Those extraordinary revivals of 35mm prints (often studio vault copies unseen in decades) were really without parallel on the East Coast. They attracted large, passionate, rapt audiences. Alas, no more, no more!
Doesn’t anyone else have any comments on this wonderful old theatre? There were certainly plenty of people in this packed house where I saw Michael Moore’s devastating “Fahrenheit 9/11” last Saturday!
I’ve visited this theater for over forty years, although much more in the 1960s and 1970s when it was an ample single-screen cinema. I believe it used to be run by the same outfit that ran the nearby repertory cinema, the Brattle. One recollection: on October 3, 1973 I went to a showing of Francois Truffaut’s “Day for Night” (“La Nuit americaine.”) Director Truffaut himself made a personal appearance in this Harvard-sponsored event and fielded questions from the audience. I remember that Francophone members of the audience were being very tetchy because the translator was giving imprecise translations of Mr. Truffaut’s comments!
I do not live in San Francisco but whenever I am in town I make it a point to visit the Castro at least once. It’s more than a movie theater. It’s a nostalgic dream, a vision that transports us back to what used to be but which sadly in most places is no more. There are not too many other places where you can find a movie palace doing what it was meant to do…show movies! And what programming and showmanship! Clearly San Franciscans, especially from the Castro district, worship this place. May it survive as long as the cable cars do. Forever.
I have been coming to this place for over 35 years, frequently but not religiously, because it is a short drive from where I live. There is no magic here. The place has no real character, just a bunch of nondescript screening rooms built around a concession stand, and hardly any lobby. It is a tad bit spiffier since they put in new seats a while ago. I had a bad experience with CHICAGO here a while back. The auditorium where it was being screened had the most awful tinny sound imaginable, which could ruin a musical like that one.
I remember seeing Louis Malle’s “Murmur of the Heart” here in 1971 and thereafter beautiful re-issue prints of Chaplin’s “Modern Times,” “City Lights” and “The Great Dicatator”
My notes indicate I had the pleasure of visiting this cinema only twice: for Bo Widerberg’s “Adalen ‘31” in 1970 and a revival of Kinugasa’s 1926 silent “A Page of Madness” in 1973.
In December of 1972 this theater programmed “The Genesis Children,” a controversial movie about nude boys frolicking on a European beach. I believe that the cinema was programmed for a time in the 1980s by the late Richard Schwartz, who had also programmed the Thalia (uptown) and Thalia Soho with frequently-changing repertory double bills.
I didn’t attend too many movies here but I made a note of seeing “The Great Northfield Minnesota Raid” here in December, 1973. It was standard cookie-cutter Jerry Lewis cinema.
I believe this was the last operating theater in West Warwick. Now they are all gone, demolished. I used to come here from time to time, particularly in the 1970s and saw “Panic in Needle Park” and “Making It” here on a double bill in 1972, before it went into porno. West Warwick, by the way, is the town where in February 2003, The Station night club fire caused the death of about 100 people.
But all German, Italian, and Japanese film prints were confiscated and sequestered by the U.S. Government and housed at some army base during the war years. I know that some of the Italian film prints from that period are still preserved by the Library of Congress. I too truly doubt that any German films could have been shown at the Casino at that time.
The theater had character and I remember a slightly musty not-used-during-the-winter aroma the few times I went here. In the 1960s I saw Antonioni’s “Blow Up” here and in 1972 “The Cowboys” with John Wayne. Sad that these little local village cinemas across American have died in such large numbers.
I found a note that I saw the following western double bill here in September, 1972: Frank Perry’s “Doc” paired with William Witney’s “Arizona Raiders” from 1965.
I have an old Record-American ad here from November, 1963, at the time of the Kennedy assassination listing the Uptown as showing “Dream Wife” with Cary Grant and “Rampage” with Robert Mitchum. Coming attractions: “The Leopard” with Burt Lancaster and “For Love or Money” with Gig Young.
To br91975: No, that’s wrong. This theater wasn’t “on Broadway” between 48th and 49th. It was on 49th Street, north side, between 6th and 7th Avenue, just east of 7th Avenue, as their ads stated, and was previously known for many decades as the World, as detailed in Bryan Krefft’s description and history.
I was here yesterday to see that remarkable Italian film “I Am Not Scared.” What an unlikely little twin cinema in an unlikely place, an art house on a country road! Also currently in program is “Supersize Me” and the Korean gem “Spring, Summer, Fall, Winter…and Spring.” It’s a likable place with comfy seats, good sound and projection, memorabilia and posters, including one of Bertolucci’s “Stealing Beauty” in the men’s room.
The Columbus is now closed for regular movies but opened for special events: musical performances, the Rhode Island International Film Festival, special film programs, etc.
Those extraordinary revivals of 35mm prints (often studio vault copies unseen in decades) were really without parallel on the East Coast. They attracted large, passionate, rapt audiences. Alas, no more, no more!
Doesn’t anyone else have any comments on this wonderful old theatre? There were certainly plenty of people in this packed house where I saw Michael Moore’s devastating “Fahrenheit 9/11” last Saturday!
I’ve visited this theater for over forty years, although much more in the 1960s and 1970s when it was an ample single-screen cinema. I believe it used to be run by the same outfit that ran the nearby repertory cinema, the Brattle. One recollection: on October 3, 1973 I went to a showing of Francois Truffaut’s “Day for Night” (“La Nuit americaine.”) Director Truffaut himself made a personal appearance in this Harvard-sponsored event and fielded questions from the audience. I remember that Francophone members of the audience were being very tetchy because the translator was giving imprecise translations of Mr. Truffaut’s comments!
In September of 1970 I saw the film “Don Giovanni” of Carmelo Bene here. It was an avant-garde work by that idiosyncratic/hermetic Italian director.
I do not live in San Francisco but whenever I am in town I make it a point to visit the Castro at least once. It’s more than a movie theater. It’s a nostalgic dream, a vision that transports us back to what used to be but which sadly in most places is no more. There are not too many other places where you can find a movie palace doing what it was meant to do…show movies! And what programming and showmanship! Clearly San Franciscans, especially from the Castro district, worship this place. May it survive as long as the cable cars do. Forever.
I have been coming to this place for over 35 years, frequently but not religiously, because it is a short drive from where I live. There is no magic here. The place has no real character, just a bunch of nondescript screening rooms built around a concession stand, and hardly any lobby. It is a tad bit spiffier since they put in new seats a while ago. I had a bad experience with CHICAGO here a while back. The auditorium where it was being screened had the most awful tinny sound imaginable, which could ruin a musical like that one.
I believe this was the theater where I saw Joseph Losey’s “The Go-Between” in 1971 when it was a twin.
I remember seeing Louis Malle’s “Murmur of the Heart” here in 1971 and thereafter beautiful re-issue prints of Chaplin’s “Modern Times,” “City Lights” and “The Great Dicatator”
In 1974 I saw a Russian documentary here called “The Great Battle,” about the taking of Berlin in WWII.
My notes show that I saw Louis Malle’s unforgettable “Lacombe, Lucien” when in London (visiting from the U.S.) in July, 1974.
My notes indicate I had the pleasure of visiting this cinema only twice: for Bo Widerberg’s “Adalen ‘31” in 1970 and a revival of Kinugasa’s 1926 silent “A Page of Madness” in 1973.
Wakefield is a village in the town of South Kingstown, Rhode Island.
Does anyone else remember this place? I have a note that I saw “Slaughter Hotel” and “The Last House on the Left” here in December of 1972.
In December of 1972 this theater programmed “The Genesis Children,” a controversial movie about nude boys frolicking on a European beach. I believe that the cinema was programmed for a time in the 1980s by the late Richard Schwartz, who had also programmed the Thalia (uptown) and Thalia Soho with frequently-changing repertory double bills.
I didn’t attend too many movies here but I made a note of seeing “The Great Northfield Minnesota Raid” here in December, 1973. It was standard cookie-cutter Jerry Lewis cinema.
I believe this was the last operating theater in West Warwick. Now they are all gone, demolished. I used to come here from time to time, particularly in the 1970s and saw “Panic in Needle Park” and “Making It” here on a double bill in 1972, before it went into porno. West Warwick, by the way, is the town where in February 2003, The Station night club fire caused the death of about 100 people.
But all German, Italian, and Japanese film prints were confiscated and sequestered by the U.S. Government and housed at some army base during the war years. I know that some of the Italian film prints from that period are still preserved by the Library of Congress. I too truly doubt that any German films could have been shown at the Casino at that time.
The theater had character and I remember a slightly musty not-used-during-the-winter aroma the few times I went here. In the 1960s I saw Antonioni’s “Blow Up” here and in 1972 “The Cowboys” with John Wayne. Sad that these little local village cinemas across American have died in such large numbers.
I found a note that I saw the following western double bill here in September, 1972: Frank Perry’s “Doc” paired with William Witney’s “Arizona Raiders” from 1965.
I have an old Record-American ad here from November, 1963, at the time of the Kennedy assassination listing the Uptown as showing “Dream Wife” with Cary Grant and “Rampage” with Robert Mitchum. Coming attractions: “The Leopard” with Burt Lancaster and “For Love or Money” with Gig Young.
To br91975: No, that’s wrong. This theater wasn’t “on Broadway” between 48th and 49th. It was on 49th Street, north side, between 6th and 7th Avenue, just east of 7th Avenue, as their ads stated, and was previously known for many decades as the World, as detailed in Bryan Krefft’s description and history.
I was here yesterday to see that remarkable Italian film “I Am Not Scared.” What an unlikely little twin cinema in an unlikely place, an art house on a country road! Also currently in program is “Supersize Me” and the Korean gem “Spring, Summer, Fall, Winter…and Spring.” It’s a likable place with comfy seats, good sound and projection, memorabilia and posters, including one of Bertolucci’s “Stealing Beauty” in the men’s room.
Shouldn’t the Century and the Center listings be consolidated into one, since they are the same theatre?
Shouldn’t the Century and the Center listings be consolidated into one, since they are the same theatre?
The Columbus is now closed for regular movies but opened for special events: musical performances, the Rhode Island International Film Festival, special film programs, etc.