AFI Silver Theatre and Cultural Center

8633 Colesville Road,
Silver Spring, MD 20910

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Showing 326 - 350 of 378 comments

HowardBHaas
HowardBHaas on January 19, 2008 at 12:58 pm

“There Will Be Blood” isn’t in the historic auditorium?

sbrentw
sbrentw on January 19, 2008 at 12:38 pm

to brucec: The AFI Silver doesn’t announce theatre assignments because they are subject to change, even within the day. There could be a film scheduled in Theatre II, but if it sells out and there are less tickets sold for a show in Theatre I, the theatre assignment could be swapped on the spot to ensure the least amount of “turn-aways” (guests who visit the theatre but are “turned away” because of a sold out show). A good rule of thumb for the Silver: the repertory programs are usually in Theatre I, unless there’s a new film with high ticket demand, such as JUNO presently.

bruceanthony
bruceanthony on December 28, 2007 at 12:09 pm

I always as a film patron find out what film is in the big theatre or the historic auditorium before I buy my ticket. I think the AFI should due the same at the Silver. The Silver is considered an upscale theatre which means the audience is well educated and picky and would like to know which film is in the Historic Auditoruim. In Hollywood at the ArcLight its a big deal to know what playing in the Dome and at the Chinese complex its important to know if its in the Historic Auditorium. The AFI on any given day should know what film is playing in what Auditorium, even the local megaplex can tell you that.brucec

JodarMovieFan
JodarMovieFan on December 24, 2007 at 9:09 pm

Howard, I’m glad you enjoyed your movie in one of my favorite seats in the AFI’s Historic Theater. What a treat, eh? Perfect movie presentation, eating a snack while stretched out in comfort, without worrying about who is behind or in front of you. Now if only a robe and bedroom slippers were the accepted theater attire decorum… :)

I’m sure theater owners pay for THX certs otherwise they can’t claim they are THX certified and use the advertising to distinguish themselves from the other multiplex boxes. If you notice in the Post, some venues do advertise this fact such as BowTie Annapolis. What I don’t like is the movie print ads, themselves, don’t have the little THX logo by those theaters that do show the movies in their certified auditoriums, much less digital stereo (DTS, DD, EX, etc) and digital projection. Its now just one big ad and you call a number or check the directory.

I’ve always enjoyed sound format and projection format trailers before the actual movie starts, but fewer of the plexes do them anymore. With the sound format trailer, the audience gets a sense as to what the theater’s sound system is capable of and with THX hitting all those sound levels AND the subwoofer vrooom, leads to great anticipation because of the startled auditory senses. If movie theater managers want to ensure audiences come back, they need to reenforce the positives of patronizing and that is the great sound and picture. So, play the damn THX trailer, please loud.

Let’s hope AFI show other 70mm features in ‘08 than the usual fare…PLEASE?

HowardBHaas
HowardBHaas on December 24, 2007 at 7:27 pm

I forgot to note that this was the 1st time I was inside this theater. Lived in DC a few years in mid-1980’s and saw the exterior of closed Silver. Now in my hometown (Philly) and spent F-Sa-Su in DC.

HowardBHaas
HowardBHaas on December 24, 2007 at 7:24 pm

yes, the manager did say the curtain will be repaired.

Historic Auditorium ran a THX trailer, or whatever it is called. Mazza Gallerie on Sunday didn’t. I was almost under impression that nobody pays for THX certification anymore? AFI still does?

When I walked into both auditoriums 2 & 3, the curtain was totally closed pre-film. I only stayed for a minute. Thank you, and AFI for arranging for such great film projection and sound. The overall presentation really is world class.

I’ve only seen you in person, a few years ago, at the Uptown, chatting with you in the projection booth.

sguttag
sguttag on December 24, 2007 at 7:15 pm

Well, the light should have been on the money that night! I just changed the lamps on Friday! They were set to SMPTE spec and balanced (all three auditoriums). FWIW, on Friday, the projectionist in the Historic was using DTS for digital sound though it can run all three digitals.

Yes, it is true that the curtain in the Historic theatre is currently broken but don’t expect it to stay that way for too much longer.

In theatre #2, you might have caught me when I was doing some tests between shows and hence the open curtain…if you saw any target film running, It was definately me. Also, if there is a format change between shows (like from 1.37 for Its A Wonderful Life to 1.85 for A Christmas Story, they will roll both machines to verify good frame/focus for that feature, BEFORE they seat the audience. Since the AFI has studio grade Kinoton projectors, they can rock/roll without film damage and without the need to rethread once set.

Steve

HowardBHaas
HowardBHaas on December 24, 2007 at 4:20 pm

Friday, December 21, I saw at 5 PM, Juno in the historic auditorium. After buying my ticket in the new building, I was able to walk into the historic Art Moderne lobby.

I sat in the last row, with the tables that JordarMovieFan sits to eat his stuffed pretzels. The lady next to me had a soft pretzel (not stuffed) and a cup of beer.

Movie projection & digital surround sound were excellent.

After Juno was over, the other movies had not started, so I briefly walked into the newer auditoriums. Juno was shown without any curtain being present, so I presumed curtain only used for special presentations? But, no, curtains were closed in the newer auditoriums! I asked, and the manager told me historic auditorium’s curtain has been broken at least a month, a chain broken.

I’d rather see a 70mm epic at the Uptown, with its huge Cinerama sized screen! However, overall, the AFI Silver is a great moviehouse with an excellent program of films.

HowardBHaas
HowardBHaas on December 20, 2007 at 11:03 am

I just telephoned the AFI Silver office number. The woman who answered said “we do not give out that information” as to which movie will play in which screen this weekend!! it will depend on ticket sales. Best she could do was speculate Juno would not be in the 75 seat auditorium. Could not tell me at all whether they plan Its a Wonderful Life or Juno in the historic main auditorium. She said if she was attending herself, she wouldn’t know.

grade of “F” to AFI Silver for attitude.

Anyone want to speculate whehter Juno or Its a Wonderful Life will b in the historic auditorium? 3rd movie is No Country for Old Men. Its a Wonderful Life is splitting a screen with other classics.

HowardBHaas
HowardBHaas on December 20, 2007 at 10:09 am

Screen sizes have been added to the Introduction. Steve Guttag’s comments about Auditorium 2 seem to be verified by the screen size and by the photos on the theater’s website.

JodarMovieFan
JodarMovieFan on December 19, 2007 at 10:58 pm

I should add that because of this pretzel treat, its one of the few movie houses I’d ever buy concession stand anything because of the exhorbitant prices. Either I try to eat before the show or try to sneak it in.

JodarMovieFan
JodarMovieFan on December 19, 2007 at 10:55 pm

Howard,

They used to have these delicous jalapeno cream cheese stuffed pretzels that were sooo good. If made right, its the perfect balance of crusty shell, the kosher salt and melting hot but not volcanic hot cheese with the right amount of jalapeno zing that’s, oh so yummy! The last time I was there..probably when they had 2001 a year ago, they were out of that, actually most of their snacked goods were GONE except for popcorn, soda and alcohol. I was so disappointed!

HowardBHaas
HowardBHaas on December 19, 2007 at 10:45 pm

JodarMovieFan, though I do photo cinemas, I’ve haven’t been, so these aren’t mine. I found them on flickr and thought people would appreciate them.
Main auditorium screen is 40 feet wide for a scope film. That’s not Cinerama sized like the DC Uptown, but it isn’t small.
As to food, I love soft pretzels, hard pretzels, but not sure if pretzels should get stuffed!

JodarMovieFan
JodarMovieFan on December 19, 2007 at 10:37 pm

Nice photos, Howard. The last set is good in that you capture some of the better seats in the back that are spread out and not congested. If I’m snacking on something like their hot stuffed pretzels, I like the snack tables adjacent to the seats in the back. My friends and I snuck in sandwiches and soup from the Panera, next door, and had a good time with our movie!

On the other hand, the pictures point out the rather smallish screen. Small in comparison to some of the better single houses of yesteryear, sadly gone forever. I do wish that in ‘08, they have more 70mm other than Lawrence and 2001.

HowardBHaas
HowardBHaas on December 19, 2007 at 8:04 pm

I meant to post 2 different photos of the historic auditorium, both facing the screen.Here’s the other one:
http://www.flickr.com/photos/blainepen/344898096/

sguttag
sguttag on August 3, 2007 at 10:21 pm

You are correct in that it used to seat more than 400. In fact I want to say capacity was 982 or 983 when I was the projectionist there in 1981. It was larger than the Bethesda up the street (MD 410…aka East-West Hwy) that only had 949 (as a conventional movie theatre).

SG

rlvjr
rlvjr on August 2, 2007 at 10:54 pm

The historic SILVER theater is much bigger than 400 seats. The SILVER was bigger than the AVALON by a good 30%. Although AFI reduced the seating when they renovated, during my 1,000+ visits here when Warner’s owned it, the capacity was approx. 1,000 seats. Later, under KB ownership, it was sometimes used for first runs — because of its size and location. For example, when the KB Cinema was swarmed with people wanting to see THE EXORCIST, KB ordered another print and played it at the Silver.

sguttag
sguttag on July 4, 2007 at 8:19 am

With the Avalon, the theatre sizes are dramatically different and there are only two of them. The odds that a film might need to move about during the day is very small. It is easy for them to post what film is in what theatre.

At the AFI, that is not the case. Theatre 2 is 200 seats and not that small. Theatre 3 is notably smaller with only 75 seats. Theatre 1, despite being physically large is only 400 seats.

While all theatres can play silent movies at the proper speed, only theatre #1 has an organ permanently set up. So it is possible that a silent film will play part of the day in theatre #1 and the film with the most patrons will get bumped to theatre #2…but it might move back to theatre #1 after the “event” if business warrants. They are going to try and play the busiest movie in theatre #1 (Historic) unless theatre #1 has some capability that the other theatres don’t have (organ, 70mm or a more substantial stage)

SG

HowardBHaas
HowardBHaas on June 25, 2007 at 4:34 pm

I agree totally that on website, AFI should identify which film is in the historic auditorium!!

As to the Avalon, under various management over the years, that theater has always specified Avalon 1 (the beautiful huge downstairs auditorium) or Avalon 2 (upstairs). I'v seen a movie upstairs since the nonprofit community tookover, and it isn’t inappropriate for an arthouse film. It isn’t a huge auditorium or screen, but it has been refurbished as comfortable as possible. I’d rather see a movie upstairs any day than in NYC’s Lincoln Plaza.

rlvjr
rlvjr on June 25, 2007 at 3:42 pm

Obviously most people using this website are interested in HISTORIC theatres. Whether “broom closets” is a fair description of the two new auditoriums sidesteps the point that AFI magnagement willfully does nothing to offer the customer a choice —– nothing to let us know which film is in the historic theatre, which is in the closet. How difficult is it to make such information available by phone? I want the AFI to be up front with customers as to what’s playing where.

In the nearby historic AVALON THEATRE, you can go to their website on any given day, or prior day, to find out what film is in the historic theatre and which is in the broom closet upstairs —– although they call the broom closet Avalon #2, that’s OK. The AFI are control freaks and would never do anything so helpful or honest.

rlvjr
rlvjr on June 25, 2007 at 3:42 pm

Obviously most people using this website are interested in HISTORIC theatres. Whether “broom closets” is a fair description of the two new auditoriums sidesteps the point that AFI magnagement willfully does nothing to offer the customer a choice —– nothing to let us know which film is in the historic theatre, which is in the closet. How difficult is it to make such information available by phone? I want the AFI to be up front with customers as to what’s playing where.

In the nearby historic AVALON THEATRE, you can go to their website on any given day, or prior day, to find out what film is in the historic theatre and which is in the broom closet upstairs —– although they call the broom closet Avalon #2, that’s OK. The AFI are control freaks and would never do anything so helpful or honest.

sguttag
sguttag on February 24, 2007 at 3:39 am

Jodar,

Are you saying the whole THX trailer shakes or just before the beginning or end of the trailer?

Film trailers are spliced so while that taped piece of film is in the gate (less than 1 second), the picture will have a brief, sudden single “hop” when the tape hits the intermittent sprocket…ALL intermittent based projectors will do this. The extra thickness due to the tape will have the intermittent pull slightly more film which makes the image go slightly higher on the screen and then when the taped portion passes (it is about one frame in duration or 4-6 perfs of film, depending on tape size…the AFI runs 4-perf or 19mm wide tape to minimize this), the image returns to its normall height so this single Up, then down motion will make a single “hop.” It is slightly more noticable on the machines the AFI uses (Kinoton “E” series projectors) since the intermittent is a 32-tooth sprocket instead of the more traditional 16-tooth sprocket of a mechanical intermittent. The splice is in contact with the intermittent about twice as long.

If you are referring to the whole preview being shaky then that is the fault of the print itself and will probably vary from preview to preview.

JodarMovieFan
JodarMovieFan on February 23, 2007 at 6:24 pm

The ‘shake’ that I speak of is when they play any trailer (film) especially the THX sound one, that usually precedes the main attraction. Since they didn’t play it for 2001, there wasn’t any shake.

I am in totally agreement with you about the other theaters here. I’ll take the AFI ‘broom closets’ over anything that their neighbor Consilidated has (and believe me they aren’t as good) or the nearby Regal Rockville 13, or the shoebox AMC White Flint 5 anytime anyday. Though to be perfectly honest, I’ve never watched a movie in the smallest AFI auditorium (lucky me).

I wish the AFI would play other 70mm movies than this film and “Lawrence of Arabia.” With their pull and industry contacts and affiliation, they should be able to do better for us east coast moviefans. We’re treated like step children here! And, yes, I’ve written to them to no avail. The last time they played “West Side Story,” “Sound of Music” and “Mary Poppins”(?) they were all in 35mm.

sguttag
sguttag on February 23, 2007 at 2:38 pm

Man again I don’t know how anyone could consider the the 200-seat or the 75-seat theatres “Broom Closets.” That is just plain silly. Neither theatre is that small and their screens are quite large. The 200-seat’s screen is almost the same size as the Historic’s. Acoustically it is far superior. The Historic theatre is certainly pretty and a treat to see a movie in but technically it is not as good as theatre #2. #3 almost has an IMAX feel due to its large screen when running classic films in the 1.37 ratio.

As to the print of 2001:A Space Odyssey that was just shown…it definately has been “previously enjoyed!” There are some scenes when it looked just stunning and other where the wear and tear were not so gentle. Track 6 (surrounds) did suffer from a ticking by a previous user of the film (most likely a stuck piece of charged oxide on a roller zapping the track on each revolution (the speed was about right for that…quite fast). This film did have an excellent mix and the AFI’s sound system did deliver on all 6-tracks with wonderful panned dialog that I wish modern day mixers to do.

I am curious as the the shake that Jodar noted preceeding reel changes. The AFI does run changeovers so it is possible that if the prints were old, that previous users put splices in that would “telegraph” the reel change (the ends of reels tend to get beaten up by poor film handlers).

Steve