Loew's Capitol Theatre
1645 Broadway,
New York,
NY
10019
1645 Broadway,
New York,
NY
10019
47 people
favorited this theater
Showing 776 - 800 of 1,086 comments
16 May 2007:
Ziegfeld Theatre enthustiasts,
You have the opportunity to capture theatre and film history at the Walter Reade Theatre [Lincoln Center] at the end of this month. Being presented is the Stanley Kubrick’s BARRY LYNDON which showcased at the Ziegfeld in December 1975. In note, I recollect Rex Reed, lighted pen to page and noting the showing with Intermission my questioning of his annoyance of the film which he gave an excellent review thereafter, in publication. Leon Vitali (Lord Bullington of the film) will be present at the theatre for the 35mm positive struck from the internegative. In addition, John Schselinger’s DAY OF THE LOCUST, which premiered at the Cinema I, will be presented at two performances with William Atherton (Todd Hackett of the film) in a question and answer session. Both films are American/UK cinema masterpieces. I advise your particaption at these events as a mark of excellence to yourselves and the brilliant recollections that serve as the base of all that you aspire toward. Your performance checks are:
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for DAY OF THE LOCUST (the Day Hollywood collapsed and fell into an $88,000 hole – Esquire, September 1974)
and the cinematic masterwork filmed without artificial lighting – BARRY LYNDON
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1975 was a critical year in American film.
When you screen the films at Walter Reade, obtain the DVDs of both films for better analysis.
If you don’t have access;
DAY OF THE LOCUST is Fri May 25: 3:30
Sat May 26: 6
Q&A with William Atherton
and BARRY LYNDON
May 27: 3 & 7
May 28: 3 & 7
May 29: 3 & 7
Respectfully,
Don Griffiths
Cinema Centre CEO
I guess the next time Kitty Carlisle appeared at the Capitol was on film in the 1935 Marx Bros. “A Night At The Opera” premiering December 6, 1935 (my day of birth, too!).
Warren, thank you for the very interesting information regarding “Rio Rita”.
There is a nice program from the Capitol up for auction on ebay. It is the program of Douglas Fairbanks and Wallace Beery in Robin Hood.
Has some interior shots of the theater in the program also.
Here is the link…hope it works. If it doesnt go to ebay and do a search for Capitol Theater.
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An altered summer schedule for Dr. Zhivago.
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Macys & MGM tie-in
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A Windjammer re-release in Cinerama
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I remember reading as a kid those early 50’s ads about “open ‘till dawn” and then cross-checking the column of “Show Times” in the NY Daily News to see how the theaters managed to do what they claimed. Here’s how: the last stage show began just after midnight, drawing in the Times Square crowds after the ball fell. It was followed by the film, which then ran continuously until dawn. Truth in advertising: the bottom line of the ad would have read “Last complete show starts at midnight” (even the ad that Warren posted reads “Last complete show starts tonight (Friday)10:15 p.m.”). Eddy had to get some sleep before starting up the next day’s first stage show a bit after noon.
As it happened, I attended that memorable show at the Capitol at the age of seven and reported on it above, Feb 15 2005. To save you the scroll, here’s an excerpt: it “accompanied the ’49 Christmas presentation of “Adam’s Rib,†which I saw as a consolatory turn-away from the long lines for “On the Town†at RCMH. Hardly a consolation prize, the film was great, and the stage show offered a pitch-perfect match. It featured Eddy Duchin and his Orchestra, with some impressive finger-work at the piano in classical-sounding pieces (Chopin?) that drew the attention of even this mass-pop-culture-bred kid. I sensed that something larger that what I knew was happening. And I liked it even better than the flashy acrobat act that was more obviously but pleasantly designed for my boyish tastes.” Evidently the name of that acrobatic act was “The Kanazawa Trio”?
I don’t think there was an outcry when any of the grand Times Square palaces were demolished. People just didn’t care in the 1960’s.
Saps: To be fair to your parents, I was 13 at the time and the whole demolition-of-the-Capitol thing was kept pretty quiet. I saw “2001” there in June of 1968, and I couldn’t believe it when I found out that beautiful theater with the tremendous Cinerama screen was closing. There was a very short mention of it on the Today Show one morning in September. In my mind the movie was a hit, so why was the theater being torn down? I knew nothing about economics and Manhattan real estate – the demolition deal was probably made long before “2001” even opened there.
As I posted back in 2004, it kills me to know that I was alive when the theater closed (though still a youngster living in the suburbs.) Actually, maybe I should kill my parents instead for not realizing what we were about to lose and taking me to see it.
Got it! I’m still wondering… did they have the stage and screen show running continously through the night? The overtime pay must have been great for the performers if so!
Maybe that Friday night wasn’t New Year’s Eve? Hold on – I’ll check the World Almanac …
In 1949 New Year’s Eve was a Saturday, so they were advertising the all-night show a day early.
If the last complete show started at 10:15pm, how on Earth did they remain open until dawn?!? Did the movie play continuously without the stage show during the wee hours?
That’s the Capitol all right. Check out the picture at the top of this page – the windows above the marquee are still the same in 1968.
A classy pre-opening ad for Gone With the Wind
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Thank you bill huelbig for your kind comments on one of the GREATEST SCIENCE FICTION FILM EVER MADE PLANET OF THE APES STARRING THE GREATEST ACTOR IN FILM CHARLTON HESTON. MR HESTON IS A CLASS ACT AND A TRUE GENTLEMAN—A MAN FOR ALL SEASONS.
August 1939: One of the Capitol’s most memorable shows.
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Clark & Doris
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Thanks for the ads, williamburge. I love how Pauline Kael says “You’d better go see it quickly” … before one of your friends can’t resist giving away the ending. I’m sure that happened a lot with that particular movie.
Those figures shows that the two First Run theatres in NYC, how they did during the first, second and third weeks of release. So to say that those figures are meaningless, You have to read up on those Variety trade ads. The studios put ads in the trades to show the industry and talent how the feature is out grossing the other pictures and still holding over. And those numbers are very good for a single screen during that time.
Warren— Thanks for the notes on MGM’s Realllife Process in “Billy the Kid,” which opened on 17 Oct ‘30. Within two weeks (30 Oct), Warner Bros. debuted its own VitaScope process (unadvertised in the NYT ads) in “Kismet” (with Otis Skinner and Loretta Young!) at the Hollywood on a two-a-day/reserved-seats basis. While the Roxy abbreviated its live acts when it showed “The Big Trail,” at least the Capitol gave you a complete stage show at standard prices. What swell class!
Here is an movie ad dated feb 12,1968 from the loews capitol theater when planet of the apes played there to view go to View link
Archer Winsten’s New York Post review (4/4/68):
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Most of these critics that panned “2001” didn’t want to look like dummies, and tried quickly to redeem themselves at year end, for making a dreadful mistake on their parts.