Cameo, 42nd Street. Later the Cameo on 8th Avenue would also be home to some Russian and and other film imports. The two Cameo theatres are frequently confused.
Walt Disney’s groundbreaking animated musical film, Fantasia, held its world premiere at the Broadway Theatre in New York City on November 13, 1940.The film ran as an exclusive, high-profile roadshow engagement at the theater for 49 weeks, closing on October 24, 1941.
Co-feature “Addio, mia bella Napoli!” is a 1946 Italian musical melodrama film directed by Mario Bonnard and starring Fosco Giachetti, Vera Carmi, and Paolo Stoppa. “Il brigante Giuseppe Musolino” was directed by Mario Camerini. It was also widely shown in a dubbed version called “Outlaw Girl”.
This movie theatre had a long and “grand” history. When I was in Shanghai briefly in 2014, I made a point of walking to it and checking out the entrance area.
The film was called “Bicycle Thief” in the US and Canada, the original distributor’s release title. The original Italian title is plural, “Ladri di biciclette”. It’s plural in Britain and in some re-release and retrospective situations in the US. No such issue in France where the singular was always used, “Le Voleur…” I prefer “Bicycle Thief,” because that is what I grew up with in the US. That is also how Martin Scorsese referred to it as in his “My Voyage to Italy” documentary on post-war Italian movies.
The film was called “Bicycle Thief” in the US and Canada, the original distributor’s release title. The original Italian title is plural, “Ladri di biciclette”. It’s plural in Britain and in some re-release and retrospective situations in the US. No such issue in France where the singular was always used, “Le Voleur…” I prefer “Bicycle Thief,” because that is what I grew up with in the US. That is also how Martin Scorsese referred to it as in his “My Voyage to Italy” documentary on post-war Italian movies.
Cameo, 42nd Street. Later the Cameo on 8th Avenue would also be home to some Russian and and other film imports. The two Cameo theatres are frequently confused.
I regret I did not attend the live appearance by Lillian Gish with a program of silent films on November 5, 1969.
35mm projector on display as a museum piece. Sad.
Organ accompaniment for this silent picture, almost certainly.
F.W. Murnau.
This had opened previously in the city at the Providence Opera House with lots of fanfare.
A 1927 photo above as the Dreamland.
Alternate name: DREAMLAND.
Casolaro-Giglio was an Italian-American distributor of such films, located in New York’s Little Italy.
In 1916.
Walt Disney’s groundbreaking animated musical film, Fantasia, held its world premiere at the Broadway Theatre in New York City on November 13, 1940.The film ran as an exclusive, high-profile roadshow engagement at the theater for 49 weeks, closing on October 24, 1941.
The world premiere of “Providence” took place on January 20, 1977 at Brown University’s Faunce House Theatre in Providence.
“Il trionfo dell'amore” was a 1938 comedy by Mario Mattoli.
In 1947.
Circa 1925.
Co-feature “Addio, mia bella Napoli!” is a 1946 Italian musical melodrama film directed by Mario Bonnard and starring Fosco Giachetti, Vera Carmi, and Paolo Stoppa. “Il brigante Giuseppe Musolino” was directed by Mario Camerini. It was also widely shown in a dubbed version called “Outlaw Girl”.
June 5, 1925.
February 24, 1950.
Both released in 1932.
This movie theatre had a long and “grand” history. When I was in Shanghai briefly in 2014, I made a point of walking to it and checking out the entrance area.
I was taken to see this here at age eight. Loved it.
The film was called “Bicycle Thief” in the US and Canada, the original distributor’s release title. The original Italian title is plural, “Ladri di biciclette”. It’s plural in Britain and in some re-release and retrospective situations in the US. No such issue in France where the singular was always used, “Le Voleur…” I prefer “Bicycle Thief,” because that is what I grew up with in the US. That is also how Martin Scorsese referred to it as in his “My Voyage to Italy” documentary on post-war Italian movies.
The film was called “Bicycle Thief” in the US and Canada, the original distributor’s release title. The original Italian title is plural, “Ladri di biciclette”. It’s plural in Britain and in some re-release and retrospective situations in the US. No such issue in France where the singular was always used, “Le Voleur…” I prefer “Bicycle Thief,” because that is what I grew up with in the US. That is also how Martin Scorsese referred to it as in his “My Voyage to Italy” documentary on post-war Italian movies.
(Montreal)
Stanford White Casino Theatre.