This Pantages Theatre opened in August, 1915. An article in the October 13 issue of the Spokane Spokesman-Review that year told of a Spokane exhibitor and his partner from Montana who had taken a lease on the Lois Theatre in Seattle and planned to operate it as a movie house. The article said that the Lois Theatre was the old Pantages Theatre, and that Alexander Pantages had been operating it as a combination house since opening the new Pantages Theatre in August.
I noticed that the ad for the Ideal and one of the ads for the Black Cat both use the line “Next Door to the Lois”. That must have been the Lois Theatre, a house that Alexander Pantages began operating as a legitimate stock theater in 1905. It was named for his wife, and was located on the corner of 2nd and Seneca, so the Strand could not have been too far from that intersection.
As near as I can discover, the Lois never showed movies, but was destroyed by a fire in December, 1911. When a new Pantages Theatre opened in 1915, the old Pantages was renamed the Lois and became a movie house.
Also, a modern office block stands where the Strand used to be, so we can mark this theater demolished.
In Street View, it looks like the branch Post Office at this address occupies the former lobby of the theater. The furniture store that occupies some of the storefronts along the side of the auditorium advertises a 20,000 square foot showroom. That has to include the auditorium itself.
There is also a women’s clothing store in two of the storefronts, but it probably doesn’t extend into the auditorium. I don’t know why the Internet says the furniture store is at 3448 Jerome. In Street View that’s just a small building with an H & R Block office in it. Maybe the furniture store added that space to its operation since August, 2011, when Google’s camera car went by.
The link to Historic Aerials in my previous comment no longer fetches the Maple Theater’s location. Here is a fresh link. The 1952 view is the clearest.
The address 5206 Maple Avenue is for the first Maple Theatre. The second Maple was at 5139 Maple. That’s the one in the aerial photos.
Satellite View says paulnelson is correct. The building is still standing. Even the stage house is still there.
Also, we have our Google Street View set to the wrong side of the street, and a bit too far south. The Egyptian Theatre’s entrance was where Aladdin Falafel and the storefronts either side of it are now. The Dollar Tree store tdickensheets mentions is at the stage end of the theater.
If you take Street View around to the Brooklyn Avenue side of the block you can see the theater building across the parking lot, and it’s pretty obvious what it used to be.
This article about the New Alaska Theatre appeared in The Moving Picture World of November 14, 1914. It says that the theater was designed by the local architectural firm of W. H. Milner & Co.
This essay from The Free Online Encyclopedia of Washington State History says that the Alaska Theatre was on the site of an earlier movie house called the Black Cat Theatre, which itself had opened in 1909 as the Ideal Theatre, the name having been changed in 1911. The essay claims that the existing building was extensively remodeled when it became the Alaska Theatre. I’ve been unable to find any period sources with information about the Ideal or the Black Cat. The essay also says that the Strand operated well into the 1930s.
The new Majestic Bay Theatre has its own Cinema Treasures page. See the earlier comment by kateymac01 on May 6, 2005, quoting the newspaper article which says that the developers were unable to save any of the original Bay Theatre because the structure was beyond salvaging. If an old theater is demolished to make way for an entirely new building on the same site, the new theater will usually get its own CT page.
The December 3, 1921, issue of Exhibitors Trade Review noted the recent opening of Michael Comerford’s State Theatre in Scranton. The Miles Theatre, which in 1923 would become Comerford’s Capitol Theatre, had been opened by H. S. Miles about the same time.
The October, 1916, issue of the Scranton Board of Trade Journal said that Michael Comerford’s Strand Theatre had been opened on September 23. Leon H. Lempert Jr. was the architect for the conversion of Robert W. Gibson’s 1901 Merchants and Mechanics Bank Building and an adjacent structure into a theater. Construction supervision was by local architect H. C. Rutherford.
Nancy McDonald’s If You Can Play Scranton says that the Capitol Theatre opened as the Miles Theatre on November 7, 1921. It started out attempting to compete with the Poli Theatre, then Scranton’s leading vaudeville house, but had little success. In 1923 it was sold to Michael Comerford who renamed it the Capitol Theatre. Comerford’s management so completely reversed its fortunes that he was able to buy Poli’s Theatre in 1925.
The Capitol operated as a combination house for many years, and though after the 1920s it ran movies most of the time, through the 1930s and 1940s it also hosted performances by the popular bands of the day, and even presented occasional vaudeville shows.
According to this web page, this 1954 advertisement is from the Capitol Theatre in Scranton. Assuming the attribution is correct (the town’s name does not appear on the ad), this is the most recent mention of the Capitol I’ve found.
I’ve found the Valmar Theatre mentioned in the June 23, 1931 issue of The Film Daily. The item noted that the Valmar was operated by Lou Trager and Phil Frease, and had a top ticket price of 25 cents. The house was planning a 24-hour showing of Chaplin’s City Lights.
The Victor Theatre might have been the house called the Victorville Theatre that was on the “New Theatres” list in the May 21, 1936, issue of The Film Daily.
The January 5, 1943, issue of The Film Daily had this item:
“Vallejo, Calif. — After a four-month delay due to the Government’s construction ban, Ray Syufy’s $30,000 Victory Theater here has been completed and opened. It is Syufy’s second house in this bustling Navy town. Permission to complete the stand was granted by the Government because work had been started prior to the restrictions on building.”
The first Rita Theatre must have been the other Syufy house referred to in the item.
The Film Daily of July 20, 1943, reported that the Studio Theatre in Vallejo, formerly a Robert Lippert house, was now being operated by Fox West Coast Theatres.
Here’s an addition to the timeline for this theater. It comes from the February 3, 1917, issue of The Moving Picture World:
“Vallejo, Cal. — The Vallejo theater, formerly the Republic, was opened late in December under the management of Bert Langley. The house has a gallery and can accommodate 1,100.”
The Hiltonia Theatre was opened by proprietors Walter Haight and Edward Weeks on December 6, 1913, according to a “Happenings of the Past” feature in the December 16, 1948, issue of The Hilton Record
Fort Wayne, by Randolph L. Harte (Google Books preview) gives the location of the Majestic Theatre as 216 East Berry Street, and says that it was demolished in 1957. That means it must never have been called the Capitol Theatre.
If this house was ever called the Capitol Theatre it had to have been after 1957. The sources I cited in my comments of October 10, 2010, and June 28, 2012, show that it opened as the Majestic on October 24, 1904, and became the Civic Theatre from 1940 until 1957. I’ve found no sources saying what became of it after 1957. If somebody knows for sure that it was renamed the Capitol at that time, please let us know. Until we have such a source, I think the page should be renamed either Majestic Theatre or Civic Theatre, though I’ve also found no sources saying that it ever ran movies as the Civic. It’s possible that the Capitol was an entirely different theater.
Also, ScorpionSkate has me convinced about the location of the Majestic. Looking at the old City Hall in Google Street View and on the aerial view I linked to on October 10, 2010, the Majestic had to have been in the 200 block of East Berry Street. For this reason I have updated Street View to match the location of the postcard view as closely as possible.
Perhaps the mysterious Capitol Theatre actually was at 172 West Berry, and Billy, Don and Billy got the number (and the name) attached to the wrong theater because the postcard mistakenly says the Majestic was on West Berry instead of East Berry? Or perhaps Fort Wayne simply changed its numbering system at some time after the postcard was published.
The Fox La Brea was closed for a while in the late 1950s before being renovated and reopened as the Art La Brea Theatre in 1960. I’m not sure how long it lasted under that name, as I remember it being called the Toho La Brea by 1963.
I’ve found the maps from 1921 and some earlier years, but haven’t seen the 1926 map. There was something peculiar in Stephenville’s street numbering system then. Both sides of the streets had both odd and even numbers, which must have been very inconvenient for people from out of town. The numbers on the theater’s block of Belknap Street also got larger going south, so the dividing line must have been at a different street then than it is now.
The 1921 map shows a Cinema at the location the Majestic Theatre was at in Don’s photo, in the second building south of Mason Street. The map gives two addresses for it, though— 112 and 236, so Stephenville must have gone through more than one change of its numbering system over the years, and apparently they were in the middle of one of them in 1921.
On the 1912 map, the lot at 112 Belknap is vacant, but the building that later housed J. C. Penney’s is already there, with the address 113-114. In 1921 it was noted as both 113-114 and 237-238.
The 1912 map also shows an Opera House on the second floor of the building at the northeast corner of Belknap and Washington, and a movie theater on College Street, in the second storefront east of Belknap. A second storefront labeled Motion Pictures was in the middle of the block of Belknap opposite the courthouse. One or the other of those might have been the first Majestic. None of the tree appear on the 1921 map.
There was a Circle Theatre operating in Manchester by 1920. The May 13, 1920, issue of The American Sugar Family, the house organ of the American Sugar Refining Company, had an article about a promotion for the company’s Domino brand products which involved the theater and the local newspaper.
The article doesn’t reveal anything about the theater, but it’s an interesting example of the sort of publicity stunts that American movie theaters used to engage in.
Patsy, the Redmond Theatre in the movie was fictional, like the town of Redmond, California, and the University of Redmond. The theater exterior in the movie was the former Orange Theatre in Orange, California, the town where many of the outside scenes were shot. It is now a church, but was dressed as a theater once again for the movie.
The theater auditorium interior shots were filmed at the Los Angeles Theatre in downtown Los Angeles. It no longer operates as a theater, except for the annual Last Remaining Seats events held by the Los Angeles Conservancy, but in recent years it has been the shooting location for many movies, television shows, and commercials.
The lobby of the Los Angeles Theatre also served as a location for one of the movie’s early scenes, but it wasn’t presented as a theater.
This page at Seeing Stars has some information about the shooting locations for First Daughter, and has a number of stills from the film you’ll probably recognize.
Theater architect Clarence Blackall wrote an article about theaters for the February, 1908, issue of the architectural journal The Brickbuilder. One of the illustrations is a main floor plan and cross section (with the auditorium turned 90 degrees in the cross section) of Benjamin W. Marshalls' original plan of the Mason Opera House.
It can be seen on this web page (click the + sign in the toolbar at the bottom right of the page repeatedly to enlarge.)
Something I hadn’t known about the Mason Opera House is that the various levels were reached by inclines rather than stairs. That was a rarity in California theaters. As far as I know, the only other house in the Los Angeles area that had ramps to the balcony was the Raymond in Pasadena.
Bill (and Ken), Chino is one of those places that used to have a local numbering system but no longer does. The address from the 1948 directory is no longer in use. The current occupant of the former Chino Theatre is called T-Shirt Mart, and its address is 12931 Central Avenue.
In 1916, Michael and Louis Manos leased the Keaggy Theatre from Dr. J.B. Keaggy. An addition 56x60 feet was built as part of a general remodeling of the house, as noted in the January 22, 1916, issue of The American Contractor. Local architect Edward J. Nelson drew the plans for the project. The Manos brothers reopened the house as the Strand Theatre, presenting both movies and vaudeville.
The Manos brothers had entered the exhibition business in 1912, when they took over operation of a Greensburg house called the Lyric Theatre, which they still controlled at least as late as 1918. They also operated a confectionery and ice cream parlor in the Strand Building.
This Pantages Theatre opened in August, 1915. An article in the October 13 issue of the Spokane Spokesman-Review that year told of a Spokane exhibitor and his partner from Montana who had taken a lease on the Lois Theatre in Seattle and planned to operate it as a movie house. The article said that the Lois Theatre was the old Pantages Theatre, and that Alexander Pantages had been operating it as a combination house since opening the new Pantages Theatre in August.
I noticed that the ad for the Ideal and one of the ads for the Black Cat both use the line “Next Door to the Lois”. That must have been the Lois Theatre, a house that Alexander Pantages began operating as a legitimate stock theater in 1905. It was named for his wife, and was located on the corner of 2nd and Seneca, so the Strand could not have been too far from that intersection.
As near as I can discover, the Lois never showed movies, but was destroyed by a fire in December, 1911. When a new Pantages Theatre opened in 1915, the old Pantages was renamed the Lois and became a movie house.
Also, a modern office block stands where the Strand used to be, so we can mark this theater demolished.
In Street View, it looks like the branch Post Office at this address occupies the former lobby of the theater. The furniture store that occupies some of the storefronts along the side of the auditorium advertises a 20,000 square foot showroom. That has to include the auditorium itself.
There is also a women’s clothing store in two of the storefronts, but it probably doesn’t extend into the auditorium. I don’t know why the Internet says the furniture store is at 3448 Jerome. In Street View that’s just a small building with an H & R Block office in it. Maybe the furniture store added that space to its operation since August, 2011, when Google’s camera car went by.
The link to Historic Aerials in my previous comment no longer fetches the Maple Theater’s location. Here is a fresh link. The 1952 view is the clearest.
The address 5206 Maple Avenue is for the first Maple Theatre. The second Maple was at 5139 Maple. That’s the one in the aerial photos.
Satellite View says paulnelson is correct. The building is still standing. Even the stage house is still there.
Also, we have our Google Street View set to the wrong side of the street, and a bit too far south. The Egyptian Theatre’s entrance was where Aladdin Falafel and the storefronts either side of it are now. The Dollar Tree store tdickensheets mentions is at the stage end of the theater.
If you take Street View around to the Brooklyn Avenue side of the block you can see the theater building across the parking lot, and it’s pretty obvious what it used to be.
This article about the New Alaska Theatre appeared in The Moving Picture World of November 14, 1914. It says that the theater was designed by the local architectural firm of W. H. Milner & Co.
This essay from The Free Online Encyclopedia of Washington State History says that the Alaska Theatre was on the site of an earlier movie house called the Black Cat Theatre, which itself had opened in 1909 as the Ideal Theatre, the name having been changed in 1911. The essay claims that the existing building was extensively remodeled when it became the Alaska Theatre. I’ve been unable to find any period sources with information about the Ideal or the Black Cat. The essay also says that the Strand operated well into the 1930s.
The new Majestic Bay Theatre has its own Cinema Treasures page. See the earlier comment by kateymac01 on May 6, 2005, quoting the newspaper article which says that the developers were unable to save any of the original Bay Theatre because the structure was beyond salvaging. If an old theater is demolished to make way for an entirely new building on the same site, the new theater will usually get its own CT page.
The December 3, 1921, issue of Exhibitors Trade Review noted the recent opening of Michael Comerford’s State Theatre in Scranton. The Miles Theatre, which in 1923 would become Comerford’s Capitol Theatre, had been opened by H. S. Miles about the same time.
The October, 1916, issue of the Scranton Board of Trade Journal said that Michael Comerford’s Strand Theatre had been opened on September 23. Leon H. Lempert Jr. was the architect for the conversion of Robert W. Gibson’s 1901 Merchants and Mechanics Bank Building and an adjacent structure into a theater. Construction supervision was by local architect H. C. Rutherford.
Nancy McDonald’s If You Can Play Scranton says that the Capitol Theatre opened as the Miles Theatre on November 7, 1921. It started out attempting to compete with the Poli Theatre, then Scranton’s leading vaudeville house, but had little success. In 1923 it was sold to Michael Comerford who renamed it the Capitol Theatre. Comerford’s management so completely reversed its fortunes that he was able to buy Poli’s Theatre in 1925.
The Capitol operated as a combination house for many years, and though after the 1920s it ran movies most of the time, through the 1930s and 1940s it also hosted performances by the popular bands of the day, and even presented occasional vaudeville shows.
According to this web page, this 1954 advertisement is from the Capitol Theatre in Scranton. Assuming the attribution is correct (the town’s name does not appear on the ad), this is the most recent mention of the Capitol I’ve found.
I’ve found the Valmar Theatre mentioned in the June 23, 1931 issue of The Film Daily. The item noted that the Valmar was operated by Lou Trager and Phil Frease, and had a top ticket price of 25 cents. The house was planning a 24-hour showing of Chaplin’s City Lights.
The Victor Theatre might have been the house called the Victorville Theatre that was on the “New Theatres” list in the May 21, 1936, issue of The Film Daily.
The January 5, 1943, issue of The Film Daily had this item:
The first Rita Theatre must have been the other Syufy house referred to in the item.The Film Daily of July 20, 1943, reported that the Studio Theatre in Vallejo, formerly a Robert Lippert house, was now being operated by Fox West Coast Theatres.
Here’s an addition to the timeline for this theater. It comes from the February 3, 1917, issue of The Moving Picture World:
The Hiltonia Theatre was opened by proprietors Walter Haight and Edward Weeks on December 6, 1913, according to a “Happenings of the Past” feature in the December 16, 1948, issue of The Hilton Record
Fort Wayne, by Randolph L. Harte (Google Books preview) gives the location of the Majestic Theatre as 216 East Berry Street, and says that it was demolished in 1957. That means it must never have been called the Capitol Theatre.
If this house was ever called the Capitol Theatre it had to have been after 1957. The sources I cited in my comments of October 10, 2010, and June 28, 2012, show that it opened as the Majestic on October 24, 1904, and became the Civic Theatre from 1940 until 1957. I’ve found no sources saying what became of it after 1957. If somebody knows for sure that it was renamed the Capitol at that time, please let us know. Until we have such a source, I think the page should be renamed either Majestic Theatre or Civic Theatre, though I’ve also found no sources saying that it ever ran movies as the Civic. It’s possible that the Capitol was an entirely different theater.
Also, ScorpionSkate has me convinced about the location of the Majestic. Looking at the old City Hall in Google Street View and on the aerial view I linked to on October 10, 2010, the Majestic had to have been in the 200 block of East Berry Street. For this reason I have updated Street View to match the location of the postcard view as closely as possible.
Perhaps the mysterious Capitol Theatre actually was at 172 West Berry, and Billy, Don and Billy got the number (and the name) attached to the wrong theater because the postcard mistakenly says the Majestic was on West Berry instead of East Berry? Or perhaps Fort Wayne simply changed its numbering system at some time after the postcard was published.
The Fox La Brea was closed for a while in the late 1950s before being renovated and reopened as the Art La Brea Theatre in 1960. I’m not sure how long it lasted under that name, as I remember it being called the Toho La Brea by 1963.
I’ve found the maps from 1921 and some earlier years, but haven’t seen the 1926 map. There was something peculiar in Stephenville’s street numbering system then. Both sides of the streets had both odd and even numbers, which must have been very inconvenient for people from out of town. The numbers on the theater’s block of Belknap Street also got larger going south, so the dividing line must have been at a different street then than it is now.
The 1921 map shows a Cinema at the location the Majestic Theatre was at in Don’s photo, in the second building south of Mason Street. The map gives two addresses for it, though— 112 and 236, so Stephenville must have gone through more than one change of its numbering system over the years, and apparently they were in the middle of one of them in 1921.
On the 1912 map, the lot at 112 Belknap is vacant, but the building that later housed J. C. Penney’s is already there, with the address 113-114. In 1921 it was noted as both 113-114 and 237-238.
The 1912 map also shows an Opera House on the second floor of the building at the northeast corner of Belknap and Washington, and a movie theater on College Street, in the second storefront east of Belknap. A second storefront labeled Motion Pictures was in the middle of the block of Belknap opposite the courthouse. One or the other of those might have been the first Majestic. None of the tree appear on the 1921 map.
There was a Circle Theatre operating in Manchester by 1920. The May 13, 1920, issue of The American Sugar Family, the house organ of the American Sugar Refining Company, had an article about a promotion for the company’s Domino brand products which involved the theater and the local newspaper.
The article doesn’t reveal anything about the theater, but it’s an interesting example of the sort of publicity stunts that American movie theaters used to engage in.
Patsy, the Redmond Theatre in the movie was fictional, like the town of Redmond, California, and the University of Redmond. The theater exterior in the movie was the former Orange Theatre in Orange, California, the town where many of the outside scenes were shot. It is now a church, but was dressed as a theater once again for the movie.
The theater auditorium interior shots were filmed at the Los Angeles Theatre in downtown Los Angeles. It no longer operates as a theater, except for the annual Last Remaining Seats events held by the Los Angeles Conservancy, but in recent years it has been the shooting location for many movies, television shows, and commercials.
The lobby of the Los Angeles Theatre also served as a location for one of the movie’s early scenes, but it wasn’t presented as a theater.
This page at Seeing Stars has some information about the shooting locations for First Daughter, and has a number of stills from the film you’ll probably recognize.
Theater architect Clarence Blackall wrote an article about theaters for the February, 1908, issue of the architectural journal The Brickbuilder. One of the illustrations is a main floor plan and cross section (with the auditorium turned 90 degrees in the cross section) of Benjamin W. Marshalls' original plan of the Mason Opera House.
It can be seen on this web page (click the + sign in the toolbar at the bottom right of the page repeatedly to enlarge.)
Something I hadn’t known about the Mason Opera House is that the various levels were reached by inclines rather than stairs. That was a rarity in California theaters. As far as I know, the only other house in the Los Angeles area that had ramps to the balcony was the Raymond in Pasadena.
Bill (and Ken), Chino is one of those places that used to have a local numbering system but no longer does. The address from the 1948 directory is no longer in use. The current occupant of the former Chino Theatre is called T-Shirt Mart, and its address is 12931 Central Avenue.
In 1916, Michael and Louis Manos leased the Keaggy Theatre from Dr. J.B. Keaggy. An addition 56x60 feet was built as part of a general remodeling of the house, as noted in the January 22, 1916, issue of The American Contractor. Local architect Edward J. Nelson drew the plans for the project. The Manos brothers reopened the house as the Strand Theatre, presenting both movies and vaudeville.
The Manos brothers had entered the exhibition business in 1912, when they took over operation of a Greensburg house called the Lyric Theatre, which they still controlled at least as late as 1918. They also operated a confectionery and ice cream parlor in the Strand Building.