Uptown Theatre

All right now..lets not start false rumors. AMC’s website has showtimes through the 24th and as Howard has said, the Informant is the next movie to be booked. Doesn’t sound like closure to me.

I read somewhere that the UPTOWN closed….Is this true?

Washington’s grandest single screen theatre is gone forever???

Weeks ago, AMC removed ALL their theaters from the movie clock of the Philadelphia Inquirer. They are the only chain to be gone from the movie clock.

My friend and I saw Angels and Demons here last Sun (5/17/09) to an almost sell out crowd. We sat in the balcony in the bleeder seats (by choice). It has been a long time since I saw a movie here sitting in the balcony…I’m guessing Who Killed Roger Rabbit? (in ‘70mm back in '88). The movie was still engaging and we could hear surrounds even up in the balcony. Of course, the huge screen helps. Since I had low expectations for this movie, it turned out to be a decent thriller of sorts especially with the ending twist. Now if only they had booked Star Trek here….

Anyone know if AMC has gotten the new bulb or is the image still dim?Are they going to keep it open or what?

I saw Frost/Nixon there over New Year’s weekend, in no small part because it was playing at the Uptown. Decent crowd for a Sunday matinee, around 40 people with me in the balcony. But maybe they’re still waiting for that new bulb? The image seemed a little dim to me.

So what is the status with AMC? A few months ago it was said the lease was expiring and the Uptown would close. Or have they decided to stick with it?

The Ironman print was screened several times before the Uptown got it. Also the lens at the Uptown has a problem which is called scorched lens. They are waiting for a New Lens and New Bulb that mite be a 5,000, 6,000, 7,000 Watt Bulb to improve the picture.AMC has order new upgrades for the Proj. booth.

Loews and Cineplex Odeon “merged” much earlier. A quick google search indicates a 1998 antitrust agreement,so about that time. In reality, Loews tookover. Cineplex Odeon continued in print ads, but Loews operated the theater. As I wrote in the Intro, Warner was the 1st operator, and with whatever corporate changes Warner had, continued until whenever Circle tookover.

WIZARD OF OZ definitely played the UPTOWN a few years ago. We saw it on Saturday and the line was around the block, with many, many people turned away. Great show, great use of the Uptown.

Giles…For the Uptown specifically, it needs 70mm, blow up or origination in 65mm to properly fill the screen. The 70mm print, even if a blow up, will allow more light through the aperture and also improve the image steadiness (less magnification) and overall focus (the Uptown uses deep curve corrected lenses for 70mm and effectively also has curved field lenses for 35mm 1.85. Scope is its weakest format)

65mm origination is absolutely where Hollywood should be by now…it has only been over 50-years since the current format came into being! It is significantly better than 35mm (or digital) and will allow a higher resoultion image to start from for any future generations that may surpass what we currently have. I’m quite disappointed that Steven Spielberg has not ventured into 65mm origination. Remember, 65 or 70mm won’t make a bad film good but will make a good film better. I give a lot of credit to Ronny Howard and Kenneth Branagh for shooting in 65mm. Some say that Far and Away killed 65mm photography because it wasn’t one of Ron Howard’s best films…but what does a origination format have to do with the story or people’s acceptance of that story? If it was shot in 35mm would people have liked it better? One thing is for sure…Far and Away has a better source image for any future releases than any move shot in 35mm or present day digital. In fact, George Lucas has done himself a HUGE disservice by shooting the last two Star Wars digitally because he has locked the image in turn of the Century technology that was inferior to what was available. Then again, some people may think it is better to have lesser quality versions of those movies.

As to Sony 4K…it has less light available than the current 2K DLPs. They also lack any ability to deal with the deep-curve screen without throwing away pixels. I’m sure Sony is evolving their product but the last time I did any critical evaluation of it…the color wasn’t right and while static images looked pretty darn impressive…motion images seemed to smear up quite a bit. Most that look at the same source file projected on a DLP 2K and the Sony 4K seem to favor the DLP image. Resolution wise, Sony clearly has an edge. I know in a non-cinema application the Sony image outshown a DLP image but with art images rather than a movie.

Does AMC have the clout to force a 70mm print for a theatre like the Uptown? Probably…they control a sizable number of theatres and probably have more than the Uptown that could benefit from 70mm. Striking one print is a HUGE overhead…once the IN is created…subseqent prints become progressively cheaper as the cost of making the IN is absorbed over the various positives. However, would AMC make that sort of pressure or even the simple request? That is the question and it is likely a “no.” They are a big chain…they tend to do things that are detrimental to projection, not improve it. Think about it…if they required high quality projection from their theatres…why would many people prefer digital cinemas over film when film has a very clear advantage over digital in just about every respect (resolution, color space, contrast)?

SG

Thanks, Steve. What of the 4K DP installs that Landmark and AMC are reportedly using? Are they appreciably “brighter” than the 2K units?

I remember watching the restored Vertigo in 70mm DTS. It was so perfect that it looked like it was shot yesterday.

Re: 70mm. Reportedly, the new Batman had some sequences filmed in 65mm and the director who brought us Baraka is working on a sequel, again in to be released in 70mm. In70mm reports a possible 70mm print of the latest Indiana Jones, but there has been no word on that being a reality.

San Francisco’s Castro Theater is having a 70mm retrospective the first week of July. They had one last fall, too. Its a shame the Uptown can’t have at least one of these during the slow periods. I’m contemplating a visit there as long as I can still use my NWA miles. :)