digit numbers, the theatre was most likely somewhere from 30 to 40 E. Huntington Drive.
If they’ve altered signage while the place is closed, that suggests a possible re-opening, doesn’t it? Otherwise, why bother making the change?
The county assessor’s office treats this as 6524 S.Pacific, but it’s definitely the same property. The year of construction was 1925, which matches with the item in Southwest Builder & Contractor issue of January 4, 1924, which said that architects Arthur George Lindley and Charles R. Selkirk were preparing plans for the theatre.
Lindley & Selkirk were best known for designing churches, but there are two other theatres which can be attributed to them. They did the original Egyptian-style design for the Alexander Theatre in Glendale, and they were the architects of the Glendale Masonic Temple, which includes the Temple Theatre. Not a bad résumé.
The architect was Vincent G. Raney, who designed all the theaters built by the Syufy brothers' Century Theatres chain from 1964 into the early 1990s. Their Reno theatre opened in 1966. The original name (as brucec noted above) was Century 21 Theatre, which was the standard name with which most of the Syufy domed theatres of that era opened.
The style, though, was not Atmospheric. All the Century 21 domed houses looked pretty much the same inside as the prototype in San Jose.
If this complex was built by the Syufy brothers Century chain, then the architect was certainly Vincent G. Raney, who designed all the theatres built by Century from 1964 into the early 1990s.
The URLs of the photos in UCLA’s Times collection got changed. That’s the problem with linking to other sites. I’ve got orphaned links all over the place.
Ken, that photo, being from 1949, actually shows the earlier Main Street Gym, across Main Street from the Hip in the former Turner Hall, which was for a time the Regal Theatre. That’s the building that was destroyed in the 1951 fire, after which the gym moved into the former dance hall space above the Hippodrome’s entrance.
Photos showing the Strand are hard to find, so even though the theatre barely shows in this one, it’s the best I’ve yet seen. It’s a view of Colorado Street east of Marengo, with the new Post Office under construction on the near corner of Garfield Avenue in the foreground. The large white building beyond that is the Hotel Maryland,which was at the northwest corner of Colorado and Los Robles.
The front of the Strand can be glimpsed at far right, with its side wall displaying the theatre’s name. The Post Office was completed in 1915, so this dates the photo to about the time the Strand opened. Every nearby building in this photograph, excepting only the Post Office, is now gone.
Ken is right. The facade’s style is a sort of Renaissance Revival-Baroque-Romanesque Revival pastiche, I’d say. Certainly not Art Deco. All the elements have clear historic roots in European classicism. Art Deco, even in its nascent form, was full of elements borrowed or abstracted from non-European styles and/or modern industrial technology.
One of the organists at the Strand Theatre was Bob Mitchell (best known as the founder of The Robert Mitchell Boys Choir), who has been the organist at the Silent Movie Theatre in Los Angeles since 1990. Late in 1924, the twelve year old Mitchell was hired to play Christmas music between movies at the Strand, and this holiday engagement led to four years providing music to accompany silent movies at the theatre.
Here is an October, 2004 story about Mitchell from the Larchmont Chronicle.
A more extensive interview with Mitchell
Here’s a brief video clip from YouTube showing Bob Mitchell playing the organ at the Silent Movie Theatre. Bob Mitchell’s career as an organist began when, at the age of twelve, he was hired to play Christmas carols between movies during the holiday season at the Strand Theatre in Pasadena, California. Soon he was accompanying the movies themselves, and his temporary holiday engagement stretched into a four year tenure as the Strand’s organist.
He has been playing the organ at the Silent Movie Theatre since 1990.
Henry Warner’s later and larger Pasadena house, the Warner Egyptian Theatre, is listed at Cinema Treasures under the name it had been using for decades by the time it showed its last movie in 1986, the Uptown Theatre.
In the February 10, 1971, issue of the Los Angeles Times, this twin theatre was going by the names Adam Theatre and Eve Theatre. In the Independent Theatre listings (the two names were listed individually in the alphabetically arranged Hollywood section, even though they shared both one address and one telephone number), the Adam’s entry says “Latest Adult Sound Films” and the Eve’s says “Adults Movies”, but the same issue of the paper contains a good-sized display ad (two columns and two inches) for the Eve Theatre which gives its current attraction as West Side Story, and the ad is complete with Oscar icon and that movie’s famous fire-escape-motif logo. I’ve searched the theatre section of that issue of The Times for a display ad for the Adam, but found none. Apparently, they did actually run West Side Story on one screen and some ‘70s porn flick on the other.
If the listed address is correct, then the building is still there.
The assessor’s office says that the 6750 sq. ft. building at 2118 W. 7th Street was erected in 1923. That’s definitely old. I passed by the Lake many times and looked right at it, but I can’t get a clear picture of it in my mind. There’s just a vague impression of a small marquee and the name in slightly rounded letters. I think it was still open into the 1980s and was showing Spanish language movies. I can’t find it listed in either the 1971 or the 1986 papers I have, though.
In the Google Maps satellite view, this location (at least as Google marks it with its little green arrow) is a parking lot now, and one that looks as though it’s been there a long time and hasn’t been paved in years. Furthermore, TerraServer provides an aerial photo from 2000, and it too shows 615 Garrison as a parking lot. Are both websites mis-marking the location? Joe Wasson reported the building being vacant when he added the Sebastian to the database. That must have been later than 2000, since CT hasn’t been around that long. Is the listed address wrong? Where’s the Sebastian?
The January 26, 1940 issue of Southwest Builder & Contractor contained an announcement that Clifford Balch had prepared plans for remodeling both the Glen City and Lynn Theatres in Santa Paula.
According to this 2007 post in the Santa Paula blog, the seats were removed from the Tower and the floor leveled sometime around 1993. The building is owned by the city of Santa Paula and the city’s plan is to have a retail shop or a restaurant in the building.
In a July, 2007 article in the Ventura County Star, City Manager Wally Bobkiewicz was quoted as saying of the 1926 structure that “It’s not a historic building and it can’t be used as a theatre anymore.” He added “The only use it’s had is the 1950s neon marquee, where we put holiday messages at Christmas.” Maybe that signals an intent by the city to save the marquee. But the last I heard the building is still vacant.
William B. David was a very busy man, having had careers as theatre operator, unlicensed architect, and movie producer. There’s a brief biography of him on the Friends of the Cerrito Theatre web page. As David’s company operated the Altos, it seems a distinct possibility that he could have designed it as well.
Incidentally, two of the movies David produced in the 1940s are available as free downloads from the Internet Archive.
I’ve only just come across a card in the California Index which cites a Los Angeles Times article of August 11th, 1929, which announced plans for a theatre to be built at 114 E. Colorado in Pasadena. That must have been the Tower. The card is headed HORTON, B.G. I don’t know if that was the name of the architect, the builder, the owner, or what. I find no other references to a B.G. Horton in the Index. A mystery for someone to unravel, then.
The Oaks Theatre was not only built quite a bit earlier than the 1930s, it was built before 1925 when that Wurlitzer organ was installed. It was called the Savoy Theatre at one time, and was the first home of Gilmore Brown’s Pasadena Community Playhouse (founded 1917, though I don’t know whether or not that was the year it moved into this house.)
When the Playhouse company moved to their new theatre on El Molino Avenue in 1925, the house was extensively remodeled to plans by Pasadena architect Walter C. Folland, according to Southwest Builder & Contractor issue of April 10, 1925. Alterations mentioned included a new front, floors, marquee, seats and interior decoration. Presumably, as it was being converted into a movie house, it got a screen and projection booth as well.
I’ve been unable to establish whether the theatre was called the Savoy before, or during, the time it was the home of Brown’s playhouse group. I don’t know if it was actually built for the community playhouse, or was an existing theatre that Brown had remodeled. What can be established by an article in the Pasadena Star News of May 19th, 1925, is that the name became Fair Oaks Theatre at this time. The Star News referred to the new picture house as “…a family theatre with fine equipment.”
At any rate, the Oaks turns out to have been considerably more significant historically than I had ever imagined.
The L.A. library’s California Index contains a 2MB PDF file of a brochure published by architect Walter C. Folland, which contains a small drawing of his design for the facade of the Fair Oaks, which was quite different than the plain facade I recall from the 1960s. Download the PDF file here.
I’ve seen that mis-captioned photo before, and notified them of the error, but they’ve never fixed it. At least the USC archive has fewer mis-captioned photos than the L.A. library does.
But he’s obviously an international jewel thief casing the joint.
As can be seen from the full version of the photograph above, this was called Edwards San Gabriel Drive-In Theatre. It was one of several San Gabriel Valley drive-ins in which Pacific Theatres and the Edwards circuit were partners.
I remember watching this place being built, but I can’t remember exactly what year that was. I think it was no later than 1956, and certainly was not very much earlier.