TCL Chinese Theatre
6925 Hollywood Boulevard,
Los Angeles,
CA
90028
6925 Hollywood Boulevard,
Los Angeles,
CA
90028
160 people favorited this theater
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Christian speaks of a “huge net under the ceiling to catch bits of plaster” supposedly falling due to the then sensation of low frequency sound of “Sensurround” for the 1974 movie “Earthquake.” I will bet dollars to doughnuts that the entire net and any seeming plaster in it were entirely props to promote the new sound technique (which was NOT all that novel nor convincing in actuality!) It was typical Hollywood hyperbole (‘hype’) that intended to scare the potential patron a little as if to say: ‘Are you man enough to sit in a place that might lose its plaster while watching LA being reduced to rubble?!!’ This ploy was used across the nation as advance men wrote letters to the local papers by a “concerned citizen” to have local theaters inspected for cracks before the film was allowed to play. Such ad men then prevailed upon local building inspectors to parade through movie palaces (there were a few more in business then) with a TV camera crew and supposedly ‘inspect’ and ‘certify’ the “old” building as resistant to their vaunted “Sensurround!!” And, yes, the theatres were in on the joke. It was free publicity as the local TV stations all took it seriously, not knowing or caring anything about ‘old’ theatres which they naively implied were close to falling down anyway. It all worked: people voiced concern about “old” buildings and the movie made millions without any theatre anywhere ever losing anything legitimately in a structural sense, even if some of the patrons came there to really experience something falling from a ceiling, as opposed to enjoying one of the first of the ‘Disaster films’. One cannot help but wonder how much more vandalism to the interiors of palaces was prompted by this disdainful approach to our theatres heritage.
Movie palaces were HEAVILY built and anyone having any real knowledge of construction would have laughed at their attempts to gain publicity at the expense of the “old” theatres. Any such man would have said that if anything were to fall, it would be the lightweight Fiberglas acoustic ceiling rectangles in the jerrybuilt cinemas then sprouting around the country. Earthquakes can take down theatres and their plaster, but not some silly contrivance of louder sound waves. (Yes, I know; sound waves of sufficient amplitude can, in theory, destroy a building, but had the sound been anywhere near that strong, the audience would have left, or died in their seats! Obviously not the outcome the promoters had in mind for maximum ticket sales.)
Thanks Bway, I hope the family wants to see this place too. Hey, it you go to Hollywood, you must see a movie.
No, the Chineese theater’s auditorium is completely intact. The extra screens were next door, not a part of the original auditorium itself.
They play many of the current movies in the original auditorium. For example, I have seen Dumb and Dumber in the Chineese theater when it was out some years ago.
I am planning a trip to California. I want to spend time in a original LA Picture Palace. Was the original auditorium divided to multiplex the theater?
I was raised in Hollywood and I remember seeing “Windjammer”, “Pepe” and the premiere of “Darby O'Gill and the LIttle People”… “Seven Faces of Dr. Lao” and “How the West Was Won” were spectacular memories. The last time I went there to see a movie was “EARTHQUAKE” in 1974 and it was towards the end of the run. I clearly remember they added a huge net under the ceiling to catch bits of plaster that had been falling down early in it’s run. It was very distracting to see it up there and wondering if something would fall during he Sensuround experience. I am happy they have decided to take away the clunky neon from the front. I visited the forecourt a few months ago and I think it looks gorgeous.
I agree with Manwithnoname, I live (actually close to him) in Monterey Park and go to the Chinese a lot. It will sell a lot of shows during the week, especially when a huge movie opens.
Hey, I live in New York, and I always try to see a movie there when in California! Actually, I was pretty impressed in how Hollywood Blvd has improved over the last decade. I have been there for the first time around 1991, most recently in 2003, and many times in between, and each time I go it looks better and better.
Regarding CConnolly’s comment, I do believe people from outside the area see movies at Grauman’s Chinese.
I know I do. As a teenager in the 1980s, I would drive to the Chinese Theatre with friends from my hometown of Cerritos, CA… a total tract house and shopping center kind of place; I just liked the gritty urban environment of Hollywood Boulevard back then and the history associated with the Chinese Theatre, it was so different from the “looks like everything was built yesterday”-environment that I grew up in. Some movies I saw back then: “The Lost Boys,” “The Witches of Eastwick.” In 1992 I saw the 50th Anniversary restored/re-released version of “Casablanca” at the Chinese Theatre. It was even presented in its original aspect ratio of 1.33:1. That really was a big treat.
I now live in South Pasadena. I still catch movies at the Chinese occasionally. Hollywood Blvd. is slightly more cleaned-up than it was in the 1980s, and now I don’t have to worry about driving there and parking because the Metro Rail now goes to my area; I can take the Gold Line train from South Pasadena to Union Station, transfer to the Red Line subway, go all the way to the Hollywood and Highland station, go up the escalator, and voila! I’m right there!
Question: does this theater do well? Do people come from outside the area to see movies here?
Going through my personal archives recently I pulled out an original Program from the Dedication of Grauman’s Chinese Theatre" “Presenting the premier of the supreme production of all times, past, present and future CECIL B. DEMILLE’S "The King of Kings” by Jeanie Macpherson on “Wednesday Evening May Eighteenth.” It is about ½ thick and is full of wonderful pictures and line drawings of everyone from May Robson, to Beatrice Joy, Sid Grauman, Cecil B. Demille, Mary Pickford, Douglas Fairbanks, on and on. It has artist drawings of the Theatre’s interior and even4 color Art Deco graphics of the theatre, plus of course, advertising. It shows some wear but really is quite remarkable. Has anyone seen one of these?
I was at the Chinese a few times but never saw a movie in the old twin. Thanks for sharing the pics.
Thanks “GraMann” for the wonderful photos. Now, I am homesick. I absolutely love the Chinese. Your photos really bring back fond memories. Did you ever get a photo of Ted Mann and his wife’s wax figures in the lobby?
As mentioned above on this page, I did relief work as a projectionist there, off and on, for 20 years.
Performances there used to be absolute perfection. The union business agent, Ralph Kemp (Local 150, IATSE), before sending me to break-in, told me this. “This is the most famous theater in the world. If you screw up something there, you will read about it in Variety and Hollywood Reporter the next day.
If they ever employed full-time projectionists again, I would leave New York in a heartbeat and return. Did you know Kenny Krenz, Bob Purlmutter or Mike Schliger, the regular operators?
Has anyone ever been in the theatre during an earthquake/power failure?
Yes, gas pipes feeding exit signs were very common in theaters and other buildings even through the mid-20th century. The reason being was that if the electricity were to fail, the gas lights would still illuminate the exits in an emergency. Nowadays, back up emergency light systems work with a battery circuit to continue the lighting in case of power failures.
There seems to be statuary missing from upstairs private box/projection room area in main auditorium.
Yes, the “Chinese 6” is a seperate structure adjacent to the original, along with a shopping center. The original auditorium is intact, but lost a few rows of seats downstairs when the snack bar was opened up and extended back.
I’m a little confused about the “7 screens” when I was there about 10 years ago, the original auditorium was intact. Are the additional 6 screens built adjacent to the original theater? I can’t imagine that they would have cut up the main auditorium.
When the Chinese was a single screen theater, they also had this really great tradition of painting the poster art for the film playing on the side exterior wall of the theater. These were HUGE and always well done! The “Superman” S, the “Earthquake” poster art, and the “Star Wars” logo come to mind. You can sometimes find photos that show this wall art. Very cool!
The first film I ever saw at the Chinese was “Earthquake” in ‘74, and I’ll never forget it. They had strung fishnets all across the ornate platerwork on the ceiling. This caused a lot of nervous chatter and laughter among the audience before the movie started. I’ll never forget the SENSURROUND announcement before the movie started. This loud male voice booms out “ATTENTION!!” and everyone jumped! Since then, I’ve seen countless films there, always a great show. The adjecent twin theaters were also really good. Picture and sound were state of the art. I saw “Gremlins”, “Ghostbusters” and “Dune” there.
I heard that it interfered with the large screen projection. You would think that during the “restoration” it could have been reworked so as to be able to be withdrawn automatically up into the attic just as the movie began (and then lowered automatically at the end of the projection), rather the way the chandeliers are raised and lowered in the Kennedy Center, but that would have probably added a thousand dollars to the cost.
Why haven’t they rehung the lantern on the main auditorium chandelier?
“GrauMann” is to be praised for the service he has done everyone in preserving on-line for posterity these two souvenir brochures with wonderful photos of the wonderful Chinese Theatre. The earlier one with the finely detailed text by the late Terry Helgesen is especially good, and reveals the changes that have occurred over the years to this theatrical mecca. A memorial biography of him occurs in Marquee magazine of the Theatre Historical Soc. of America, of which he was a member for decades. His vast collection of theatres memorabilia is now preserved at the Archive of the Society in Elmhurst, Ill. ( www.HistoricTheatres.org ) Brochures such as these are often referred to as ephemera since such often disappear after a few years, so they are the more valuable as reproduced here; it is only a pity that there is not some way to enlarge them on screen so as to better read the text.
Wow! 36 pages, and I’m exhausted. But I had to smile when page 6 listed among its premieres of outstanding productions that nearly-forgotton Jackie Susann potboiler “The Love Machine.” Ah, Hollywood in the 1970’s.
I have been to Hollywood many times, but only got to see a movie in the Chinese theater once. Each other time I was there, there was never a good movie to see there.
It was so impressive to see the interior of the theater. It has such a glow of the glory days of Hollywood.
Here are some interesting pics, the first one interesting to me because it’s from the 1950s and it’s in color, plus you can see a PE Red Car rolling along in front of Grauman’s. And in my opinion this part of Hollywood Boulevard looks better now than it did then:
http://www.uncanny.net/~wetzel/chinese.JPG
These next two photos are interesting to me because they show Grauman’s Chinese theater the night of March 8, 1946, when the Academy Awards were held there for the 3rd and last time; the 1st pic shows the theater itself, the 2nd pic shows the fans seated in bleachers across the street:
http://jpg1.lapl.org/pics50/00044983.jpg
http://jpg1.lapl.org/pics50/00044961.jpg
http://jpg1.lapl.org/pics50/00044961.jpg