Granada Theatre
6427 N. Sheridan Road,
Chicago,
IL
60626
6427 N. Sheridan Road,
Chicago,
IL
60626
38 people
favorited this theater
Showing 151 - 175 of 188 comments
The drawing of the Paradise Theater for the Styx album cover was NOT taken from a picture of the Granada….. it was taken from a picture of the actual Paradise Theater..the picture even had the name of the movie, “State Street Sadie” on the marquee, which was a song on the album…also the taxi on the album cover is there…. this picture can be found at: http://www.moviepalaces.net/paradise-ext1.htm….and the woman with the outstreached arms, on top of the marquee on the album cover, is actually part of the interior decor, which can also be found further on this website..
The previous two posts echo what so many of us ‘theatres buffs’ have experienced: the last visit shortly before demolition of a once beautiful theatre. These are favorite accounts at the ‘Slide Bashes’ (shows after the banquet) at the annual conventions of the Theatre Historical Society in a different city every summer. They are called “CONCLAVES” and are detailed on thier web site: www.HistoricTheatres.org where you click on Conclaves. I am not a photographer like many of the guys who show their slides at the conventions, but I have many bittersweet memories of being among the last to tour a theatre before it became rubble, but yet regret the far greater number I had never seen before each one’s fateful day. I once thought of combining my stories of such melancholy tours, but I am afraid that it would be too melancholy to read! :(
While living in Chicago in 1973 I happened one day to catch a janitor at the theater and asked if I could come in and take some photos. He kindly let me in and for three hours or so I wandered all over the building in awe. What a magnificant building. It makes me sad to hear that it has been razed. I see the same thing here in California. No regard for the intricate beauties and harmonies of classic architecture. I did see a number of films there but never abnle to sneak up to the balcony.
jayBeye
You know, I really enjoyed that story about the guy’s exploration into the decaying bowels of the theater. Just fascinating.
http://www.oldgranadatheatre.com/journey.html
Copies of old lists of the AIA’s membership would be handy to have in circumstances like this. Some large public library somewhere must have them. Copies of regional versions of “Who’s Who” would be useful, too. I don’t think any of them are online yet, but public libraries usually have them for their area. It should be easy enough for somebody in Chicago to double check this.
According to the index at the Chicago Art Institute, the name of the architect is Eichenbaum, not Eichenberg.
I was an usher at the Granada in 1968. the first movie I remember seeing there was “The Graduate”. I was there for about a year and rose to the rank of Head Usher. I remember the huge lobby and how it used to fill up before a show. We used to hold inspections an Saturday nights to makee sure all the ushers were looking there best. I’ve explored the theater from top to bottom. from the roof, to the “catacombs” as we used to call them under the seats in the auditorium, to the huge spiral staircase on the top level of the backstage area. The managers I worked under were Mr. Grossman who eventually went to the United Artists Theater Downtown and then Mr. Dave Klingman who wound up going to the Nortown. We did a lot of crazy things there including spending an overnight there, (we wern’t supposed to but we did anyway). I was also there as they were tearing it down and I also have a brick from the building. I think about those days constantly and remember them as some of the best times I had.
Joe Fricano
I was a student at Loyola from 1984 to 1989.
I also “let myself in” several times in the late 1980’s as the demolition was under way. One day, someone had smashed all of the Granada’s glass doors and I just walked in one day. I have often described the interior as appearing as it had been bombed during WWII.
I will never forget walking around the rubble with little light but being amazed. The highlight of my tour was walking into a pitch black room and hitting my flash. For a fraction of a second, the entire theatre opened up. I was actually in the auditorium. I snapped away. Today, I have two pieces of ornamental plaster from the Granada hanging in my kitchen. Will never forget this place. Today, it is a shame that unless you knew it was there, there is not a trace of it today on Sheridan road.
Oliver Q. Lauder
Aurora, IL
The architect at Levy and Klein who designed the Granada was Edward E. Eichenbaum.
The original architectural drawings of the Granada are in the possession of the Art Institute of Chicago, and can be viewed there by qualified scholars. (I believe they can be seen only by appointment.)
I saw “Logan’s Run” and Streisand’s “A Star is Born” in this theater in the 70’s. Years later, I attended a Cheap Trick concert here. I think the reason it ultimately closed was due to a lack of PARKING. There was NO parking lot nearby, and the residential area was (and is) VERY congested.
However, the theater also was just TOO BIG to survive. It is a shame that this is the case, but in the day and age of the 6, 12 and 20+ screen theaters, it just could not compete.
Thanks, that is a relief that no bomb ever went off at OUR Granada. Even if it would have been long before most of us were around.
A 50s view of Sheridan Road, showing the towering vertical sign of the Granada, can be seen here.
posted by Bryan Krefft on Apr 22, 2004 at 11:06pm
This sign was HUGE what a loss it’s all gone
I, too, remember the Granada fondly. I believe this is where we first saw South Pacific and Auntie Mame. We would come to the occasional movie in the ‘50s and '60s. I guess we couldn’t wait for the movie to come to the Varsity and Valencia (they’re all gone now).
After we moved to Rogers Park in ‘70 it (and the old 400) were the closest theaters. The Granada was always preferable to the little 400.
It was a beautiful theater inside and out.
What I want to know is why it was bombed in 1928? Wasn’t that one of your photos, Brian? Was that part of the war between either the owners or projectionists or the mob or all of the above?
I have thoroughly enjoyed everyone’s comments. It brings back good memories of a wonderful theater.
And I don’t know the condition of the building at the end. It may have been in sad shape or not. But I also know that Loyola University wanted that entire area for development.
They have less people attending there every year.
I helped clean and polished this theater’s interior in 1980/81 for the North American tour of The Rocky Horror Show. I was a regular of The Rocky Horror Picture Show at The Biograph Theater when I was asked to usher and hand out programs at The Granada in my costume (Eddie).
It was wonderful,I attended at least 10 performances and even made it on TV for a Fox (channel 32) show with host Mike Liederman. They intrviewed people in costume for the Rocky phenominum. I remember being at the top of the balcony at the Last,higest possible seat and looking down and wondering how anybody could see the screen,not to mention the stage actors! What a beautiful palace it was!
I was part of the group that put several of Three Stooges Festivals in 1980’s at the Granada. Jonathon Brandmeier was the guest/host DJ at one of these events! These were well attended and supported by the community. They featured some of the stooges more unusual works such as the wartime propaganda parody “I’ll never Heil Again” and the unusually violent “The Stooge to Conga”.
The theatre’s owner at the time was surprised that a money-making operation could actually be taking place at the theatre. The projectionist was an old-timer who had worked the Granada during its heyday and called all of Chicago’s old movie palace’s dinosuars.
All of the projection room equipment at the Granda including the Carbon Arc projectors was intact and in working condition during this period. The theatre itself was in good shape, but one problem we had during the show was that electrical wiring in the alley that supplied the theatre was only adaquate for maintenance needs, not a full blown show at night with all the lights on. No one (not even the owner) told the promoters about this. During one of the first “Stooge Nights”, the wires in the alley started smoking and the Chicago Fire Department and Commonwealth Edison were called for what looked to be an emergency situation.
The promoters feared a riot if the stooges show were cancelled but fortunately, the enterprising Commonwealth Edison Lineman pierced the smoking wire splices with a live bypass jumper. The show went on and the audience never experienced a problem.
A previous poster mentioned no heat in the theatre and this is true. I believe one of these festivals took place during a cold February weekend and the steam heating system of the theatre simply was too antiquated to work. The audience didn’t seem to mind, however.
The Granda Theatre was beautiful and mostly intact during the 1980’s and could possibly have been renovated. However, the owners of the property had other ideas for the property and the neighborhood was just a hangout for the Loyola students and (to some) perhaps did not seem suited to having a landmark status building. What a shame that what once was… is no more.
T Demos
I too, will point out that the Granada’s facade provided visual source material for the artist who created the Styx “Paradise Theatre” album cover circa 1980. Indeed, it was this album and its concept and cover art which was the catalyst for turning me into an old theatre architecture fan, though I had always enjoyed visiting older theatres.
The first comment here describes the GRANADA’s land owner as a “land banker” which implies that he was somehow keeping something valuable in store for the benefit of the city. Nothing could be further from the truth! Cities can create ‘land banks’ due to expected expansion, but individuals are simply SPECULATORS, people who buy any land hoping its vlaue will rise so as to be able to sell it later at a large profit. They characteristically put nothing at zll into the land, so that they can rape it for the maximum profit. In a country where 99% of the people really worship money, this is considered normal. Remember that Wolf creature who did this with the UPTOWN and was profiled in “Chicago” magazine? Sad, sad!
Thank you to everyone who entered comments. My first job was as an usher at the Granada in 1960. One had wonderful memories of the buildint. Very sorry to see it go. But life does go on. We used to store the Pop Corn in the original Theater Managers Office on the first floor. The Organ at that time was still in the Orchestra pit and did go up and down. The Organ pipes were behind the stage and went from the lower basement and up to the sixth floor. We had pumps running all the time to keep the lake water out of the basements. The best week-end we had there was when we had ‘Pillow Talk’ and ‘Some Like It Hot’ showing together. We extended the show for an extra projection and didn’t finish that night until about 2 or 3 in the morning. Yes I did go out with one of the ‘Candy Girls’. Thanks again for all whot have provided information.
I grew up in Rogers Park and rented a beautiful victorian apartment just a few blocks from the theater when I was in my early 20s (during the early ‘80s). The very first movie I ever saw in a movie theater was the Beatles’ “A Hard Days Night”. The atmosphere was electifying as thousands of young girls screamed throughout the entire movie. It was an overwhelming introduction to one of Chicago’s great architectural treasures.
I recall seeing many films there over the years and eventually attended a number concerts there in the early-mid ‘80s. Does anyone remember when Todd Rundgren performed at the Granada? I believe that it was during the early 80s.
The Granada should have been declard a landmark building and preserved for generations to come.
Incredible images on the Library of Congress site. Unbelievable how large and elaborate this place was.
Was not familiar with this theatre. What a loss for Chicago.
I spent many happy hours at the Granada during the ‘40s and '50s. It was one of those things that one thought would always be there — it seemed so secure! By the way, the marquee of the Granada was changed (“updated”, if you like) during the early '50s. It would warm my heart to be able to see some vintage photos (like the opening of the theater in 1926, etc.) of the theater taken at various points during its halcyon days. Any help there would be greatly appreciated!! I haven’t lived in Chicago for a great many years, but the Granada will always be the epitome of THE movie palace, at least in my heart.
Dougde
I spent many happy hours at the Granada during the ‘40s and '50s. It was one of those things that one thought would always be there — it seemed so secure! By the way, the marquee of the Granada was changed (“updated”, if you like) during the early '50s. It would warm my heart to be able to see some vintage photos (like the opening of the theater in 1926, etc.) of the theater taken at various points during its halcyon days. I haven’t lived in Chicago for a great many years, but the Granada will always be the epitome of The movie palace.
Dougde
What a spendid opportunity to be able to comment on the Granada! I
looked hard a few years ago to find any pictures of it and the only
one I could find, until now, was from a book I found in the library.
It was taken probably in the 40’s or early 50’s. I have a copy of it sitting on my desk.
Unfortunately, I had to move from Chicago a number of years ago. It
saddens me deeply that the Granada won’t be there to visit when I plan to move back! The grandest memory I have is the night I saw
“Quadrophenia” there. Posters were being given away and after the
movie I asked about them. The supply had been quickly snatched up
before the film. However, thanks to the exceptional kindness of one
usher, I did get a poster and a short tour upstairs to the supply for
the next night. We walked behind that huge arched window and I remember feeling such a thrill to see different parts of such a truly magnificent and regal piece of history! I wish I could again
thank that special usher for a memory I will never forget!
I also talked to a member of the Theatre Historical Society a few
years ago who mentioned that there was going to be an auction of articles from the Granada. Did it ever happen and are there items
anywhere that are available?
A sincere THANK YOU to Bryan Krefft for posting the last images
of a place that touched the lives and hearts of so many of us!
Okay, third try. Mea maxima culpa.
At the Library of Congress Web site listed above, click on “Search.” Then select “Photos & Prints.”
At the next screen, in the search box, type “granada theatre” and click the “Search” button. The second link that will then appear, the Historic American Buildings survey files on the Granada, will take you virtually there. Click on the icons noted above.
Scott Enk
I just found out that the link above doesn’t work. My apologies; try this one. Try this link:
http://memory.loc.gov/
At the right side of the page that then appears, select the link for photographs. At the next screen, type “granada” in the search box. Click on the word “Search” to the right.
A series of links will then appear. Near the bottom is the one for our beloved, late great Granada Theatre.
Click on the icons for black-and-white photographs, photo captions, and data pages to see the respective materials. Brace yourself for awe—and tears at what we’ve all lost.
Scott Enk