Kings listed with “Sailor Beware” as main feature…Easter Sunday fell on April 13th that year, at which time the Kings had been offering “Quo Vadis” as single feature.
Engagement opened on April 4th, with Easter Sunday arriving on April 14th that year. Opening week gross was a reported $233,825, claimed to be the highest in Music Hall history up to that time.
Management certainly has the right to capitalize a theatre’s name in signage and in its own advertising/publicity, but it has always been the practice in newspapers, trade journals, and such to capitalize just the first letter of the name. Note the caption to this photo of the Garmar from Boxoffice Magazine. [Click here[ (https://cinematreasures.org/theaters/2057/photos/244427)
For engagement of Robert Redford-Mia Farrow version of “The Great Gatsby,” management had allegedly bilked patrons by causing confusion between “reserved performances” and “reserved seats.” News report published on April 11th, 1974.
Easter Sunday would arrive on April 13th that year…Rival midtown cinemas with holiday stage shows were Radio City Music Hall with “Singin' in the Rain” on screen; Roxy with “With a Song in My Heart,” and Warner (ex-Strand) with Abbott & Costello’s “Jack and the Beanstalk.”
Ad merely credits “My Fair Lady” as being photographed in Super Panavision 70, but that doesn’t mean that the theatre was using a 70mm
print. There was a 35mm version of Super Panavision 70 using an anamorphic lens.
A memorial service for the recently deceased Van Summerill, who was instrumental in the saving and preservation of Peery’s Egyptian, will be held tonight (March 25th). Details here
Upstairs seating started at front with loge section, where tickets were more expensive than balcony. The balcony had two sections, with a crosswalk halfway up.
Kings listed with “Sailor Beware” as main feature…Easter Sunday fell on April 13th that year, at which time the Kings had been offering “Quo Vadis” as single feature.
Engagement opened on April 4th, with Easter Sunday arriving on April 14th that year. Opening week gross was a reported $233,825, claimed to be the highest in Music Hall history up to that time.
Management certainly has the right to capitalize a theatre’s name in signage and in its own advertising/publicity, but it has always been the practice in newspapers, trade journals, and such to capitalize just the first letter of the name. Note the caption to this photo of the Garmar from Boxoffice Magazine. [Click here[ (https://cinematreasures.org/theaters/2057/photos/244427)
Covering the full width of a page, the display included news items about the B&W comedy and supporting short subjects.
No digging is required in this announcement by Live Nation about its booking/management connection to the rejuvenated Brooklyn Paramount. Click here
I don’t understand why all letters of United need to be capitalized. Don’t recall ever seeing a theatre name treated like that.
Seating capacity reported as 750.
David O. Selznick’s “indie” production was distributed by United Artists…Easter Sunday arrived on April 12th that year.
For engagement of Robert Redford-Mia Farrow version of “The Great Gatsby,” management had allegedly bilked patrons by causing confusion between “reserved performances” and “reserved seats.” News report published on April 11th, 1974.
Latest attempts to rehabilitate the building have failed, according to a report in the New York Post. Click here
The “legit” playhouse was equipped to show sound movies for the first time in its history for this engagement.
Easter Sunday would arrive on April 13th that year…Rival midtown cinemas with holiday stage shows were Radio City Music Hall with “Singin' in the Rain” on screen; Roxy with “With a Song in My Heart,” and Warner (ex-Strand) with Abbott & Costello’s “Jack and the Beanstalk.”
Ad merely credits “My Fair Lady” as being photographed in Super Panavision 70, but that doesn’t mean that the theatre was using a 70mm print. There was a 35mm version of Super Panavision 70 using an anamorphic lens.
All theatres, including the Strands on Broadway and in downtown Brooklyn, were under Warner Bros. management at the time.
Nearby RCMH had already launched its Easter show with “Singin' in the Rain” on screen.
Easter Sunday was still ahead, arriving on April 13th that year.
Reopened on the Easter Sunday of that year.
Easter Sunday would be later than usual that year, arriving on April 14th.
Advertised on the Easter Sunday of that year.
Prints were in 35MM Super Panavision and Metro Color…Pre-holiday opening, with Easter Sunday arriving on April 6th that year.
Date was the Easter Sunday of that year.
A memorial service for the recently deceased Van Summerill, who was instrumental in the saving and preservation of Peery’s Egyptian, will be held tonight (March 25th). Details here
Patti Page’s “The Doggie In The Window” was a #1 hit recording at the time.
Upstairs seating started at front with loge section, where tickets were more expensive than balcony. The balcony had two sections, with a crosswalk halfway up.
Reminds of the gravestones in some of those overcrowded cemeteries on the borderlines of Brooklyn and Queens.