As the term “improvements” refers to any structures, pavements, landscaping, etc. which are on a piece of property, the phrase “improved with” in the article only means that the Mission Theatre and the parking lot (interesting that they call it a parking station) were on the property where the Orpheum was to be built.
This theatre was designed by the Los Angeles firm of Harold W. Levitt & Associates. Their successor firm, Levitt & Moss, maintains on its website this memorial page for Harold Levitt. It doesn’t feature any information about the National Theatre, but it does feature a rendering of an unnamed theatre and a photo of the Levitt-designed Fox Valley Circle Theatre in San Diego.
Another interesting thing I’ve run across is on the website of Behr Browers Architects, the firm which did the plans for the renovations of the Criterion in Santa Monica and the Chinese in Hollywood, as well as renovations of the Mann Village and Bruin theatres in 1999. In a section of their website called “Plan Room”, subsection “historic renovations”, there is a mention of construction documents prepared for the Mann National Theatre in Westwood. Maybe Mann intended to renovate the National but the project didn’t pencil out?
The renovation of the 1924 Criterion Building and of the 1980s 6-plex that replaced the original auditorium was completed in 2001. The plans were by the firm of Behr Browers Architects, the same company that did the renovation and expansion of the Chinese Theatre in Hollywood, completed in 2002.
Cinematown USA is the correct name of the company. I accidentally wrote “Cinemaworld” in the body of the text above. Among Cinematown’s projects are Cinemaworld multiplexes in Lincoln, Rhode Island and West Melbourne, Florida.
This is one of several multiplex theatres designed and erected by the Cinematown USA division of CRR Builders, Overland Park, Kansas. It has a sister theatre in West Melbourne, Florida.
In a couple of the pictures you’ll get a glimpse not only of the Optic but of another theatre just north of the Brennan Hotel. Called the Century at the time, it is listed at Cinema Treasures as the Gaiety Theatre.
The Brennan Hotel building survived the fire and by 1915 one of its gutted ground floor storefronts had become the location of a small movie theatre which was last known as the Star.
The 1986 restoration/renovation of the Fairfax Cinemas for Cineplex Odeon was designed by Toronto architect David Mesbur, now of Mesbur+Smith Architects. Between 1982 and 1990, Mesbur was lead architect on some 250 projects for Cineplex Odeon, making him one of the more prolific theatre architects of the modern period.
The German fellow who runs the website You-Are-Here attributes the original design of the Fairfax Theatre to architect William C. Pennell (see the caption of this photo.) I don’t know the source for this claim, but it does seem possible (though the site mistakenly claims that the Fairfax was built in 1929,which diminishes its credibility a bit.)
Pennell was for a time in a partnership with the much better-known Los Angeles architect John Austin (until 1914), and around 1920 he was in a partnership with architect L.A. Smith, who was the designer of at least 40 theatres in the Los Angeles area. I’m unable to find a death date for Pennell, but he might well have still been around and practicing when the Fairfax was built.
The history of this theatre is well documented in both text and photographs. It was built in 1920 for the Gore Brothers and Sol Lesser, operated by their company, West Coast Theatres, for several years as the California Theatre, and later was renamed the Fox Theatre, operated by the successor circuit Fox-West Coast. Here’s a 1923 photograph of the theatre when it was the site of the premier of the movie Main Street.
It is possible that there was a later theatre in Anaheim also called the California, opened after this theatre was renamed, but this theatre definitely bore the name California Theatre before it became the Fox Theatre.
I would report this link (see “report” link above) but the report feature is either broken, or doesn’t work with the latest version of my web browser (Opera), which is the only thing that’s changed on my computer since the last time I reported a spam link to the site.
This cinema closed on August 19, 2007,part of a contraction of the operator, Regal Cinema Group, which has taken place over the last year. However, this particular cinema is slated to be reopened in early November by an independent Michigan-based chain called Phoenix Theatres, which plans a complete renovation.
The 1965 photo linked by Chuck1231 on March 23, 2006, doesn’t appear to be Toledo’s Ohio Theatre, which looked like this when it was running Elvis Presley’s 1967 movie, “Easy Come, Easy Go”. They’re obviously two different buildings, but I’ve been unable to find the location of Chuck1231’s Ohio Theatre.
At the Laemmle Theatres website, clicking on the “Laguna, Laguna Beach” link takes you to the Laguna South Coast Cinemas page at the website of Regency Theatres, apparently the current operators of this twin. There are a couple of small photos of the theatre’s exterior on the page.
According to the Trolley Square page at the Utah Theatres website, this house operated under the name Madstone Theaters from August 2003 until it closed in June 2004. (That page also gives the number of seats in this quadraplex as 747.)
In December of 2004, the name Trolley Square Cinemas was restored when the house was reopened by the current operator, California-based Regency Theatres.
Does that “50c” next to the theatre’s name denote the price of admission or the price for parking? 50 cents seems a bit low to get into the Orpheum in 1950, especially to see “The Gay Lady” and Phil Spitalny’s All-Girl Orchestra and Choir.
If Arclight’s management has made up a secret meaning for their theatre’s name, then I’m as clueless about that meaning as anybody else who doesn’t belong to their special club. For all I know, those who named the place might simply have been bad at spelling, and actually meant for the place to be called Ark Light, in oblique homage to Spielberg. Or maybe the current staff members are bad at spelling and actually think the place is named in oblique homage to Spielberg: “It’s, like, the Arc is full of light, dude. You open the Arc and the light comes out! It’s an Arc of light!”
Arclight refers to the method used to produce light for projecting movies, and also for those big searchlights which are so closely associated with movie premiers. In an arc lamp, electricity arcs, or jumps, between two electrodes, generating an intense but harsh light as the electrodes are consumed. Arc lights were actually invented in the early 19th century, but didn’t become practical until later. Early electric lighting systems were based mostly on arc lights, but during the late 19th and early 20th century arc lamps were displaced by single-filament incandescent lamps for most uses other than movie projectors and searchlights.
It’s being called the Pix Theatre once again, according to it’s website. The foundation is now called the Pix Entertainment Foundation. As the Pix/Frontier was “renamed” the Majestic after it closed, and the name has now been abandoned before the place has even been reopened, I wonder if Majestic should even be listed as an aka, let alone as the actual name of the theatre?
There apparently was a Majestic Theatre which once existed in Nampa, though, operating at the same time as the Pix.
In its early days, this house was called the Florence Theatre, after nearby Florence Avenue. A Southwest Builder & Contractor article of March 4, 1921, announced the letting of the construction contract to L.E. Campbell, and described the planned building as a one-story brick theatre and store building, 42x129 feet. The owner was named as F.A. Richey, and the projected cost was $15,000. The name Florence Theatre appears in the 1924 city directory.
The L.A. city planning department’s zoning information system says the building at 7228 S. Broadway was built in 1922, and is currently in use as a grocery store.
Behold the original location of the Optic Theatre on the east side of Broadway between 4th and 5th Streets.
As the term “improvements” refers to any structures, pavements, landscaping, etc. which are on a piece of property, the phrase “improved with” in the article only means that the Mission Theatre and the parking lot (interesting that they call it a parking station) were on the property where the Orpheum was to be built.
This theatre was designed by the Los Angeles firm of Harold W. Levitt & Associates. Their successor firm, Levitt & Moss, maintains on its website this memorial page for Harold Levitt. It doesn’t feature any information about the National Theatre, but it does feature a rendering of an unnamed theatre and a photo of the Levitt-designed Fox Valley Circle Theatre in San Diego.
Another interesting thing I’ve run across is on the website of Behr Browers Architects, the firm which did the plans for the renovations of the Criterion in Santa Monica and the Chinese in Hollywood, as well as renovations of the Mann Village and Bruin theatres in 1999. In a section of their website called “Plan Room”, subsection “historic renovations”, there is a mention of construction documents prepared for the Mann National Theatre in Westwood. Maybe Mann intended to renovate the National but the project didn’t pencil out?
The renovation of the 1924 Criterion Building and of the 1980s 6-plex that replaced the original auditorium was completed in 2001. The plans were by the firm of Behr Browers Architects, the same company that did the renovation and expansion of the Chinese Theatre in Hollywood, completed in 2002.
Cinematown USA is the correct name of the company. I accidentally wrote “Cinemaworld” in the body of the text above. Among Cinematown’s projects are Cinemaworld multiplexes in Lincoln, Rhode Island and West Melbourne, Florida.
This is one of several multiplex theatres designed and erected by the Cinematown USA division of CRR Builders, Overland Park, Kansas. It has a sister theatre in West Melbourne, Florida.
This cinema has been closed and was demolished almost a year ago.
The State Theater has reopened as a combination movie house/bar/limited menu restaurant. Seating has been reduced from the original 950 to about 250.
Here is their website.
Here’s a direct link to the Brennan Hotel fire page.
In a couple of the pictures you’ll get a glimpse not only of the Optic but of another theatre just north of the Brennan Hotel. Called the Century at the time, it is listed at Cinema Treasures as the Gaiety Theatre.
The Brennan Hotel building survived the fire and by 1915 one of its gutted ground floor storefronts had become the location of a small movie theatre which was last known as the Star.
The 1986 restoration/renovation of the Fairfax Cinemas for Cineplex Odeon was designed by Toronto architect David Mesbur, now of Mesbur+Smith Architects. Between 1982 and 1990, Mesbur was lead architect on some 250 projects for Cineplex Odeon, making him one of the more prolific theatre architects of the modern period.
The German fellow who runs the website You-Are-Here attributes the original design of the Fairfax Theatre to architect William C. Pennell (see the caption of this photo.) I don’t know the source for this claim, but it does seem possible (though the site mistakenly claims that the Fairfax was built in 1929,which diminishes its credibility a bit.)
Pennell was for a time in a partnership with the much better-known Los Angeles architect John Austin (until 1914), and around 1920 he was in a partnership with architect L.A. Smith, who was the designer of at least 40 theatres in the Los Angeles area. I’m unable to find a death date for Pennell, but he might well have still been around and practicing when the Fairfax was built.
The history of this theatre is well documented in both text and photographs. It was built in 1920 for the Gore Brothers and Sol Lesser, operated by their company, West Coast Theatres, for several years as the California Theatre, and later was renamed the Fox Theatre, operated by the successor circuit Fox-West Coast. Here’s a 1923 photograph of the theatre when it was the site of the premier of the movie Main Street.
It is possible that there was a later theatre in Anaheim also called the California, opened after this theatre was renamed, but this theatre definitely bore the name California Theatre before it became the Fox Theatre.
I would report this link (see “report” link above) but the report feature is either broken, or doesn’t work with the latest version of my web browser (Opera), which is the only thing that’s changed on my computer since the last time I reported a spam link to the site.
Spam link to a company which hires out temporary shelters (called “marquees” in Britain) for weddings and other events.
This cinema closed on August 19, 2007,part of a contraction of the operator, Regal Cinema Group, which has taken place over the last year. However, this particular cinema is slated to be reopened in early November by an independent Michigan-based chain called Phoenix Theatres, which plans a complete renovation.
The 1965 photo linked by Chuck1231 on March 23, 2006, doesn’t appear to be Toledo’s Ohio Theatre, which looked like this when it was running Elvis Presley’s 1967 movie, “Easy Come, Easy Go”. They’re obviously two different buildings, but I’ve been unable to find the location of Chuck1231’s Ohio Theatre.
Here’s another, earlier view of LaGrange Street and the Ohio Theatre.
Is open. I think Regency has been running it for a few years now.
The Westlake Village Twin Cinemas is opening and being operated as an art house by the small, California-based chain, Regency Theatres.
At the Laemmle Theatres website, clicking on the “Laguna, Laguna Beach” link takes you to the Laguna South Coast Cinemas page at the website of Regency Theatres, apparently the current operators of this twin. There are a couple of small photos of the theatre’s exterior on the page.
The Redondo Beach Cinema 3 is one of fifteen houses currently operated by Regency Theatres.
According to the Trolley Square page at the Utah Theatres website, this house operated under the name Madstone Theaters from August 2003 until it closed in June 2004. (That page also gives the number of seats in this quadraplex as 747.)
In December of 2004, the name Trolley Square Cinemas was restored when the house was reopened by the current operator, California-based Regency Theatres.
Does that “50c” next to the theatre’s name denote the price of admission or the price for parking? 50 cents seems a bit low to get into the Orpheum in 1950, especially to see “The Gay Lady” and Phil Spitalny’s All-Girl Orchestra and Choir.
If Arclight’s management has made up a secret meaning for their theatre’s name, then I’m as clueless about that meaning as anybody else who doesn’t belong to their special club. For all I know, those who named the place might simply have been bad at spelling, and actually meant for the place to be called Ark Light, in oblique homage to Spielberg. Or maybe the current staff members are bad at spelling and actually think the place is named in oblique homage to Spielberg: “It’s, like, the Arc is full of light, dude. You open the Arc and the light comes out! It’s an Arc of light!”
Arclight refers to the method used to produce light for projecting movies, and also for those big searchlights which are so closely associated with movie premiers. In an arc lamp, electricity arcs, or jumps, between two electrodes, generating an intense but harsh light as the electrodes are consumed. Arc lights were actually invented in the early 19th century, but didn’t become practical until later. Early electric lighting systems were based mostly on arc lights, but during the late 19th and early 20th century arc lamps were displaced by single-filament incandescent lamps for most uses other than movie projectors and searchlights.
Wikipedia has a fairly decent article about arc lamps.
I don’t know anything about the slide they project on the screen at Pacific’s Arclight Cinemas, as I’ve nver been there.
It’s being called the Pix Theatre once again, according to it’s website. The foundation is now called the Pix Entertainment Foundation. As the Pix/Frontier was “renamed” the Majestic after it closed, and the name has now been abandoned before the place has even been reopened, I wonder if Majestic should even be listed as an aka, let alone as the actual name of the theatre?
There apparently was a Majestic Theatre which once existed in Nampa, though, operating at the same time as the Pix.
In its early days, this house was called the Florence Theatre, after nearby Florence Avenue. A Southwest Builder & Contractor article of March 4, 1921, announced the letting of the construction contract to L.E. Campbell, and described the planned building as a one-story brick theatre and store building, 42x129 feet. The owner was named as F.A. Richey, and the projected cost was $15,000. The name Florence Theatre appears in the 1924 city directory.
The L.A. city planning department’s zoning information system says the building at 7228 S. Broadway was built in 1922, and is currently in use as a grocery store.